Swan Lake - Pyotr Ilyich Tchaikovsky (8D Binaural Sound - Music Therapy)

Swan Lake - Pyotr Ilyich Tchaikovsky

Swan Lake Act One. No. 3. Scene (Allegro moderato) - Pyotr Ilyich Tchaikovsky (8D Binaural Sound - Music Therapy)

Swan Lake Act One. Introduction (Moderato assai) - Pyotr Ilyich Tchaikovsky (8D Binaural Sound - Music Therapy)

Swan Lake Act One. No. 2. Waltz (Tempo di valse) - Pyotr Ilyich Tchaikovsky (8D Binaural Sound - Music Therapy)

Swan Lake Act One. No. 4. Pas de trois VI. Coda (Allegro vivace) - Pyotr Ilyich Tchaikovsky (8D Binaural Sound - Music Therapy)

Swan Lake Act One. No. 1. Scene (Allegro giusto) - Pyotr Ilyich Tchaikovsky (8D Binaural Sound - Music Therapy)

Swan Lake Act One. No. 4. Pas de trois I. Intrada (Allegro) - Pyotr Ilyich Tchaikovsky (8D Binaural Sound - Music Therapy)

Swan Lake Act One. No. 4. Pas de trois II. Andante sostenuto - Pyotr Ilyich Tchaikovsky (8D Binaural Sound - Music Therapy)

Shauna Kreidler Michels, mezzo-soprano
Recorded with the Washington Revels, summer 2013

Hildegard von Bingen - O Rubor Sanguinis (excerpt)

Reflections of Elysium

Mozart Allegro

Piano Sonata No. 8 In A Minor III. Presto

Ständchen D. 889, es un lied para voz y pianoforte compuesto por F Schubert en julio de 1826 en Währing, entonces era una villa del noroeste de Viena, ahora es un suburbio. El lied se compuso por la canción del Acto II, Escena tercera de la obra de Shakespeare, Cymbeline.

Schubert murió en 1828 a la temprana edad de 31 años y la canción se publicó póstumamente por Anton Diabelli en 1830. En su forma origina, la canción es relativamente más corta pero Friedrich Reil le añadió dos versos más en la segunda edición de Diabelli de 1832.

Aunque la traducción alemana que Schubert utilizó se atribuyó a August Schlegel (aparentemente basada en varias ediciones de Cymbeline que bajo su nombre se publicaron en Viena en 1825 y 1826, el texto no es exactamente el mismo sobre el que Schubert adaptó la canción: esta particular adaptación se publicó primero en 1810 por un tal Abraham Voß, y después bajo los nombres de A. W. Schlegel y J. J. Eschenburg, en una colección de obras de Shakespeare de 1811.

Al piano: Ismael Muñoz, profesor de piano, teclado y repertorista de la Escuela de Música.


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Ständchen D. 889, is a lied for voice and pianoforte composed by F Schubert in July of 1826 in Währing, then a villa of the northwest of Vienna, is now a suburb. The lied was composed by the song of Act II, Scene III of the work of Shakespeare, Cymbeline.

Schubert died in 1828 at the young age of 31 and the song was posthumously published by Anton Diabelli in 1830. In its original form, the song is relatively shorter but Friedrich Reil added two more verses in the second edition of Diabelli of 1832 .

Although the German translation Schubert used was attributed to August Schlegel (apparently based on several editions of Cymbeline that were published under his name in Vienna in 1825 and 1826, the text is not exactly the same on which Schubert adapted the song: this particular Adaptation was first published in 1810 by one Abraham Voß, and later under the names of AW Schlegel and JJ Eschenburg, in a collection of Shakespeare's works of 1811.

On the piano: Ismael Muñoz, teacher of piano, keyboard and repertoire of the School of Music.

Ständchen D. 889, Franz Schubert (Live)

Mozart and Haydn Two by Two

String Quartet in D Minor Op76 No.2 "Fifths" III. Menuetto

1. Johann Sebastian Bach, Flute Sonata in E minor, BWV 1034, Andante

2. Mike Mower, Sonata Latino, Bossa Merengova

Johann Sebastian Bach, Flute Sonata in E minor, BWV 1034, Andante

Francis Poulenc - Les chemins de l'amour -The pathways of love - (1940)
Poem by Jean Anouilh
Celine Imbert - soprano
Maria José Carrasqueira - Piano
Fundação Oscar Americano - São Paulo - 1998 March 28
Lyrics:

Les chemins qui vont à la mer ont gardé de notre passage
Des fleurs effeuillées et l’écho, sous leurs arbres, de nos deux rires clairs.
Hélas ! des jours de bonheur, radieuses joies envolées,
Je vais sans retrouver traces dans mon coeur.

Chemins de mon amour, je vous cherche toujours,
Chemins perdus vous n’êtes plus et vos échos sont sourds.
Chemins du désespoir, chemins du souvenir, chemins du premier jour
Divins chemins d’amour.

Si je dois l’oublier un jour, la vie effaçant toutes choses
Je veux qu’en mon coeur un souvenir repose plus fort que l’autre amour
Le souvenir du chemin où tremblante et toute éperdue
Un jour j’ai senti sur moi bruler tes mains.
Chemins de mon amour, je vous cherche toujours,
Chemins perdus vous n’étes plus et vos échos sont sourds.
Chemins du désespoir, chemins du souvenir, chemins du premier jour
Divins chemins d’amour.

Illustration - Édouard Vuillard

Francis Poulenc - Les chemins de l'amour -The pathways of love Live - São Paulo - 1998

Swan Lake Act One. No. 4. Pas de trois I. Intrada (Allegro) - Pyotr Ilyich Tchaikovsky (8D Binaural Sound - Music Therapy)

Pyotr Ilyich Tchaikovsky

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