incredible work, shout out to biosphere <3

@secondcousins

For the extended  Q&A plus OG pi pi pi track game... please visit our website -------> pipipi.life <---------

Introduce yourself? Pronouns? Where do you currently reside? 

Ello, I’m Jackson. Pronouns are He/Him. Residing in Eora/Sydney

Who/what currently inspires you music-wise that has nothing to do with music?

Water and light mostly 

What is your favorite party/collective where you reside and why?

Too many faves. Some heavy hitters off the top are Umami/Echo Flats/Heavenly/Community Chest. They are %100 in it for the experience. Community Chest is a joint force crew of about 7 great crews from Sydney – It’s kinda like when the power rangers come together to make that big robot fighter guy

What was your best moment at the supermarket?

They were playing Bill Withers in a Woollies once and it got me

What is your most recent favorite DJ mix and why?

Max D – Indie Rock on C- was maybe the last one that got me good. Max D only plays by Max D’s rules

Any advice to upcoming DJs/producers? 

Enjoy your life & be kind to others

What would you like to see in the future for the dance community?

More love and respect, always

Cousin - 8˚

GiGi FM returns to The Lot Radio.

https://www.instagram.com/gigif_m

GiGi FM @ The Lot Radio 06-01-2024

Command D summons the gods of the deep to have us completely submerged in a world of interdimensional dub techno, traversing us through an hour and a half of infinitely looped reflections and subaquatic soundscapes. 

@commandd

Q. This certainly feels like one of your most immersive mixes to date, deeply contemplative and full of dreamy dub techno atmospherics. What inspiration did you draw upon, and what type of setting or situation could you imagine it being enjoyed in? 

A. I started to get into this sound when I was putting together my mix for the Moonshoe mix series. I didn’t know what to call it at the time but I found all of those tunes and tied them together with a certain feeling that was really inspiring me then, it was very organic and that is still one of my favourite mixes. You can hear dub elements scattered throughout that whole mix.

As I started incorporating more dub elements into my productions I discovered artists like Stephen Hitchell and Rhythm & Sound that had created a kind of music that was really extremely satisfying for me to listen to, especially considering my developing love for hi-fi and larger sound systems. I incorporated those artists into my FHUO mix which was a much more considered exploration of the style. Looking back on the process of making the mixes and how much I enjoyed them really assures me that the deep and contemplative sound is a big part of who I am.

For this mix I’ve taken inspiration from the MDC series itself which I’ve been listening to for years. I wanted to add little hints of deep house sounds as a nod to the mixes of the past. I personally think mixes like this are the best to listen to when you’re travelling and looking out a window, otherwise maybe sitting at a desk on a rainy day doing some work. I’d like people to listen to this in a time where they won't be distracted by something else or feel the need to skip forward, I’d want people to just throw it on and let it play, drifting in and out of the tracks and their own thoughts.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. My favourite tracks in the mix are Saftig Komposition by Rasmus Hedlund and Sedlec Ossuary by Persuasion. At a base level I love these tracks because they take a more modern approach to a dub techno track with tight production. Going deeper, the thing that really resonates with me is hard to put into words and best left unsaid. I think this kind of music (along with many other kinds) allows the listener to feel emotions that aren't able to be put into words, part of why I love it so much. I find that dub techno specifically can feel sad and happy at the same time like lots of jazz ballads. That to me is a really beautiful sound that kind of encapsulates life in general.

Q. Tell us about the development of your live set, and where things are currently at with it? Do you feel like you’re able to explore different shades of your sound when playing in a live setting?

A. Putting together my first live set was an awesome experience. I got to play it all around Australia from clubs to rainforests. I’ve put the current live set to bed for now and am starting to work on a new one with a slightly different setup. Although it was a challenging experience, I loved making a live set because often when I would dig for tunes to play out I’d think ‘I wish I had a song like this’ and writing a live set meant that I could bring those ideas to life and curate a set exactly how I wanted. I think I’m really starting to settle into ‘my sound’ in production and DJing, but there are creative limitations in both like finding new music or learning new skills. Overcoming technical barriers in production allows me to get closer to my most true form of expression when it comes to what’s coming out the speakers so I’ve been really working on that recently. Hoping the next live set will be bigger and better : )

MDC.302 Command D

Recorded live on Wiradjuri land, NSW
@mgmldrm

~
Photo credit: Rhys Davis @sonwhu

Miscmeg at Soma Festival 2024

recorded live at camp kennybrook in monticello ny from 3am to just after 7am on Kiddo's birthday to greet the sunrise and close out what turned out to be a killer night of Friday (the 13th) programming that we lovingly curated (feat. our friends and yours POSI-TRACK, Rachel Noon, and Purelink) for the debut of the new and improved Bossa Lounge at Sustain-Release Year 10 (2024).

curatorially, we imagined the room to be an affirmation of the aesthetic wonders and general badassery of LOUNGE as not only a tragically overlooked piece of the electronic music history puzzle but also a vastly under-appreciated form of rave-adjacent social practice. 

conceptually, this mix builds upon and extends the project of sonic-affective worldmaking that was initiated and established by our previous performances at S-R (years 4 & 5). regardless of genre, playing at sustain is always an opportunity to focus on cherishing the juicy site-specificity of listening to psychedelic music in nature with your friends, and the rare forms of potentiality held therein. 

this time, we chose to allow the form of the set to be organically guided by the concept of THE FOUR ELEMENTS. dynamically following the progression WATER • EARTH • FIRE • AIR the set prioritizes and performs an ethos of maximal transport, simultaneously journeying inwards, onwards, upwards, and outwards. 

we really put a lot into this one, and sincerely hope you enjoy the ride!


Tracklist: 


Part I: WATER 🌊 

1.	Björk – The Anchor Song 
2.	Underwater Sounds Channel – Soothing Natural Water Sounds for Sleep 
3.	Underwater Sounds Channel – Underwater Bubbles 
4.	Valentino Mora – Hadal Zone 
5.	Michael Stearns – Craft: Dimensional Release 
6.	Sequential (a.k.a. Pete Namlook) – Lost in the Sea
7.	Polygonia – Lullaby of Yews 
8.	John Lyell – The Deep Unknown 
9.	Patrick O’Hearn – Slow Time 
10.	Dorisburg & Sebastian Mullaert – Archway
11.	Gabriel Hops – Sina (Laura BCR Remix)
12.	David Morley – Aquarium 
13.	ASC & Inhmost – Wave Clouds 
14.	Klaus Wiese – Ocean I 

Part II: EARTH 🌿

15.	The NRG – Earth Mother 
16.	Yialmelic Frequencies – Auric Massage 
17.	Tulpa Atma – RVEAL 
18.	The Orb – Just Because I Really Really Luv Ya 
19.	Pole – Paula 
20.	Michael Stearns & Ron Sunsinger – Portal 
21.	Suspended Memories – Shaman’s Dream 
22.	Randy Greif – A Riskier Joint 
23.	Brin & Dustin Wong – Texture I: Bespoke Trapeze 
24.	Sam Goku – Before I Knew 
25.	Brian Eno – Tal Coat 
26.	Arnaud Le Texier – Murazzi 
27.	Tourmesol – Scapeland 
28.	Sun Electric – Opening 
29.	Jack Wall – New Worlds 
30.	Re:Axis – Syntonize 
31.	Klaus Schulze & Pete Namlook – The Final DAT Part I
32.	The NRG – The KLF 

Part III: FIRE 🔥 

33.	Prins Thomas – H (The Orb Orbient Mix)
34.	Pete Namlook – Lost in Passion 
35.	Between Interval – Aerolith 
36.	Mist – Mist House 
37.	Global Communication – 8:07
38.	Tangerine Dream – Sensing Elements 
39.	The Irresistible Force feat. Nik Turner – Duende (Mixmaster Morris Ambient Sunrise Mix)

Part IV: AIR 🌬️

40.	Silence (a.k.a. Pete Namlook) – Master of the Sky
41.	Thom Brennan – Silver Part 3
42.	Low Leaf – How to Open a Portal 
43.	Sam Goku – Things We See When We Look Closer 
44.	Jonn Serrie – The Sentinel 
45.	Biosphere – The Things I Tell You 
46.	Varg feat. Ecco2k – Vanity Lights (First Crush)
47.	The NRG – De-NRGizer 
48.	Anugama – The Empty Sky 
49.	Sounds of the Earth – Wind Chimes 
50.	The NRG – Dr Sunshine (California Trippin’) [Chill-Out Room Mix]

Pure Immanence Live at Sustain-Release Year 10

“i wanted to record something which explores the murkier side of my taste across minimal tech to tribal.” 

based between edinburgh and london, noodle is part of the grdn collective and can often be found playing in clubs around edinburgh’s cowgate, most notably sneaky petes. leaning towards soundscapes that are acidy, dubby, sparkly, all the good stuff, noodle’s selection is glorious and can be delved into via her residency on ehfm where she flows through her softer side or at her club night, neurons, which raises money for mental health charities.

interview: 

@nooooodle

Untitled 909 Podcast 218: noodle

naffcast005 comes from B. McQueen, who also has a record coming out on naff later this year. 

From the artist :

B. McQueen’s cocktail of recent vinyl purchases (except for a forthcoming Priori collab) from Paris shops like Syncrophone and Dizonord, and a discogs seller in the UK. Wafty 120 bits, some playful some deep, recorded in Paris on a sunny day in a flat with no sunlight.

naffcast005 ⦾ ───── ⋆⋅ ☆ B. McQueen ☆⋅⋆ ─────

A much loved figure within the American underground scene, California's Baby Leo has been consciously connecting body and mind from coast to coast, finding space for the unpredictable and the awe inspiring, hypnotising dancefloors with wildly eclectic DJ sets filled with energising twists and turns.

An innovator and sonic boundary pusher at his core, the Dripping festival Leo runs alongside Relaxer is a deep underground oasis in the woods of Sparta, New Jersey, and returns for it's third mind excursion this June, with Leo and DJ Plead combining this year for a hotly anticipated back to back. 

@djbabyleo

Q. The mix is truly a wild ride! What sounds or feelings did you draw upon when gathering inspiration for this, and what listening environments could you imagine it being enjoyed in?

A. This is the deepcast right? For this one, we’re going deeper than what I might usually do in a club. Some of these tracks came to me while laying blindfolded on the floor during guided high-dose mushroom journeys. Because this is a space of complete emotional surrender, many of these tracks became permanently embedded in my heart. Awe, fear, reverence, gratitude are all part of the recipe. The ideal listening environment is similar to how you might want to watch a movie - cozy, undistracted, and fully immersed in sound. Perhaps by yourself and hopefully something to return to and discover something new.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. I think Untitled (How Does it Feel) by D’Angelo is my favorite song of all time. It feels amazing every time. The way energy builds and boils over is unmatched. I played it backwards.

Q. Your festival Dripping returns to the majestic woods of Sparta, NJ for its third year running in June, and I see you’ve got a special extended b2b set with DJ Plead planned which should be quite the mind-bend! How have you been preparing for that one, and what things might you guys be doing differently this year that you’re excited about? 

A. Preparation hasn’t really begun in any serious way, but we are both anticipating and very excited to play together. Especially at Dripping, I’m typically trying to push the energy forward for a fully explosive impact. I will usually do a lot of preparation for a set like this and plan certain sequences. In contrast, I’ve seen Plead play sets with incredible restraint, patiently working a crowd into complete hypnosis. I guess the thing about a back to back set is that it will take on a life of its own and just go where it needs to go. There will be less planning for this and more intuition, but mind-bending and heart-opening is certainly the goal and we haven’t discussed anything other than that.

Tracklist:

Avartuva nake - Esa Kotilainen
La Symphonie - Cute Heels
Marka - Carmen Villain
Portamento - Stine Janvin
Flusso I - Donato Dozzy
Winded - 7038634357
O Berimbao - Nana Vasconcelos
Polar Sun - Feral
Temples - Anunaku
Doubles - Untold
Drop it On The One - Untold
Wormhole Chant - Vector Trancer
Through The Cobalt Desert - Marco Shuttle
A Touch Of - Piezo
Andnowawordfromoursponsors - Kabeaushe
Shimming - Yor Kultura
Untitled (How Does it Feel) - D’Angelo
Hamburger Lady (Carter Tutti remix) - Throbbing Gristle
Guboo - Lights in a Fat City

MDC.309 Baby Leo

slow paced electronics by konduku and mattikk.

https://www.instagram.com/konduku
https://www.soundcloud.com/kondukukonduku

Konduku & Mattikk @ The Lot Radio 04-18-2025

Serenity(Remastered)

Buy on Bandcamp!

Sour Star 1

kiddo sincere b2b nick bazzano 
• sonic experimentalists specializing in every room of your rave •

----
for bookings / other inquiries, please contact pureimmanencedj@gmail.com.

Pure Immanence Live at Sustain-Release Year 10

pure immanence

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