Released March 31st

VINYL:
http://www.juno.co.uk/products/fjaak-po-folk-ep/521802-01/
DIGI:
www.beatport.com/label/klasse-recordings/16385

PO FOLK sees Berlin newcomers make a welcome return to Klasse Recordings, their second EP for the label is a stripped to the bone work-out of all killer no filler.

PO FOLK comes in two versions, the 'HATE' version kicks off with distorted kicks and stabs before dropping to a devastating buzzy bassline. Techno and House in equal form, the track is perfect mix of light and dark. Vocals come courtesy of the group themselves, re-voicing a classic track that might be familiar to some.

The 'LOVE' version brings some melody and warmth into play, but still retains all the analogue fuzz and nastiness. MPC style sample cut ups ride the beat and transport the track to another heavy bassline and vocal chat.

Berlin based Panorama Bar favourites, Analogue Cops join the ranks of Klasse Recordings with a unique take on the title track. Playing out as a live jam session, the Restoration Records duo dub out the original parts and turn in a version that is as relentless as it is intriguing. Heavy on the bass and with double the weirdness, their interpretation is sure to cause havoc on any willing dancefloor.

Wrapping up the EP is 'Black Widow', an atmospheric and dynamic track that builds slowly before introducing a huge sub bass. Reduced to only the most essential of parts, 'Black Widow' is sure to play out well in any forward thinking DJ set.




Po Folk (Hate Version)

After the success of the first A-sides compilation in 2012, Adam Beyer has decided its time to release another. With Adam’s stature steadily growing as one of the leading talents in the Techno scene and the rise of Drumcode, the standard of demo’s that have been sent to Adam have been top notch. Adam has now decided to release two compilations with 10 tracks each, consisting of tracks that Adam has tried and tested. There are also new artists that have been invited to release on Drumcode for this compilation and others who are a staple in Drumcode’s core family. Combining both old and new talents Drumcode have come up with something unique and distinctive to make this two-part compilation something extra special.

Skober - Membrane - Drumcode - DC128

Sam Paganini - Rave

Beatport: bit.ly/ElementsIVAGUA_bp
Vinyl: http://bit.ly/ElementsIVAGUA_vinyl
iTunes: http://bit.ly/ElementsIVAGUA_iT

Ideal Audio presents the fourth and final instalment of Oliver Huntemann and Dubfire's seminal ELEMENTS series. These techno heavyweights have worked together on numerous projects over the years, but it is their Elements collaborations that have shone impressively as a complete body of work. AGUA is the final piece of the music puzzle and completes the series that first saw the light of day back in 2010 with the scorching FUEGO.

2011 brought us TERRA, firm and powerful with its devastating breakdown. 2013 saw us breathe in the mystical AIRE, harnessing the elements of the previous tracks to build a fresh and magical moment. AGUA, as its name suggests, flows effortlessly, helped in no small part by the sultry vocal of Xenia Beliayeva, but kicks in equal measure.

Signing off in such style has also lead to Ideal Audio drafting in some heavy weight talent on the remixes. Carl Craig, under his C2 moniker, dives straight in to strip the original to its core. A single drum beat, siren, clap… and then the kick. Petar Dundov twists the original’s elements into a bubbling acidic stream that washes over us. An impressive package for an impressive finale!

Dubfire & Oliver Huntemann – Elements Series IV: Agua (feat. Xenia Beliayeva)

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, ‘Satellite’, by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin’s Plus8, Sven Vath’s Cocoon and of course, Adam Beyer’s Drumcode. In his time he has been responsible for underground hits like ‘Zoe’, ‘Polyester’ and ‘Fire In My Arms’, all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, ‘Satellite’ is Sam’s first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

From there it’s a case of getting straight down to business. ‘Another Chance’ is a spacey bit of cantering techno and ‘White’ is rooted in devastating kick drums and is riddled with serrated synth lines that build lots of great techno pressure. ‘Down’ is an undulating bit of funky techno complete with choice vocal flourishes and tracks like ‘Lotus’ are prime offerings from the deeper end of the scale.

No two tracks sound the same on Satellite: Sam is always teasing out a new bit of texture, nailing a slightly different vibe or exploring different amounts of light and dark throughout the course of this most excellent album. This is evidenced by diverse cuts like ‘Dusty’, ‘Toxic’ and ‘Rave’.

Despite ‘Satellite’ being Sam’s debut album, it showcases his seductive style in all its glory across 12 fantastic tracks that will leave you begging for more.

Sam Paganini - Rave - Drumcode - DCCD10

Get your hight quality copy : https://pro.beatport.com/release/wrong-choice/1399854

Matt Minimal comes back on Perfekt Groove with four new tunes who explore the melodic part of the techno music vibe . This ep concentrate groove and punch the analog melodic parts who give something unforgetable of the tracks . This ep is perfect if you want to keep the crowd reactive  . Grab your copy now

Connect With Matt Minimal : 
Facebook : www.facebook.com/mattminimalpage
Soundcloud : www/soundcloud.com/mattminimal
Twitter : www.twitter.com/mattminimal

Matt Minimal - For The Bass (Orignal Mix)

We are happy to welcome Maceo Plex to Drumcode with the fourth instalment of his Conjure series, ‘Conjure Infinity’. Featuring two tracks ‘Conjure Dreams’ and ‘Conjure Floyd’, both are peak time monsters that introduce two very different elements. ‘Conjure Dreams’ utilises a groovy, melodic bass that is reinforced using tight thumping drums to shatter any dance floor into the universe. ‘Conjure Floyd’ builds into a more ‘heads down’ techno vibe with a very interesting breakdown. Two sure fire tracks to ignite the floor.

Maceo Plex - Conjure Dreams - Drumcode - DC136

Play with me Part 2
Minus Records




I don't own the rights of this track

Matador - Da Hustle

Desert Lines, Orika & Taruun-Drizzle-(Mellon Place Records)

Hot on the heels of the A-Sides Volume 5 compilation, Enrico Sangiuliano makes his return to Drumcode with his highly anticipated EP ‘Moon Rocks’. The heavy hitting four track EP shines a light on Sangiuliano’s tight, thundering production skills. The hoover heavy lead track ‘Moon Rocks’ is packed with booming percussion, intricate synths and brooding crescendos. The EP encapsulates Sangiuliano’s wide spectrum of sounds ranging from the fat bass line of ‘Moon Rocks’ to the more delicate harmonies shown within the ‘Dutch Kiss’ mixes whilst ‘Ghettoblaster’ sits somewhere in between.

Enrico Sangiuliano - Moon Rocks - Drumcode - DC160

Ben Klock - Subzero

Filth on Acid is excited to welcome Cari Golden for a new collaboration with label honcho Reinier Zonneveld. "Bending The End" is the second track they recorded together and the follow up of the enormous hit "Things We Might Have Said", which was one of the biggest electronic hits of 2016.

That being said, Cari and Reinier wanted to bring something new to the table and started with a white canvas when composing "Bending The End", and because of that they ended up taking a totally different direction. This time the track comes in two variations, the melody centred original mix and a dancefloor orientated 4AM mix. 

The original mix starts out with a throbbing, deep Moog bassline, and a round, deep bassdrum, while at the same time blending soft, haunting effects and a fragmented, distorted melody. Cari Golden's voice, deep and beautiful, comes in and sets the mood for a hypnotic slow burner. The bassline initiates a subtle chord progression and delicate production skills elevate the mood of the track. Powerful but stripped back drum programming along with short bursts of white noise bring impact for the dancefloor. A long breakdown starts the orchestra by three of the big classic synths - Oberheim, Moog and Juno - and pave the road for unimpeachable ear candy with Cari's angel like voice as the centerpoint of the attention. All the elements come together and form an indisputable peak; without building up too obvious. In the vein of bending the end to the beginning again, the track's outro ends as it started: deep and delicate. The second version in the package - 4AM Mix - has a definite peaktime feel to it. Powerful driving drums and a heavy bed of sub bass kick lead the way to the introduction of looped elements of Cari's voice. Colossal, bassy stabs hint to original in a disrobed way. Long synth notes lying somewhere between bass and melody introduce the harmonies of the original during the breakdowns and translate it to demanding dancefloors in a profound way.

Early feedback (in random order)
Monika Kruse: does reiner ever sleep? nice track again! 
Victor Ruiz: Reinier is on fire!!!!!!! 
Karotte: original and 4AM mix are great. love it.
Gabriel Ananda: Nice one! I am not exactly an vocal fan, but its really well made and a nice track. thanks
Sasha Carassi: good stuff!
Umek: top work 
Oliver Koletzki: 4AM mix is amazing!!
Coyu: 4AM mix sounds good
Noir: Nice tracks guys ;)
Chus & Ceballos: Beautiful vocal, great production! thanks 
Franky Rizardo: Supporting

Get it here

PREMIERE: Reinier Zonneveld & Cari Golden - Bending The End (Original Mix)

It’s been a while since we released a V/A on Noir Music and I only ever compile them whenever I feel I have 5-6 tracks that stand out.

Dark Stars Volume 4 has been 6 months in the making and yes..... I know I am picky with the music I sign. I hear that on an almost daily basis.
But even though I could pick music from many different artists it still took me months of compiling, testing the music in clubs and at festivals and then putting together the tracks I felt stood out and complimented each other.

The great thing about V/A’s is that you get the chance to put together a release from artists with completely different sounds and ideas.
Although the sound of Dark Stars Volume 4 is quite minimal sounding overall, it still reflects musicality and great in-depth productions by skillful and experienced artists.
Another great thing about Volume 4 is that these are all artists who make their debut on Noir Music.

I truly love playing every single track from this release and I enjoy watching the crowds reactions around the globe.
I feel no need to get deeper into detail about the specific tracks, as the music will speak for itself.
- Noir

Sam Paganini - Rave

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