thank you for a nice podcast! I'm wondering if it's possible to find a list of interpreters/musicians names and compositions? or any sources where to listen to them, please?

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Que No Se Diga

Sara Oswald & Feldermelder - Dual | Duel
Cat #: OUS038
Release date: July 7, 2023
Distributed by Kudos: https://kudosdistribution.co.uk
Label Bandcamp: https://ousooo.bandcamp.com

«We find ourselves venturing into the depths of a rugged terrain. In our hands, we hold stones and minerals, each possessing its own distinct texture, weight, and sonic potential. It is through the artistic touch and through the musical instruments that these earthly treasures, once dormant, are awaken to life.» — Sara Oswald + Feldermelder

The 3rd collaboration of prolific cellist Sara Oswald and electronic musician Feldermelder evokes captivating sensations that oscillate between impending doom and hope. The albums’ sonic journey is highly immersive, transporting the listener from one cerebral landscape to another. The transformative nature of metallic elements being integrated in sustained orchestral tones weaves the sonic tapestry, resulting in a captivating experience for the listeners. The organic sounding — reminiscent of minerals’ timbres — brings a touch of brightness and a distinctive edge, while the orchestral harmonic structures lend a sense of grandeur and continuity. The origins of this music remain enigmatic, while the tracks of the album gradually unveil concealed aspects and the hidden truth.
One can step into a realm where melodies are reborn, as Sara Oswald’s cello spins tales and emotions burst forth. Nature’s eternal splendor intertwines with the essence of music, as she infuses harmonies with the soul of mountains. Vibrant hues come alive with delicate strokes, and cascading notes resonate with a select few. Feldermelder conjures profound echoes that swirl like ancient whispers of the earth’s primordial past. He sculpts textures, from fragmented glitches to expansive atmospheres, that warp the fabric of reality. The two musicians merge together harmoniously, blending the acoustic and electronic worlds into a transcendent unity. This fusion of contrasting elements adds a unique and intriguing quality to the music. The cello’s warmth merges with pulsating electronic beats, creating a symphony of contrasts and sonic upheaval. Each composition is woven in intricate layers, combining electroacoustic architecture with delicate precision. A subtle balance of chaos and control permeates the music as it meanders through the labyrinth of the mind. The soundscape unfolds like a grand tapestry, distant echoes murmuring like grains of sand.

Trained in baroque cello and advocating improvised music, Sara Oswald is the perfect match for sound artist and electronic musician Feldermelder. She plays solo, composes for film and theatre and collaborates with musicians like The Young Gods, Pascal Auberson, Sophie Hunger and Julian Sartorius. Feldermelder is a polymathic creative whose artistry spans composition, sound design, installation and code. He is co-founders of -OUS and part of Encor.studio, a collective of artists who specialise in creating immersive audio-visual installations. Through his work, he explores the idea of secrecy and its impact on our lives, using music and sound to create a thought-provoking and immersive experience for his audience.

CREDITS
Written by Feldermelder & Sara Oswald 
Produced by Manuel Oberholzer
Mastered by VFBM
Cover Design by Isaak Rickenbacher

https://ous.ooo
OUS038

Dual | Duel

Buy on Bandcamp

Sara Oswald & Feldermelder - 1 - Transpersonal Source

Wet and muted
I breathe the air
heavy like rain
we sit quietly
feeling the timbre
of echoes
and the fragrance
of atmospheres
before they were clouds
I look into the stream

For piano and tape:

Lerkenfeldt explores minimalist structures with stillness and intensity. Her imaginative process is poetic and precise; distilling new registers in the field of consciousness through electroacoustic composition, like a torchlight in the dark.

Alongside classical instrumentation, she augments abandoned technologies into new hybrid forms through handcraft, digitisation and experimental digital processing. Flickering piano, tape systems and their spatialised distortions unfold in repetitive motifs on With Water Up To Her Knees. In Before They Were Clouds, multi-layered acoustic refractions speculate on atmospheric systems.

With Water Up To Her Knees is produced by Shelter Press in small series cassette single edition and digital with a limited pullout poster and poem by the artist. The work has its world premiere at eminent electronic arts centre The Substation, Melbourne on 24-25 November 2022, with a hybrid performance in collaboration with filmmaker Tristan Jalleh.

Written and recorded on unceded Wurundjeri and Boon Wurrung country, Summer 2022.

“I love the sound of mechanical failure, when the sophisticated machine collapses into itself.” 

Credits:
Released November 22, 2022

Music and poetry by Lisa Lerkenfeldt
Mastered by Joe Talia
Photograph by Traianos Pakioufakis

With Water Up To Her Knees

Before They Were Clouds

Lost tape # 3

SIMON LANZ / TOBIAS LANZ, Arches, LP
Hallow Ground
Vinyl / digital, catalogue nr. HG2306
Release date: November 23, 2023

Tracklist:
1. Arches - Part I (10:28)
2. Arches - Part II (10:39)
3. Arches - Part III (06:55) - Single release on October 26, 2023
4. Arches - Part IV (13:53)

Credits:
Composed, performed & recorded by Simon Lanz & Tobias Lanz
Mixed by Benoît Piccand
Mastered by Lawrence English
Artwork by Ramon Keimig

https://hallowground.bandcamp.com/album/simon-lanz-tobias-lanz-arches

Arches

SIMON LANZ / TOBIAS LANZ, Arches - Part III

Thousand of sand fleas (talitrus saltator) were eating a large jellyfish on the beach at Oleron island (France). We put 2 hydrophones inside to listen. We can hear the fleas jumping around but also the waves from the inside perspective of the jellyfish.

Recorded with 2 Aquarian H2a on a Mixpre 6-II with Grégoire Chauvot at Oleron island in 2022.

Thousand of fleas eating a jellyfish - w/ Grégoire Chauvot

The intricate sonic activity behind 'Live at default' testifies to Francesco Corvi's recent post-acousmatic practice. Intense multi-layered textures and rich synthetic soundscapes are fused with micro-sounds. Highly detailed digital noise is made warm and enchanting by the live performance and ambience recordings, and reaches its best character on magnetic tape.

"In my practice software is not conceived as an instrument, neither as a virtual agent, but rather as a dynamic network of interconnected components that exhibit emergent properties by monitoring their own behavior, adapt to changes and alter their own structure. Immersed in this ecosystem of sonic processes, I shape the unfolding of the performance by modifying the software on stage and responding to its behavior. This peculiar form of improvisation possesses a unique performative idiom that cannot be reduced to bodily gestures or human intentions, as the sonic activity itself becomes the medium for conveying the liveness of the performance. This release focuses on how such a feeling of liveness might be translated into a record, placing particular attention on the capturing of the acoustic space of the concert hall and the additional layer of meaning it creates."

Francesco Corvi (aka nesso) is a performer, composer, and multimedia artist. He works with custom digital technologies including live coding environments, adaptive systems, and spatial audio engines,
creating shows at the intersection of computer music, new media art, and deconstructed club. He released music on Superpang, Kaer'Uiks, Genot Centre, HEEL.ZONE, Mossa records, Riforma.

released December 15, 2023

Music composed and performed by Francesco Corvi, live recorded 16.03.2023 at default #3 in Den Haag
Mastered by Francesco Corvi
Artwork by Ran
Cover silkprinted at Papier Gâchette, Strasbourg

Live at default

Live at default (excerpt)

Listen back to Spellcaster's subversive sounds (death to fascism) mix

tracklist:
Cornelius Cardew & Peoples Liberation Music - Hammer of the Working Class (‘death to fascism’ hook throughout the mix) 
Ekkehard Ehlers - Plays Cornelius Cardew 1 
Maryam Al-Khawaja speech for the grand demo ‘All of Denmark to the streets for Palestine’ 7/1-24, part 1
Kofia - Leve Palestina, krossa sionismen 
Sumé - Pivfît Nutât 
Cornelius Cardew & Peoples Liberation Music - Take up the Fight 
Miles Davis - Rated X 
Toktogul - Der ligger igen en rapport 
Højer Øye - Brænd System 
Brynje - Sayings of the high one 
Sinéad O’Connor - Famine 
DJ Spooky - Hologrammic Dub 
Maryam Al-Khawaja speech for the grand demo ‘All of Denmark to the streets for Palestine’ 7/1-24, part 2 
Chuquimamani-Condori - Breathing 
Stop Annekteringen x drummers against occupation x THE PEOPLE, demo for Palestine 10/1-24. Chanters: Muhanad Al Hasan & Feras Al Hasan

subversive sounds (death to fascism) w/ Spellcaster @ Drift Radio 18-01-24

Recorded in Max 8

Trying out resonator bank stuff :)

think fast

Melting ice recorded with stereo pair home made hydrophones, January 2021, with Grégoire Chauvot. 

The sounds you hear are the ice breaking and transforming under the temperature difference. 

Experiment about heat in process...

Melting ice - recorded with home made hydrophones

Bloedneus en de Snuitkever is a musical project for newborn sonic adventures.

The Aulos, a double reeded double pipe, stands in the center of the research. Detached from it’s former owners and their entire culture, the instrument is sort of an enigma.

Breathing air into an instrument silenced for over a millennium, Bloedneus en de Snuitkever creates a humble re(co)naissance of the instrument.
 
The radio transmission offers an insight into the possibilites of the Aulos, introduced by Lukas De Clerck in conversation with Henry Andersen live broadcasted from Q-O2. We will hear a live-concert by Lukas recorded at Q-O2, fragments of interviews with different Aulos researchers and a series of recordings of other Aulos Players.

With the support of Flemish Community Activation Fund.


Playlist :
Bloedneus & de Snuitkever - Le déshabillage (https://bloedneusendesnuitkever.bandcamp.com/releases)
Max Brumberg & Thomas Goulpeau :  https://www.youtube.com/watch?v=KbQVivtFQZg
Ars Serena - Athenaios Paian
Daniel Muñoz -  IAS 326+342
Callum Armstrong - Aulos improvisation on Bellerman exercise no 35: https://www.youtube.com/watch?v=6JFa8BZt2B0&t=2s
Ï Î - raw demo material... 
Stefan Hagel on a Hellenistic Aulos: https://www.youtube.com/watch?v=OcHWvl16mpg&t=43s

Lukas De Clerck ::: Bloedneus en de Snuitkever

Q-O2 is a Brussels based workspace for experimental contemporary music and sound art. Q-O2 develops projects in collaboration with national and international artists and arts organizations, hosts artists in-residence, and holds performances and concerts. 
http://www.q-o2.be

Lukas De Clerck ::: Bloedneus en de Snuitkever

Q-O2

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