Zavoloka & AGF - KOHAJU

Carte Postale Sonore #16 - Nicolas Bernier - Collection des instruments scientifiques de l'Université De Rennes 1. 

En octobre 2013, Nicolas Bernier a effectué une résidence au sein de la collection d’instruments scientifiques de l’Université de Rennes 1. 

www.metropole-electronik.fr

Carte Postale Sonore #16 Nicolas Bernier Collection d'instruments scientifiques Université Rennes 1

Track taken from the upcoming album '45°12′N 72°54′E' by Giuseppe Cordaro (con_cetta) released through Fluid Audio...

Music: Giuseppe Cordaro
Mastering: Paul Corley / Greenhouse Studio / Reykjavìk
Design: Daniel Crossley
Date: 28.02.18
Dedicated: Zeno

www.fluidaudio.bigcartel.com

45°12′N 72°54′E

Giuseppe Cordaro - Zeno F

À Marseille, l'accueil des mineurs isolés étrangers s'appuie sur des réseaux d'hébergeurs solidaires.

l y a un mois, Jean-Marie et Lise de Radio Campus Clermont vous amenaient à Toulouse, à la découverte du collectif autonoMIE, qui accompagne les mineurs isolés étrangers, ces jeunes de moins de 18 ans qui ont fuit leur pays pour arriver en France.

Dans ce nouvel épisode, co-produit avec Quentin de Radio Grenouille, on découvre que le département des Bouches-du-Rhône n'est pas à la hauteur des besoins des jeunes. Marseille est une ville violente pour ces jeunes qui arrivent souvent d'Afrique subsaharienne. Heureusement, des collectifs comme el Manba ou MIE13 agissent au quotidien pour accompagner ces jeunes : aspects juridiques, hébergement, accès à l'éducation, tous les aspects de leurs luttes sont essentiels.

Pour en savoir plus: http://elmanba.noblogs.org/

--
Suivez UNIVOX, un programme du réseau Radio Campus France
bit.ly/1LNWqR4 | www.radiocampus.fr

🗣️L'accueil des mineurs isolés étrangers à Marseille | UNIVOX

Session 4

#277
Marina Gržinić
10.12.2018 (52' 19'')
https://rwm.macba.cat/en/sonia/marina-grzinic/capsula

This podcast is part of Re-Imagine Europe, co-funded by the Creative Europe programme of the European Union.

Music and sound production commissioned to Antye Greie. Editing by Antonio Gagliano.

Instigator of the first subcultural punk and LGTB movements in the former Yugoslavia, Marina Gržinić (b. Ljubljana, 1958) is the author of more than a dozen critical theory books as well as an artist with an extensive career in collaboration with Aina Šmid. Gržinić explores the different ways in which neoliberalism uses human death to fuel processes of commercialisation and surplus value. From Abu Ghraib to Lampedusa by way of the history of African culture and the dissolution of the former socialist block, she assembles a political vocabulary that seeks to unravel the effects of global aesthetics on people, drawing attention to the rise and normalisation of what she calls 'trophy-images': images rooted in the colonial legacy that display confinement, humiliation, and gratuitous brutality on racialised subjects.

In this podcast Marina Gržinić talks about amnesia, aphasia, and seizure, about biopower and necropolitics, about borders and volumes, corpus and corpses, about deathscapes, intestines, and holograms, and about the disturbing miniaturisation of affect and empathy, as a process that runs parallel to technological acceleration.

Lampedusa - deathscape feat. Marina Gržinić for Ràdio Web MACBA

Taken from the album 'Practical Electronics with...', released as LP, CD and Download.

Practical Electronics with...

Thighpaulsandra 'The Goat Owl' (EMEGO 258)

Allégorie

OISEAUX-TEMPÊTE 
'From Somewhere Invisible'
Sub Rosa, October 18th 2019

LP+DL | printed inner sleeve & poster
1st edition orange/black marbled vinyl + download voucher 
SRV490 
CD | 8 page digipack
SR490 
-> https://www.subrosa.net/en/catalogue/soundworks/oiseaux-tempete--from-somewhere-invisible.html

Digital
-> https://oiseaux-tempete.bandcamp.com/album/from-somewhere-invisible

A
01 He Is Afraid And So Am I - 09:13
02 In Crooked Flight On The Slopes Of The Sky - 04:09
03 We, Who Are Strewn About In Fragments - 09:37
B
04 Weird Dancing In All-Night I - 03:46
05 Weird Dancing In All-Night II - 02:58
06 The Naming Of A Crow - 13:16
07 Out Of Sight - 03:36

Frédéric D. Oberland: electric guitar, solina string ensemble, mellotron, alto sax, flute, bells
Stéphane Pigneul: electric bass VI & bass, modular system, moog synth
Mondkopf: oberheim & analog synths, electric guitar
G.W.Sok (The Ex): vocals on tracks 01, 03 & 06
Jean-Michel Pirès (Bruit Noir): acoustic & processed drums, percussion & bells
Jessica Moss (Thee Silver Mt Zion): electric violin
Radwan Ghazi Moumneh (Jerusalem In My Heart): electric buzuk, modular system

Recorded by Radwan Ghazi Moumneh at the Hotel2Tango in Montreal on the 19th and the 20th of November 2017 // Vocals on 'We, Who Are Strewn About In Fragments' recorded by Romain Poirier at Mer Noir in Paris // Poems by Mahmoud Darwish (01), Ghayath Almadhoun (03) and Yu Jian (06)// Edited and arranged by Oiseaux-Tempête at Magnum Diva in Paris during 2018 // Mixed by Radwan Ghazi Moumneh at Hotel2Tango between the 22th and the 27th of August 2018 // Mastered by Harris Newman in May 2019 // Produced by Radwan Ghazi Moumneh & Oiseaux-Tempête // Published by Alter K // Outside B&W photographs by Damien Daufresne // Inside color photographs by Gaël Bonnefon // Graphic design by Mountain

www.oiseaux-tempete.com

PRE-ORDER LP l CD

Weird Dancing In All-Night II

Inevitable music is a collection of pieces based on the work of American artist Sol Lewitt, begun by Sébastien Roux in 2012.

Each piece is a sonic translation of a wall drawing using Lewitt's instructions for the realization of the drawing, or the drawing itself, as a score.

This fifth installment of Inevitable Music is the first to propose all instrumental compositions for guitar, bassoon, clarinet, trumpet, violin, cello, viola and voice. The pieces were composed in 2016 during a residency at the Villa Medici, for and with, the experimental contemporary music ensemble Dedalus.

Sébastien Roux - Inevitable Music #5 - Translation #7

1967, version 1988
Taken from the album 'Violostries' released as LP and Digital.

Violostries

Bernard Parmegiani 'Capture éphémère' (REGRM 023)

Pierre Pulisciano est un compositeur/artiste sonore qui évolue dans le champ des musiques concrètes et expérimentales. Il développe à la fois un travail de composition et de performances live. Son écriture musicale est principalement axée sur la recherche et le déploiement de masses sonores créées à partir de sons concrets ou générés par synthèse, d'enregistrements de terrain.

Dans son approche il s'approprie les phénomènes propres à la technologie et exploite les nombreuses caractéristiques de l'analogique et du numérique. Pierre Pulisciano propose une musique abstraite, instinctive, qui joue sur les contrastes entre tension/relâchement, saturation/dépouillement.

Allégorie

Pierre Pulisciano

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