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Mixes

SWAYMIX 004 - Loveshadow

Svreca. Four To Eight / Berlin. 11/04/2015.

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Francachela - Anya - 28 Mar 2025

This is the 53rd recorded instore session. 
Mixed and compiled by the Zenker Brothers from Munich.

www.publicpossession.com

PP INSTORE #53 (ZENKER BROTHERS)

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

Low, slow and sleazy sounds with babyschön, in the studio for the early afternoon shift...  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/soup-to-nuts-babyschon/episodes/soup-to-nuts-babyschon-22nd-may-2025

Soup To Nuts w/ babyschön 220525

Collector John Gómez brightens up Mondays with some music from different times and different places.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/soup-to-nuts-john-gomez/episodes/soup-to-nuts-john-gomez-16th-june-2025

Soup To Nuts w/ John Gómez 160625

The breezy sound of the Canadian Riviera, from Mood Hut's Pender Street Steppers.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-24th-june-2025

Pender Street Steppers w/ Space Ghost  240625

Loveshadow Live @ B.P.T. June 2025

Low, slow and sleazy sounds with babyschön, in the studio for the early afternoon shift...  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/soup-to-nuts-babyschon/episodes/soup-to-nuts-babyschon-10th-july-2025

Soup To Nuts w/ babyschön 100725

Apiento, a.k.a Paul Byrne runs the invaluable Test Pressing blog and releases music on World Building, World Unknown and more. His show has that esoteric techno thing and whatever suits the mood…
 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/test-pressing/episodes/test-pressing-26th-july-2025

Test Pressing 260725

Trushmix 242 is back again! This time another round with London´s finest. Brian not Brian, teaming up with good mate and partner in crime Piers Harrison. 
Brian not Brian and Piers Harrison live at Giant Steps in London, on Easter Sunday. 
A 6 hour musical extravaganza! Balearic in the extended field, musical style bending for listening and dancing.

Enjoy music from the top!


Trushmix 242 - Brian Not Brian and  Piers Harrison

All vinyl mix from our friends who go by the name Sfire!

ULTRAMAJIC MIX VOL. IV SFIRE

Hugo Ball co-founder and Smart Bar resident Eris Drew recorded this ecstatic vinyl rave mix in anticipation of her show with Kim Ann Foxman and Mazi at Smart Bar on Saturday, January 30, 2016.  The mix features ecstatic breaks and ecstasy-culture house from the early days of the U.K. acid and hardcore movement, until today.

1.  Bizarre Inc. - Love in Motion (Hot Tracks Remix) (Hot Tracks 1993)
2.  Tessela - Helter Skelter (Poly Kicks 2013)
3.  KLF - Make it Rain (KLF Communications 1991)
4.  Radio Slave - Children of the E (Running Back 2014)
5.  SLF - Show Me What You Got (NDL Edit) (Warriors Dance 1988)
6.  Cartouche - Feel The Groove (Underground Frank De Wulf Mix) (ZYX 1990)
7.  Marco Bernardi - Finite Space (Mathematics 2015)
8.  Digital Domain - I Need Relief (Rabbit City 1992)
9.  Rhythmatic - Rhythmatix (Network 1992)
10. Cowboy Rhythmbox - Latin Sex Change (Phantasy 2015)
11.  Brothers and Systems- One Voice (Dub Mania and Philth Vers) (Nettwerk 1992)
12.  The Sound Vandals - Extasy (What is it?) (Nu Groove 1990)
13.  Dreamlogicc - el en (MDS001 2014)
14. Meat Beat Manifesto - Radio Babylon (PIAS 1990)
15. Strange Audio Dreams - Error Design #1 (Art - Aud 2015)
16. NJOI - Malfunction (RCA 1991)
17. SL2 - The Noise (XL Recordings 1991)
18. The Operator - Entity (I'm a Cliche' 2015)
19. Altern-8 - Reel Time Status (Network 1990)
20. Frankie Bones - Rise Up (Freestyle) (Breaking Bones 1990)

Eris Drew - Make It Rain Mix

Download, bio, infos ---> http://www.lesyeuxorange.com/mixes/lyo059-bill-converse/

LYO#059 / Bill Converse

Audio – Visual – Energie

Independent record label and shop based in Munich. Public Possession is run by Marvin & Valentino.

Distribution and mailorder for PP releases in EU is handled by wordandsound. Please contact them for domestic retail mailorder.

For all bookings contact: 
booking@publicpossession.com

PP INSTORE #53 (ZENKER BROTHERS)

PUBLIC POSSESSION

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