Dieser Track versucht im Goa-Techno-Style verschiedene Kulturen musikalisch zu vereinen. Unterton - und Obertongesang treffen auf Syntheziser, Drums, Bagpipe und Soundscapes.

Dance In Mongolian Grasslands

We see our music as all-over-the-world sound, incorporating elements of  different cultures, centered on celtic music. We also integrate modern  elements of electronic rhythms linking the past and the present time. An  exciting experiment."   
"Amira Goes to Celtic-Fusion" started 2016, back to our roots with Great  Highland Bagpipe, vocal, various Flutes,  Didgeridoo,  Percussions,  Bodran,   cinematic drums and sounds etc..

Dhinstroke is a retired live/studio drummer. In addition, Dhinstroke served the percussion, such as tablas, concas, bongos, dyembe and mulipercussion with a lot of passion.
Dhinstroke has attended many masterclasses and workshops.
Dhinstroke has been producing his own musical works and electronic tracks with a lot of idealism in various genres for 10 years.

Ionut Mirel Udrea(Member Of APRA/AMCOS)is a music composer, piano player and music producer based in Sydney - Australia. 
Ionut Mirel Udrea composes emotive piano-based instrumental music.

Striving to make memorable music

Spotify: https://open.spotify.com/artist/6Ns4GiItT2b3D6EQmlsbaK

⛓HERE IS GATE 1⛓
GATE 2 🧚🏻‍♀️  https://soundcloud.com/user-937970859
GATE 3 👹 https://soundcloud.com/user-461346951
GATE 4 🐸 https://soundcloud.com/user-591353691
GATE 5 ⛪️ https://soundcloud.com/narthexearth

Ѕі vоцѕ éсоцтэz lоѓѕqцэ lэ ѕоlэіl ѕ’эи vа соцсЂэѓ, lэ сЂаит ↁэ l’эац эт lэ ъѓціѕѕэмэит ↁэѕ fэціllэѕ ↁэ vіБиэѕ, ↁаиѕ lэѕ эитоцѓаБэѕ ↁэ БцѓↁіБаlа, рэцт-êтѓэ роцѓѓаіт vоцѕ эитэиↁѓэ lэѕ Бéміѕѕэмэитѕ ↁц fléац ↁэѕ vіБиоъlэѕ: « Фмъѓэ раѓмі lэѕ омъѓэѕ, рціѕѕэ т-эllэ иэ јамаіѕ ↁэvэиіѓ lа vотѓэ. Іl эѕт ↁэѕ âмэѕ ѕі ѕомъѓэѕ, qцэ мêмэ lа моѓт иэ lэѕ ѓéсlамэит раѕ. Lэѕ моѓтѕ оит lэцѓ рѓорѓэѕ ъэѓсэцѕэѕ, ацѕѕі ѕіlэисіэцѕэѕ qц’ци ъѓоціllаѓↁ эт ацѕѕі імрlасаъlэѕ qцэ lа рэѕтэ. Lэ моиↁэ ↁэѕ моѓтэlѕ эѕт ци vэѓБэѓ ацх fѓцітѕ ѕцсѓéѕ, эт јэ ѕціѕ рѓêт à эи fаіѓэ lа сцэіllэттэ. » Ҁэрэиↁаит ѕі vоцѕ l’эитэиↁэz, ѕасЂэz qцэ vоцѕ êтэѕ ↁэја моѓт.

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Ɨf ɏøᵾ łɨsŧɇn Ⱥs ŧħɇ sᵾn ǥøɇs đøwn, ŧħɇ sɨnǥɨnǥ øf ŧħɇ wȺŧɇɍ Ⱥnđ ŧħɇ ɍᵾsŧłɇ øf ŧħɇ vɨnɇ łɇȺvɇs, ɨn ŧħɇ sᵾɍɍøᵾnđɨnǥs øf ɃᵾɍđɨǥȺłȺ, ᵽɇɍħȺᵽs ɏøᵾ ȼøᵾłđ ħɇȺɍ ŧħɇ møȺns øf ŧħɇ sȼøᵾɍǥɇ øf ŧħɇ vɨnɇɏȺɍđs: "SħȺđøw Ⱥmønǥ sħȺđøws, mȺɏ ɨŧ nɇvɇɍ ƀɇȼømɇ ɏøᵾɍs. Ŧħɇɍɇ Ⱥɍɇ søᵾłs sø đȺɍꝁ ŧħȺŧ ɇvɇn đɇȺŧħ đøɇs nøŧ ȼłȺɨm ŧħɇm. Ŧħɇ đɇȺđ ħȺvɇ ŧħɇɨɍ øwn łᵾłłȺƀɨɇs, Ⱥs sɨłɇnŧ Ⱥs føǥ Ⱥnđ Ⱥs ɍɇłɇnŧłɇss Ⱥs ŧħɇ ᵽłȺǥᵾɇ. Ŧħɇ møɍŧȺł wøɍłđ ɨs Ⱥn øɍȼħȺɍđ øf swɇɇŧ fɍᵾɨŧ, Ⱥnđ Ɨ Ⱥm ɍɇȺđɏ ŧø ᵽłᵾȼꝁ ɨŧ. » Ħøwɇvɇɍ, ɨf ɏøᵾ ħɇȺɍ ɨŧ, ꝁnøw ŧħȺŧ ɏøᵾ Ⱥɍɇ ȺłɍɇȺđɏ đɇȺđ. 

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