Written by Trevor Rabin, Jon Anderson, Chris Squire, and Trevor Horn, and originally performed by Yes, Owner of a Lonely Heart is reimagined by Pulse Meridian as a deep, moody progressive house track that turns the 80s rock anthem into something electronic and hypnotic.

Driven by a powerful low-end groove, lush synth layers, and a steady rhythmic pulse, this version trades guitars for atmosphere, melding a dark, soothing tone with a polished, club-ready sound. Clean production, a deep bassline, and a simple yet memorable hook bring new emotional depth to the classic.

Pulse Meridian - Owner of a Lonely Heart (Lose Yourself Club Cover)

Written by Martin L. Gore and originally performed by Depeche Mode, Halo is reimagined by Pulse Meridian as a deep progressive house track that blends emotion and atmosphere with club-driven intensity.

This version opens with a somber, low-end pulse and gradually builds into a layered, nocturnal groove. A powerful synth bass anchors the track, while deep drums and lush textures create a dark yet hypnotic mood. Clean, polished production and a simple, memorable melody make it both emotionally raw and endlessly danceable.

Pulse Meridian - Halo (Fall in to My Club Cover)

Written by U2, If You Wear That Velvet Dress is reimagined here as a deep, dark synth-pop club track. Pulse Meridian brings the song into a hypnotic electronic space with a steady 120 BPM pulse and a moody, atmospheric feel.

This version blends a resonant synth bass, sustained pads, and arpeggiated melodies over a driving electronic drum pattern. Smooth, slightly melancholic vocals are layered with subtle reverb and delay, creating a spacious, introspective mood. Polished production and a balanced mix carry the track into late-night territory while paying tribute to the original.

Pulse Meridian - If You Wear That Velvet Dress (Mirrorball Club Cover)

Classic songs reborn in the circuitry of the modern night.

Each track on Meridian Waves Rewired takes a familiar melody from another era and runs it through a darker, deeper signal path, where nostalgia hums beneath layers of bass, texture, and shadow. The result is a set of hypnotic reinterpretations that bridge the heart of yesteryear's rock and new wave with the pulse of progressive house.

Built from scratch using AI-enhanced production tools and analog-inspired sound design, these covers feel cinematic and introspective, made for long drives, late nights, and quiet awakenings.

For fans of: Rufus Du Sol, Lane 8, Tinlicker, Faithless, Deadmau5, Sultan + Shepard

Mood: Deep. Driving. Lush.
Sound: Synth bass. Layered percussion. Expansive atmosphere.

Pulse Meridian - Hysteria (I'm in Deep Cover)

Originally written by Andrew Eldritch and Jim Steinman, More was released by The Sisters of Mercy in 1990. Pulse Meridian reimagines the gothic rock anthem as a progressive house track with a dark, hypnotic energy.

This version blends a pulsing synth bass, atmospheric pads, and driving drum machine rhythms with smooth baritone vocals drenched in reverb and delay. The result is a polished, melancholic, and dance-ready reinterpretation that carries the original’s intensity into modern electronic form.

Pulse Meridian - More (So Out of Control Club Cover)

Written by Martin L. Gore and originally performed by Depeche Mode, Behind the Wheel is transformed by Pulse Meridian into a deep progressive house experience.

Built around a pulsing groove and a powerful synth bass, this version unfolds with a dark, hypnotic energy. Deep, resonant vocals glide over layered percussion, atmospheric pads, and subtle reverb, creating a lush and emotionally raw soundscape. The result is a moody, modern reimagining that captures the spirit of the original while steering it firmly onto the dancefloor.

Pulse Meridian - Behind the Wheel (Watch Me Move Club Cover)

Written by Cy Curnin, Adam Woods, Jamie West-Oram, and Rupert Greenall, and originally performed by The Fixx, One Thing Leads To Another gets a full-throttle electronic transformation from Pulse Meridian.

This version hits hard with a pounding progressive house groove, deep low-end resonance, and layered synth bass that drives the rhythm forward. The mix is clean and powerful, blending lush, dark textures with a nocturnal atmosphere. A classic reborn for the dancefloor.

Pulse Meridian - One Thing Leads To Another (Pull Out Your Party Club Cover)

Originally written by Perry Farrell and Eric Avery, Mountain Song appeared on Jane’s Addiction’s 1988 album Nothing’s Shocking. Pulse Meridian reimagines the alternative rock classic as a dark, high-energy electronic dance track built for the late-night floor.

This version drives forward with a pounding four-on-the-floor beat, heavy synth bass, and layers of atmospheric percussion. Vocals with a slightly distorted edge add intensity, while evolving synth pads and textures create a brooding, urgent energy. The result is a powerful club reinterpretation that honours the raw spirit of the original in a new form.

Pulse Meridian - Mountain Song (Cash-In Club Cover)

Originally written and performed by Kate Bush in 1985, Running Up That Hill has remained one of the most iconic songs of the era. Pulse Meridian reimagines the track as an energetic electronic pop production with a driving beat and a fresh delivery.

This version layers synth bass, pads, and arpeggios around a clear vocal line, creating a wide, atmospheric sound that feels both powerful and uplifting. With its clean production and pulsing rhythm, the cover transforms a timeless classic into a modern club-ready anthem.

Pulse Meridian - Running Up That Hill (Tearing You a Club Cover)

Originally written by Ian McNabb and first performed by The Icicle Works, Birds Fly (Whisper to a Scream) gets a new life on the dancefloor. Pulse Meridian reimagines the 80s classic as a deep, uplifting progressive house track with a steady drive and soaring energy.

This version layers a powerful synth bass, shimmering arpeggiated lines, and a tight drum machine rhythm to create a hypnotic, modern electronic sound. Both nostalgic and forward-looking, it transforms the anthemic spirit of the original into a late-night club-ready experience.

Pulse Meridian - Birds Fly (A New Nirvana Club Cover)

Originally written by Dougy Mandagi and Lorenzo Sillitto, Sweet Disposition by The Temper Trap became an indie anthem in 2008. Pulse Meridian reimagines the track as a synth-pop journey with a driving beat and a haunting, melancholic atmosphere.

This version layers arpeggiated synths, a deep bass foundation, and steady electronic drums beneath smooth, breathy vocals. Spacious production with reverb and delay creates a wide, introspective soundscape that captures the spirit of the original while shaping it into a modern club-ready experience.

This one is for Dorothy.

Pulse Meridian - Sweet Disposition (Reckless Abandon Club Cover)

Originally written by Ric Ocasek and Greg Hawkes, Moving in Stereo first appeared on The Cars’ 1978 self-titled debut album. This cover is a deep, dark progressive house reimagining that transforms the new wave classic into a driving late-night club experience.
Pulse Meridian layers hypnotic textures, pulsing basslines, and a pounding groove that makes the track both cinematic and highly danceable. Built with respect for the original, it captures the timeless spirit of The Cars while pushing it into modern underground territory.
Best experienced with volume up and lights down.

Pulse Meridian - Moving in Stereo (Fool with the Sound Cover)

Written by U2, Hawkmoon 269 has long been a fan-favourite deep cut. Pulse Meridian transforms it into a driving electronic dance track set in E minor at 120 BPM, reshaping the song for the club while keeping its emotional weight intact.

This version features a pounding electronic drum beat, deep synth bass, and atmospheric pads, with arpeggiated synth melodies adding movement and urgency. Smooth, slightly melancholic vocals ride over a wide, spacious mix where the bass and drums drive the energy forward. The result is a dark, hypnotic reinterpretation built for the dancefloor.

Pulse Meridian - Hawkmoon 269 (Drums in the Night Club Cover)

Written by Brian MacLeod and Bill Henderson and originally performed by the Canadian group Chilliwack, My Girl (Gone, Gone, Gone) is reimagined by Pulse Meridian as a deep, dark progressive house track built for the night.

Driven by a pounding low-end groove and a powerful synth bass, this version trades guitars for atmosphere, turning the 1981 hit into a hypnotic, late-night dancefloor experience. Clean, modern production and layered rhythms create a lush, resonant sound that captures both nostalgia and motion.

Pulse Meridian - My Girl (Gone, Gone, Gone) (She Gets to Hear This Club Cover)

Written by Annie Lennox and David A. Stewart and originally performed by Eurythmics in 1984, Here Comes The Rain Again is reimagined by Pulse Meridian as a synth-pop progressive house track with a deep, melancholic pulse.

Built around a steady mid-tempo rhythm and a rich D minor progression, this version layers shimmering arpeggiated synths, a resonant bass foundation, and smooth, introspective male vocals. The result is a spacious, emotional soundscape that captures the haunting beauty of the original while propelling it toward the modern dancefloor.

Pulse Meridian - Here Comes The Rain Again (Want to Dive Into This Club Cover)

Written by Steve Bronski, Jimmy Somerville, and Larry Steinbachek, and originally performed by Bronski Beat in 1984, Smalltown Boy is reborn as a moody, cinematic club track in this Pulse Meridian reimagining.

Driven by a steady 120 BPM pulse, this version layers a deep, pulsating synth bass, atmospheric pads, and clean arpeggiated guitar lines beneath smooth, melancholic vocals. The result is a dark, emotional, and modern electronic interpretation that preserves the heartbreak and defiance of the original while giving it new life on the dancefloor.

Pulse Meridian - Smalltown Boy (The Club Cover That You Need)

Written by Ian Astbury and Billy Duffy and originally performed by The Cult in 1985, Rain is reborn here as a dark, driving progressive house track that merges gothic atmosphere with modern electronic power.

This version builds slowly on a deep, resonant synth bass and pounding drums, enveloped in a clean, polished low-end mix. Smooth, smoky baritone vocals deliver the emotion with a seductive, preacher-like intensity, blending warmth and restraint against a backdrop of lush, nocturnal production. The result is a hypnotic, emotionally raw club experience that channels the stormy energy of the original into something new and cinematic.

Pulse Meridian - Rain (Here Come the Club Cover)

Written by Gillian Gilbert, Peter Hook, Stephen Morris, and Bernard Sumner, and originally performed by New Order in 1982, Temptation is reimagined by Pulse Meridian as a dark, cinematic electronic rock experience built for the modern club.

Driven by a deep synth bass and a steady, hypnotic rhythm, this version layers atmospheric pads, resonant baritone vocals, and spacious production drenched in reverb and delay. The result is a moody, immersive reinterpretation that captures the haunting pulse of the original while propelling it into a deep, progressive soundscape.

Pulse Meridian - Temptation (Never Heard a Cover Like This)

Written by Mark Holmes and Sergio Galli and originally performed by Platinum Blonde in 1984, Sad Sad Rain is reimagined by Pulse Meridian as a shimmering synth-pop club track built on emotion and rhythm.

Set in A minor at 120 BPM, this version layers pulsing synth bass, arpeggiated textures, and melodic guitar lines over a steady electronic beat. Smooth, melancholic vocals and spacious production give it a hypnotic, late-night feel that blends nostalgia with modern electronic polish. The result is a heartfelt and danceable reinterpretation that lets the melancholy move with the music.

Pulse Meridian - Sad Sad Rain (The Club Cover to Let Your Feelings Show)

Pulse Meridian is a Canadian electronic music project that reimagines classic songs through the lens of modern progressive house. Each track blends deep, cinematic production with moody synth textures and driving rhythms. The sound is dark, melodic, and emotional, balancing nostalgia with a forward-thinking edge. Created by video editor and producer Tyler Ward, Pulse Meridian explores the space between memory and motion, where timeless melodies pulse with new life.

Pulse Meridian

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