Originally written and performed by Kate Bush in 1985, Running Up That Hill has remained one of the most iconic songs of the era. Pulse Meridian reimagines the track as an energetic electronic pop production with a driving beat and a fresh delivery.

This version layers synth bass, pads, and arpeggios around a clear vocal line, creating a wide, atmospheric sound that feels both powerful and uplifting. With its clean production and pulsing rhythm, the cover transforms a timeless classic into a modern club-ready anthem.

Pulse Meridian - Running Up That Hill (Tearing You a Club Cover)

Originally written by Dougy Mandagi and Lorenzo Sillitto, Sweet Disposition by The Temper Trap became an indie anthem in 2008. Pulse Meridian reimagines the track as a synth-pop journey with a driving beat and a haunting, melancholic atmosphere.

This version layers arpeggiated synths, a deep bass foundation, and steady electronic drums beneath smooth, breathy vocals. Spacious production with reverb and delay creates a wide, introspective soundscape that captures the spirit of the original while shaping it into a modern club-ready experience.

This one is for Dorothy.

Pulse Meridian - Sweet Disposition (Reckless Abandon Club Cover)

Written by Brian MacLeod and Bill Henderson and originally performed by the Canadian group Chilliwack, My Girl (Gone, Gone, Gone) is reimagined by Pulse Meridian as a deep, dark progressive house track built for the night.

Driven by a pounding low-end groove and a powerful synth bass, this version trades guitars for atmosphere, turning the 1981 hit into a hypnotic, late-night dancefloor experience. Clean, modern production and layered rhythms create a lush, resonant sound that captures both nostalgia and motion.

Pulse Meridian - My Girl (Gone, Gone, Gone) (She Gets to Hear This Club Cover)

Written by Annie Lennox and David A. Stewart and originally performed by Eurythmics in 1984, Here Comes The Rain Again is reimagined by Pulse Meridian as a synth-pop progressive house track with a deep, melancholic pulse.

Built around a steady mid-tempo rhythm and a rich D minor progression, this version layers shimmering arpeggiated synths, a resonant bass foundation, and smooth, introspective male vocals. The result is a spacious, emotional soundscape that captures the haunting beauty of the original while propelling it toward the modern dancefloor.

Pulse Meridian - Here Comes The Rain Again (Want to Dive Into This Club Cover)

Written by Steve Bronski, Jimmy Somerville, and Larry Steinbachek, and originally performed by Bronski Beat in 1984, Smalltown Boy is reborn as a moody, cinematic club track in this Pulse Meridian reimagining.

Driven by a steady 120 BPM pulse, this version layers a deep, pulsating synth bass, atmospheric pads, and clean arpeggiated guitar lines beneath smooth, melancholic vocals. The result is a dark, emotional, and modern electronic interpretation that preserves the heartbreak and defiance of the original while giving it new life on the dancefloor.

Pulse Meridian - Smalltown Boy (The Club Cover That You Need)

Written by Ian Astbury and Billy Duffy and originally performed by The Cult in 1985, Rain is reborn here as a dark, driving progressive house track that merges gothic atmosphere with modern electronic power.

This version builds slowly on a deep, resonant synth bass and pounding drums, enveloped in a clean, polished low-end mix. Smooth, smoky baritone vocals deliver the emotion with a seductive, preacher-like intensity, blending warmth and restraint against a backdrop of lush, nocturnal production. The result is a hypnotic, emotionally raw club experience that channels the stormy energy of the original into something new and cinematic.

Pulse Meridian - Rain (Here Come the Club Cover)

Written by Gillian Gilbert, Peter Hook, Stephen Morris, and Bernard Sumner, and originally performed by New Order in 1982, Temptation is reimagined by Pulse Meridian as a dark, cinematic electronic rock experience built for the modern club.

Driven by a deep synth bass and a steady, hypnotic rhythm, this version layers atmospheric pads, resonant baritone vocals, and spacious production drenched in reverb and delay. The result is a moody, immersive reinterpretation that captures the haunting pulse of the original while propelling it into a deep, progressive soundscape.

Pulse Meridian - Temptation (Never Heard a Cover Like This)

Written by Mark Holmes and Sergio Galli and originally performed by Platinum Blonde in 1984, Sad Sad Rain is reimagined by Pulse Meridian as a shimmering synth-pop club track built on emotion and rhythm.

Set in A minor at 120 BPM, this version layers pulsing synth bass, arpeggiated textures, and melodic guitar lines over a steady electronic beat. Smooth, melancholic vocals and spacious production give it a hypnotic, late-night feel that blends nostalgia with modern electronic polish. The result is a heartfelt and danceable reinterpretation that lets the melancholy move with the music.

Pulse Meridian - Sad Sad Rain (The Club Cover to Let Your Feelings Show)

Pulse Meridian is a Canadian electronic music project that reimagines classic songs through the lens of modern progressive house. Each track blends deep, cinematic production with moody synth textures and driving rhythms. The sound is dark, melodic, and emotional, balancing nostalgia with a forward-thinking edge. Created by video editor and producer Tyler Ward, Pulse Meridian explores the space between memory and motion, where timeless melodies pulse with new life.

Pulse Meridian - Running Up That Hill (Tearing You a Club Cover)

Pulse Meridian

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