Name: PP Chill Pill II 80000 Takeover (ANDRAS) by PUBLIC POSSESSION
Duration: 1 h
Description: Celebrating Chill Pill II w/ a Radio 80000 takeover. Starting at noon going all the way until 9pm. Only the best music with contributions from Nice Girl, Bell Towers, Laura Groves, Andras, DJ Chrysalis, Eden Burns, DJ City & Secret Circuit.

this is soooooo nice. Anyone have more info?

Full feature, interview and tracklist coming soon!

Off The Record Mix Series 23: Suzanne Kraft

B.P.T. Radio 036: Tornado Wallace

I got to know Laurel (@silver-side-pony) via the growing bin website. Always loved their picks from the bin and so I got curious. Then I heard one of Laurels mixes and was sold. I am superhappy to share this almost 4 hour long sandwich with you... now handing over the keyboard. 
"Laurel hails from the rural North Island (Te Ika-a-Māui) of Aotearoa, New Zealand. They enjoyed a few years observing Pōneke (Wellington)’s rambunctious and delightfully strange music scene at venues like Puppies and the revered Camp a Low Hum, before moving to Berlin.
This mix is the result of many quiet lockdown nights trawling bandcamp, deep dives into the (Growing) Bin, and excavating their record collection. Winding in and out of new music and old gems over 3.5 hours, the mix reflects their unease and excitement of heading back to parties after a long break. Laurel made sure to include some old well-trodden favourites, doing a big middle finger to the pressure to play new and “rare” tracks at every single outing.
Big shout outs go to Eyeliner (@disasterradio), Tania (@taniajust), Castro & Nemo (@sound-metaphors), Cáit (@caitfa), and Stella (@stella-zekri-ouiddir) for inspiration." 
Thanks a TON for this yummy mix Laurel!!

Laurel - Growing Bin Sandwich (Guest Mix, 2023)

https://www.nts.live/shows/doing-time/episodes/doing-time-18th-september-2022

NTS – Doing Time (Again) w/ Asger Behncke

Efficient Space's Swiss connection Ivan Liechti expands on his Ghost Riders compilation with an hour of North American coming of age garage ballads, salad day hymns and small town criers.

Image Credit: Elise Gagnebin-de Bons

https://www.nts.live/shows/efficient-space/episodes/efficient-space-20th-october-2022

Efficient Space w/ Ivan Liechti 201022

Delighted to host Brandon Hocura Influence mix on Oddity Radio for @seance-centre.

Brandon Hocura : Thinking back to my formative musical experiences brought back places, moods, and memories, mostly from my late teens and early twenties. For the mix, I wanted to connect those salad days with my long-term interests; basically I chose some foundational favorites and filled the spaces between them with sonic portals, linking then and now in my mind.

Turn on, tune in and don't drop out!

For regular updates please follow : www.instagram.com/oddityradio.fm/

Brandon Hocura - Oddity Influence Mix

Last mix of the year 2022 comes from Rotterdam based Suze Ijó (@suze_ijo) who has been making heat across dance floors world wide. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Suze, welcome to the series. You used to work at Clone. Do you believe working in a record store has helped you as a DJ and the other way around?

SI: I think that the type of person that gets attracted to working in a record shop are usually music geeks(like I am). So it was wonderful being surrounded by only music geeks for three years and sharing with each other our influences, hearing all the records coming in and finding out about some cool releases on labels you would never even think of listening to if it wasn’t for it being played in the store. I did get a discount but in the end my salary was basically being spent on new records. I think as a DJ working there it did inspire me to dig deeper because you need to advice all different kinds of people about what’s in store. As for benefits for the record store, I guess having qualified music lovers is a good thing to have around.

MFM: By sticking to the more soulful sounds, such as gospel, soul, disco, broken beat and house, and also being outspoken in championing the black community, it seems like you're expressing a message through music. Could you please share your thoughts on this?

SI: Being a black Dutch-Caribbean woman is definitely a big part of my musical identity. I like to weave Afrodiasporic sounds together mostly because they have so much in common, whether it’s House music, Salsa, Boogie, Broken Beat or Techno. I can hear the connections so clearly. Each time I might have a different message but a lot of them have to do with: losing and finding love, letting go, finding community and expressing joy. 

MFM: With playing so many shows at different places on this planet, how do prepare for your gigs?

SI: Sometimes it’s hard to prepare because you won’t know where you’ll end up playing or for what kind of crowd. I usually bring a variation of new finds and old classics with me. Also I try to make a playlist per event in Rekordbox. I kind of see it like puzzling, you want to make sure the pieces fit together. It usually starts with me overpacking and then slowly taking out the records that aren’t necessary or most likely won’t be played. I used to spend a lot of time preparing but because I play so much these days, I am almost always in a state of preparation and that takes away the stress that used to come with it. It allows for more spontaneity.

MFM: Please tell us about this mix, was there a certain vibe or idea you wanted to capture?

SI: I wanted this mix to be slow paced and imaginative, to almost make it feel like a movie soundtrack when closing your eyes. I don’t want to say too much about it because I want every listener to have their own interpretation but the transmission of intergenerational trauma and memory is something that I had thought about a lot lately. Then I found a poem by Brazilian Maestro Milton Nascimento which is the guideline of this mix. The Poem “Era Rei e Sou Escravo” (translation: I was a king and I am enslaved) tells the story of an enslaved person, being taken from the African mainland and no matter how badly he is treated or wherever he is taken, he says that the memory of his country and the memory of the music of his people stays and never goes away. It keeps him hopeful, he ends the poem with: Sou Escravo Serei Rei(I am a slave, I will be a king). From that moment on we travel.

MFM Mix 046: Suze Ijó

The breezy sound of the Canadian Riviera, from Mood Hut's Pender Street Steppers.

https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-7th-february-2023

Pender Street Steppers 070223

Asia-inspired ambient mix on Klasse Wrecks Wradio-show, broadcasted on LYL Radio (12.10.18). Dial up, tune in and zone out.

++ be sure to check out "Double Vision EP" by Luca Lozano & Telephones, 12" out on Klasse Wrecks now!  https://klassewrecks.bandcamp.com/album/double-vision-ep

Ambient Asia Mix @ Wrecks Wradio (LYL Radio 12.10.18)

Celebrating Chill Pill II w/ a Radio 80000 takeover. Starting at noon going all the way until 9pm. Only the best music with contributions from Nice Girl, Bell Towers, Laura Groves, Andras, DJ Chrysalis, Eden Burns, DJ City & Secret Circuit.

PP Chill Pill II 80000 Takeover (ANDRAS)

For our second installment of the Musik Mix series we are joined by 5ive from japan and Samo from Sweden in a remote joint effort.
Tupplur simply means - to take a nap in swedish. 
Taking an afternoon nap is happiness!

artwork by Tobias Centerwall

Sattaoja Musik Mix - Episode 2-  5ive & Samo - TUPPLURS MIX

Audio – Visual – Energie

Independent record label and shop based in Munich. Public Possession is run by Marvin & Valentino.

Distribution and mailorder for PP releases in EU is handled by wordandsound. Please contact them for domestic retail mailorder.

For all bookings contact: 
booking@publicpossession.com

PP Chill Pill II 80000 Takeover (ANDRAS)

PUBLIC POSSESSION

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