Copy of Swan Lake - Pyotr Ilyich Tchaikovsky (8D Binaural Sound - Music Therapy)

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Swan Lake Act One. No. 3. Scene (Allegro moderato) - Pyotr Ilyich Tchaikovsky (8D Binaural Sound - Music Therapy)

Swan Lake Act Two. No. 10. Scene (Moderato) - Pyotr Ilyich Tchaikovsky (8D Binaural Sound - Music Therapy)

Swan Lake Act One. Introduction (Moderato assai) - Pyotr Ilyich Tchaikovsky (8D Binaural Sound - Music Therapy)

Swan Lake Act One. No. 2. Waltz (Tempo di valse) - Pyotr Ilyich Tchaikovsky (8D Binaural Sound - Music Therapy)

Swan Lake Act One. No. 1. Scene (Allegro giusto) - Pyotr Ilyich Tchaikovsky (8D Binaural Sound - Music Therapy)

Swan Lake Act One. No. 4. Pas de trois I. Intrada (Allegro) - Pyotr Ilyich Tchaikovsky (8D Binaural Sound - Music Therapy)

ISRC code: GBF071202861
Composer: Rachmaninov
Work: Piano Concerto No. 2 in C minor
Movement: Moderato - I

Conductor: Michael Francis
Artist: Valentina Lisitsa
Orchestra: London Symphony Orchestra

If you want more information about this track please e-mail sync@decca.com 
Please quote GBF071202861 in the subject line.


Rachmaninov: Piano Concerto No.2 in C minor, Moderato - I

숙면 클래식 자장가

Camille Saint-Saëns : Carnival Of The Animals - XIII. The Swan (Arr. for Piano by 임수정)

The Titan Atlas is well-known as the holder of the heavens. This was his sentence for his part in the war between the Titans and the Olympian gods for control of the heavens. He is also found in Roman myth concerning Heracles.
In one of the Twelve Labours, Heracles was required to get some of the golden apples that grew in Hera's garden tended by Atlas’ daughters. Heracles volunteered to hold up the heavens while Atlas got the apples from his daughters. When Atlas came back with the apples he tried to trick Heracles and free himself from the burden of his punishment. Heracles was no fool and pretended to agree, asking Atlas to hold the sky whilst he fixed his cloak. Heracles ran away with the apples. 
In some myths Heracles built the two great Pillars of Hercules to hold the sky away from the earth, liberating Atlas much as he liberated Prometheus.
Using this story as its inspiration, the piece is introduced with an orchestral tutti accent much like that used in Carmina Burana ‘O Fortuna'. This develops into a flowing melody over a reiterated ostinato. The music settles to a calm pastoral theme based on the initial tutti motif before returning to a recapitulation on the main theme.

Atlas

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