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Lab 4

Reset Robot returns with another exquisite Truesoul offering, led by the timeless vocal composition ‘I Wish You’d Never’.

Digging deeper into his sonic repertoire during lockdown, the producer (aka Dave Roberston) crafts a thoughtful EP brimming with shimmering ambient tones and textures.

‘I Wish You’d Never’ reinforces his superior production skills, led by the mammoth title track. A strong lead vocal rubs shoulders with lustrous synth swirls, lilting pads and crisp percussion, before a brooding bassline comes into focus and hits with a deliciously menacing punch. ‘Time Loop’ is a piercing acid trance cut that begs to be rinsed. ‘Fluid’ originally begun as ambient electronica work, but evolved into a tougher composition through the course of the studio session: “out of curiosity I added some drums and a more aggressive bass synth and it came together,” Robertson says of the grandiose, pad-laden work. A classy dub of ‘I Wish You’d Never’ rounds out the package.

Buy/Stream

Reset Robot - Time Loop - Truesoul - TRUE12138

A double A-Side from two of the collective’s most reliable artists gets us warmed up for a summer to remember. 

With dancefloors within eyeshot, Bart Skils steps up with another divine cut on Truesoul, guaranteed to elicit goosebumps upon impact. ‘East of the Sun’ has Bart’s trademark silky groove, but leaves its mark via a celestial break made for misty-eyed morning moments. Mark Reeve’s first contribution to Truesoul since 2017 is an ace; a tender cut to ease us back into the rave, a shimmering lead builds patient energy throughout the first half of the track before fading into a brief but exhilarating silence. When the beat kicks back in we can already picture the collective headrush the dancefloor will experience.

Bart Skils - East Of The Sun - Truesoul - TRUE12139

'T78 drops another bombs remix, this time for Roberto Pagliaccia & Dubskull...'

Read More: https://whenwedip.com/2021/06/premiere-t78-skil/

Follow: @t78official // @roberto-pagliaccia // @28cdn0e8d9ya // @gain-records

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GR271 - Skil EP

Premiere: Roberto Pagliaccia, Dubskull - Skil (T78 Remix) [Gain Records]

Beatport

Pan-Pot - Grey Matter

Gregor Tresher kicks off 2015 looking to break new soil with his first ever full release for John Digweed's Bedrock Records.   

Last year was as hectic as ever for the Gregor and he came into it on high from the success of his artist album Nightcolours and having closed out 2013 by releasing an astonishing Laurent Garnier remix of the title track, on his own imprint.   Time to relax a little maybe? Not a chance. January saw the remixed version of the album hit the stores and this was backed within a few weeks by 'Taurus', Gregor's enticing collaboration with Petar Dundov. The summer saw him remix the Chymera classic 'Shadowdancer' and he closed 2014 with the superb 'Midas / Disturber' double-header.   

Somewhat of a musical chameleon, Tresher is as at home creating deeper shades of house for the likes of Moon Harbour and Ovum as he is techno rhythms for Music Man, Cocoon and Drumcode.   With label boss Digweed a huge fan, Bedrock is yet another perfect fit for the German and he opens his account with the mighty, melodic and Kraken'esque 'Goliath' and the razor-sharp lightning bolt that is 'Stormblade'.

Gregor Tresher - Goliath (Bedrock)



A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration.

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint.

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014.


For An Endless Night (Jel Ford Remix)

DC140 For An Endless Night (Jel Ford Remix)[Drumcode]

Release Date: 24th October 2025

A1. UFO95 – After Light Comes Shadow
A2. Z.I.P.P.O & Claudio PRC – Marte Rosso
A3. D-Leria – Underwater
B1. Stephanie Sykes vs Dyad – What Remains
B2. BIMOL – Fragmento En La
B3. Decoder – We Keep Lying To Ourselves


Fides Records celebrates ten years of independent sound and vision with the monumental 41-track release “FIDES X – 10 Years of Fides”. The first 12” FIDESX 1, set to release on 24th October sets the tone for the seven-part vinyl journey, opening with a powerful statement of intent.

UFO95 introduces “After Light Comes Shadow”, a bleep-infused 4/4 cut whose broken accents unfold into layers of cinematic tension. Z.I.P.P.O and Claudio PRC follow with “Marte Rosso”, a poetic excursion across Martian landscapes shaped by evolving pads and hypnotic grooves. D-Leria’s “Underwater” plunges deeper still, driven by relentless modular propulsion and immersive aquatic textures.

The B-side expands the spectrum. Stephanie Sykes & Dyad contribute an untitled roller infused with spiritual intensity and organ-like resonance, while BIMOL’s “Fragmento en La” twists cinematic atmospheres and industrial edges into broken rhythms guided by a haunting Spanish vocal. Bringing the record to a close, Decoder delivers “We Keep Lying To Ourselves”—a slow-burning, 808-driven piece of subtle progression and timeless elegance.

FIDESX Vol.1 [EP]

Mark Reeve presents his second release on Drumcode, ‘Run Back’, a four track EP crammed with heavy hitting kick drums and his signature big basslines. The dark sounds and heavy textures are typical of Reeve and he’s showing no sign of slowing down yet. Four tracks of brooding techno, this EP is one not to be missed.

Mark Reeve - Run Back - Drumcode - DC151

Adam Beyer’s Drumcode juggernaut attracts more fans and critical plaudits with each passing year. Holding firm on its future facing ethos, techno’s number one label presents a new volume in its acclaimed A-Sides series with 20 prime tracks to signify its 20th anniversary. 

Such is the volume of quality music Adam Beyer receives throughout the course of the year, releasing all of it would be impossible. Enter the blue chip A-Sides series: a chance for the quality-obsessive label head to issue a collection of outstanding tracks that couldn’t fit in their regular EP release schedule. 

With an eye on future talent, as much as the label’s established roster of heavy-hitters, the compilation showcases the full breadth of Drumcode’s multifaceted techno sound, equal parts inspiring and functional. 

Led by the stealth techno funk of ‘Nine of You’, Beyer’s deft collaboration with Mark Reeve, the compilation takes in exciting highlights from big guns such as Alan Fitzpatrick, Dustin Zahn, Bart Skils, Pleasurekraft, Luca Agnelli, Jay Lumen, Kaiserdisco and Gary Beck. 

The rich vein of form displayed by emerging techno talent is similarly given prime position. Rising DJ/producer Boxia makes his Drumcode debut, fresh from a well-received warm up set for the crew at the hugely successful Junction 2 festival in London, while the likes of Enrico Sangiuliano, Juan Sanchez, Ian O’Donovan and Timmo also drop fire, establishing their credentials as some of the most promising talent breaking through the ranks in 2016. 

Reinforcing the global scope of the label, artists such as The Junkies from Toronto and Layton Giordani from New York, prove techno is winning a place in the heart of the new generation of artists coming out of North America. 

Enrico Sangiuliano vs Hertz - Start Of Madness - Drumcode - DC159

Moby is a name synonymous with us all in the electronic music world and we are lucky enough to have been able to hand select some Drumcode artists to remix his work. This 9 track package included remixes from Enrico Sangiuliano, Dense & Pika, Bart Skils, Alan Fitzpatrick, Marco Faraone, Tiger Stripes, Manic Brothers and Luca Agnelli. Each one has been thought out and accomplished with precision using some of Moby’s synonymous samples.

The Remixes

Moby - Porcelain (Alan Fitzpatrick’s late night dub) - Drumcode - DC164

Indifference is the 2nd part of SAMA's debut EP on Noir Music. A combination of pitchy baselines and experimental synths make this a thumping techno track you are bound to here in clubs across the world. Listen to the exclusive premiere here ahead of its official release on 02.03.2018.

You can pre order here: http://bit.ly/2EycyaM

Premiere: SAMA - Indifference

Out now on Beatport

https://www.beatport.com/release/percussionix/2280205

Carl Cox is an industry figurehead whos legacy in music includes his iconic label Intec, which he runs with friend and business partner Jon Rundell.

Intec's new release is from UMEK who is a Slovenian artist accredited with kick-starting the techno scene in his home country, before earning critical acclaim on a global scale when he first started his career in the 90s.

Having released on labels ranging from CLR and Novamute right through to Toolroom, in recent years UMEK's own imprint "1605" has also become a main outlet for his music.

People with a good knowledge of technos history will be more than aware of the impact of UMEKs classics tracks, such as his anthemic Gatex that came out only a few years before his first Intec release in 2005.

Having also collaborated with many influential figures such as Chris Liebing and Joey Beltram, this new solo EP is UMEKs third release on Intec.

Titled Percussionix the EP opens with (Mix 1) which centres around a thick set bassline cut with filter sweeps and full of menacing intent. Leading the track is a combination of tribal percussion loops, which provide the track's main driving force.

Track two is UMEKs alternative mix of Percussionix which titled (Mix 2) has a more refined sound with the raw edges of the percussion being rounded off to smooth the sound, and its bassline is left unfiltered so it becomes more of a gradual sweep that grows with building tension.

ID152 1. Umek Percussionix Mix 1

Catarse

Wehbba - Catarse

Confronted

Shuffler with a passion for music. Here sharing my favorite house, techno, & EDM tracks. 

IG & TikTok- @sammysteads

Wehbba - Catarse

KONSTANTIN

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