To my pretty friend!
Although I didn't play well.
23/11/2013

我真的受傷了 (Composed by Ivana Wong, Improvised playing by me)

Modulation : B Flat Minor - B Flat Major - E Flat Minor - B Flat Minor

********
Assignment

Rondo in Bb Minor (Draft)(Composed by ME.)

HKIEd MUSES - Joint University Students Composition Concert and Masterclass 2015 (6/5/2015)
(Recorded by Dr. Leung Chi-hin with ZOOM H6)
-----------------------------------------------------------------------------------
Composer : Tsang Lok Yan
1st Piano : Tang Suet Man
2nd Piano : Tsang Lok Yan
Violin : Cheung Wai Lun

Breeze is overall written in French style. This piece emphasizes the interval of perfect 4th and 5th, which always appears on the pianos, to bring a perfect consonance. The harmonies are mainly 7th and 9th chords, which are refreshing with the hollow intervals.

There are generally 3 sections in Breeze: section A (bar1-33), B (bar 34-55) and A’ (bar 56-72).

A brief introduction is started on the 2nd piano and the main theme is played by the violin in section A. Firstly, the beginning with the main melody describes a scene of autumn. The triplets and scalic passages imitate the gentle breeze. The highest climax is developed from bar 19. The main theme is repeated by the pianos strongly. The motif is modified by the violin and the 2nd piano with sequences.

Section B has new motif, starting on the first note of the main theme, D sharp. The quick demisemiquavers and triplets imitate the fallen leaves in autumn. The 1st piano plays variations on the new motif. Violin repeats the sequence from section A near the end of section B.

Finally a modified section A is repeated. There is a short coda with half-diminished and augmented chords.

----------------------------------------------------
Orch Ver. : https://soundcloud.com/ptly/breeze-orch-final-composed-by-me

Breeze (Recording)(Composed by ME.)

9/2/2016
-Piano Solo composed on 8/9/2015 01:34 - 10/9/2015 17:15

When "love" meets "hate".....when "love" needs "hate"...

When Love Meets Hate 愛恨交纏 (Composed and Played by ME)

10/2/2016

Original Ver. : 
https://soundcloud.com/ptly/breeze-recordingcomposed-by-me

Composer : Tsang Lok Yan
1st Piano : Tang Suet Man
2nd Piano : Tsang Lok Yan
Violin : Cheung Wai Lun

Breeze is overall written in French style. This piece emphasizes the interval of perfect 4th and 5th, which always appears on the pianos, to bring a perfect consonance. The harmonies are mainly 7th and 9th chords, which are refreshing with the hollow intervals.

There are generally 3 sections in Breeze: section A (bar1-33), B (bar 34-55) and A’ (bar 56-72).

A brief introduction is started on the 2nd piano and the main theme is played by the violin in section A. Firstly, the beginning with the main melody describes a scene of autumn. The triplets and scalic passages imitate the gentle breeze. The highest climax is developed from bar 19. The main theme is repeated by the pianos strongly. The motif is modified by the violin and the 2nd piano with sequences.

Section B has new motif, starting on the first note of the main theme, D sharp. The quick demisemiquavers and triplets imitate the fallen leaves in autumn. The 1st piano plays variations on the new motif. Violin repeats the sequence from section A near the end of section B.

Finally a modified section A is repeated. There is a short coda with half-diminished and augmented chords.

----------------------------------------------------
Orch Ver: https://soundcloud.com/ptly/breeze-orch-final-composed-by-me

Breeze (Pop Ver.) (Accomp)(Composed by ME.)

10/2/2016

Original Ver. : 
https://soundcloud.com/ptly/breeze-recordingcomposed-by-me

Composer : Tsang Lok Yan
1st Piano : Tang Suet Man
2nd Piano : Tsang Lok Yan
Violin : Cheung Wai Lun

Breeze is overall written in French style. This piece emphasizes the interval of perfect 4th and 5th, which always appears on the pianos, to bring a perfect consonance. The harmonies are mainly 7th and 9th chords, which are refreshing with the hollow intervals.

There are generally 3 sections in Breeze: section A (bar1-33), B (bar 34-55) and A’ (bar 56-72).

A brief introduction is started on the 2nd piano and the main theme is played by the violin in section A. Firstly, the beginning with the main melody describes a scene of autumn. The triplets and scalic passages imitate the gentle breeze. The highest climax is developed from bar 19. The main theme is repeated by the pianos strongly. The motif is modified by the violin and the 2nd piano with sequences.

Section B has new motif, starting on the first note of the main theme, D sharp. The quick demisemiquavers and triplets imitate the fallen leaves in autumn. The 1st piano plays variations on the new motif. Violin repeats the sequence from section A near the end of section B.

Finally a modified section A is repeated. There is a short coda with half-diminished and augmented chords.

----------------------------------------------------
Orch Ver: https://soundcloud.com/ptly/breeze-orch-final-composed-by-me



Breeze (Pop Ver.)(Composed by ME.)

Conducted by Dr. Leung Chi Hin
Performed by HKIEd Orchestra
----------------------------------------------------
Original Ver. : https://soundcloud.com/ptly/breeze-recordingcomposed-by-me

Composer : Tsang Lok Yan
1st Piano : Tang Suet Man
2nd Piano : Tsang Lok Yan
Violin : Cheung Wai Lun

Breeze is overall written in French style. This piece emphasizes the interval of perfect 4th and 5th, which always appears on the pianos, to bring a perfect consonance. The harmonies are mainly 7th and 9th chords, which are refreshing with the hollow intervals.

There are generally 3 sections in Breeze: section A (bar1-33), B (bar 34-55) and A’ (bar 56-72).

A brief introduction is started on the 2nd piano and the main theme is played by the violin in section A. Firstly, the beginning with the main melody describes a scene of autumn. The triplets and scalic passages imitate the gentle breeze. The highest climax is developed from bar 19. The main theme is repeated by the pianos strongly. The motif is modified by the violin and the 2nd piano with sequences.

Section B has new motif, starting on the first note of the main theme, D sharp. The quick demisemiquavers and triplets imitate the fallen leaves in autumn. The 1st piano plays variations on the new motif. Violin repeats the sequence from section A near the end of section B.

Finally a modified section A is repeated. There is a short coda with half-diminished and augmented chords.

----------------------------------------------------

Breeze (Orch Ver., Recording)(Composed by ME)

Rehearsal on 6/5/2016 morning

Flute : Cheuk Hei Ting
Clarinet : Chung Chun Hung 
Piano 4 Hands : Kwok Ka Ching, Tang Suet Man
Violin : Cheung Wai Lun
Cello : Chen Hegao
Double Bass : Liu Tsz Ching
---------------------------------------------------------------------------
Tap Dance 踢躂舞                     Tsang Lok Yan 曾樂欣

“Tap Dance” is written for 1 Flute, 1 Clarinet, Piano 4 Hands, 1 Violin, 1 Cello and 1 Double Bass. As referring to the given title, “Tap Dance” imitates the movements and effects of tap dance, which are very rhythmic. “Foot Steps” played by the performers is added to fit in the title. This piece is overall percussive.

There is an ad lib section in the introduction and soon the music is on the beat. The main motif is played by the violin. That motif and the motif from the introduction are played repeatedly by different instruments. Before the ending, there is a grand pause, which produces a surprise. 

「踢躂舞」是為一支長笛、一支單簧管、鋼琴四手聯彈、一支小提琴、一支大提琴及一支低音

大提琴而寫的。由於此曲的原意是模仿踢躂舞的舞步，所以它充滿節奏感。因此，此曲也加入

踏腳部分以添加踢躂的感覺。

此曲以比較隨意的節拍作開始，後來進入有規律拍子的部分。前奏及A段的主旋律將不斷穿梭

於不同的樂器之中。所有樂手在完結的D大調和弦前會有一個突然的停頓，使此曲充實驚喜。

Tap Dance (Recording, Composed by ME)

回憶 - 薰衣草紫  Memory "Lavender" (Composed by ME)

Idea: 11/3/2015
-----------------------------
19/7/2016 23:23
(3 hours?)

Etude in Db (Composed and Played by ME)

Premièred by....

Conductor: Dr. Leung Chi-hin
EdUHK Orchestra 
@ EdUHK C-LP-11 on 10/3/2017

Purple is my first orchestral ballade. It is a re-arrangement of my chamber work – Lavender for flute and piano. The orchestral version paints various layers of purple gorgeously.

For Full Orchestra
12-13/2/2017
-----------------------------------------------
Original: https://soundcloud.com/ptly/menory-lavender-composed-by-me

Tsang Lok Yan

Ballade "Purple" (Recording)(Composed by ME)

一首以前作---Memory 的形式而作的作品,
(http://soundcloud.com/ptly/memory-f-major-composed-by-me)
2個Melody,不斷repeat,
每一段都有新元素,
Texture愈來愈精彩:)

這首歌給我一個很夢幻的感覺,
充滿[夢想]:)

Wonderful Dream (Composed by ME.)

Final version for HKDSE MUSIC. 

7/1/2013

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