unwordy

Kjell Fagéus Basset Clarinet Royal Opera Orchestra Stockholm Conductor Eri Klas
Recorded 1988

W.A Mozart Concerto for Basset Clarinet A Major 3. Rondo Allegro

Marcello- Concerto for Oboe in d

Prelude N°6 also said "Tolling Bells" (but this name was not given from Chopin) is told to have been played at the funeral of the immense composer. It  is taken from a collection of works for beginners with Chopin Music. In spite of this I find it terribly difficult to render. With many different critical points (especially the "senza pedale", after a few bars) . Difficult to mantain the right "accento". Not to mention the final with the "come da lontano" indication. One of my favorite pieces till now, and I think forever.

Fryderyk Chopin - Preludio N° 6

Benjamin Capps, cello
David Kaplan, piano

Recorded May 31, 2013 at Vermont Public Radio in Colchester, Vermont, as part of Vermont Public Radio and Burlington Ensemble's Beyond Beethoven collaboration.

Recording engineer: John Billingsley


Felix Mendelssohn:  Cello Sonata No. 1 in B-flat Major, Op. 45

recorded live @ Eglise des Dominicains Brussels, 6 june 2014

The New Baroque Times ensemble

G. F. Haendel. Sonata op2 n.5 (allegro)

Kissin Chopin Tristesse Etude MP3

Practicing piano is something I NEED to do in order to keep my chops up and also give me inspiration for when I'm writing my own records.  This here was a favourite of mine many years ago when I was competing (though I'm more rusty at it now!).  Mendelssohn's beautiful Songs Without Words Opus 102 No. 4 or otherwise known as the The Sighing Wind.

I performed this on a Bechstein D 282 which gives it that metallic and powerful sound.

Hope you all like it

G

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Mendelssohn - Song Without Words Op.102, No.4 (performed on a Bechstein)

2nd mov. Andantino semplice – Allegro vivace assai/Prestissimo

Live from International Festival of Santander. Main Hall in the Festivals Palace, Santander, Spain.
Pierre Delignies, piano
Jaime Martín, conductor
Youth Orquestra of Cantabria
Steinway & sons


The Piano Concerto No. 1 in B-flat minor, Op. 23 was composed by Pyotr Ilyich Tchaikovsky between November 1874 and February 1875. It was revised in the summer of 1879 and again in December 1888. The first version received heavy criticism from Nikolai Rubinstein, Tchaikovsky's desired pianist. Rubinstein later repudiated his previous accusations and became a fervent champion of the work. It is one of the most popular of Tchaikovsky's compositions and among the best known of all piano concertos.

The first performance of the original version took place on October 25, 1875 in Boston, conducted by Benjamin Johnson Lang and with Bülow as soloist. Bülow had initially engaged a different conductor, but they quarrelled, and Lang was brought in at short notice. According to Alan Walker, the concerto was so popular that Bülow was obliged to repeat the Finale, a fact that Tchaikovsky found astonishing. Although the premiere was a success with the audience, the critics were not so impressed.

Tchaikovsky piano concerto No. 1, 2nd mov

Claude Debussy - Suite Bergamasque (I. Prelude, II. Menuet, III. Clair de Lune, IV. Passapied)

Mendelssohn Violin Concerto, first movement. Wayne Lee, violin; Emely Phelps, piano. Recorded Fall 2010 in New York.

Mendelssohn Violin Concerto, first movement

Phillip T. Young Recital Hall, University of Victoria, BC, Canada
Wednesday, April 22, 2015
Spencer Davis, Piano

Debussy - Suite Bergamasque

World Premiered by Katherine Cheng	(violin) and Jeongmin Oak (piano) Kilbourn	Hall,	Eastman	School of Music Rochester,	NY | 
Friday, November	22,	2024

Program Notes:

“Tea with Debussy & Pärt in Casablanca” is a musical dream born from a vacation in Havana, Cuba. This piece imagines an encounter with the esteemed composers Arvo Pärt and Claude Debussy in the vibrant city of Casablanca, over Moroccan tea. It is not an imitation of their styles but rather a heartfelt conversation between us, infused with elements of both composers’ musical languages. Originally commissioned by Vincent Delorme for viola and piano, the piece was premiered in Montreal. The clarinet version, performed by double Grammy-nominated clarinetist Tasha Warren and pianist Yun Hao, premiered at the Mostly Modern Festival in Saratoga Springs, NY, in June 2024. Katherine Cheng, inspired by both the clarinet version and her experience performing in the sextet premiere of the first movement of my Suite “Moroccan Dances,” felt a strong connection to my compositional style. Her expressive playing and nuanced interpretation are well-suited to the music’s blend of minimalist and impressionistic elements. Katherine’s excitement about this collaboration led to the creation of this violin and piano version, marking the beginning of our artistic partnership. The piece begins with minimalist touches, a nod to Pärt’s recent works, where the piano introduces serene arpeggios that intertwine with expressive violin melodies. As the music progresses, it incorporates Debussy’s harmonic richness, weaving a tapestry of sound that captures the essence of typical Moroccan conversations—dynamic, lively, and filled with unexpected turns.

Tea with Debussy and Pärt in Casablanca for Violin and Piano - World Premiere

F.Liszt: Études d'exécution transcendante No.4 ‘Mazeppa’ d-moll S.139-4 in Grosser Saal WuerzburgHfm

Chopin Nocturne No. 10 In A - Flat Major Op 32/2.

Paul Biss conducts the New England Conservatory Philharmonia with soloist Robyn Bollinger in a performance of Mendelssohn's Concerto for Violin in E minor Op. 64. Recorded live March 6, 2013 in NEC's Jordan Hall.

Claude Debussy - Suite Bergamasque (I. Prelude, II. Menuet, III. Clair de Lune, IV. Passapied)

sophie.h

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