Ammar Ezzahi (Heddi, Soirée Alger).avi

Music for piano and string orchestra.

Strings: Budapest Art Orchestra https://budapestartorchestra.com

Artwork: Aline Héau https://cyanotyp.es

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Journeys

Every Open Heart

From synth keys to strings,
from the dance floor to a dream…
Welcome to Wonderland.

Wonderland blurs the line between electronic and orchestral, pop and fantasy. A world where dance floor energy collides with fairytale escapism. Both euphoric and haunting, it’s a song for dreamers who long to escape reality and find where they truly belong.

Wonderland (Preview)

Holly Roadfeldt - Piano

Hommage a Nadia Boulanger (1887-1979) – I have been fascinated by Nadia Boulanger for a long time now. How did this person inspire and produce so many of the 20th century's greatest composers? After reading about her life, I think at least part of that dedication to composers was born out of her relationship to her younger sister Lili, and the circumstances surrounding her early death. From what I understand, Nadia was a great lover of the rigors of counterpoint, but also had the rare ability of helping composers find their own voices during a time of strict dogma in the composition landscape. This piece is inspired by Lili Boulanger's "Theme and Variations", and also by Nadia's love of counterpoint, and by her voice in my head telling me, "Just be yourself."

Buy the album!

Hommage a Nadia Boulanger (Official Album Version)

Holly Roadfeldt - Piano

Hommage a Gary Gygax (1938-2008) - Given all of the artistic and scientific people I've covered so far, why write an Hommage to Gary Gygax, the creator of the role-playing game Dungeons & Dragons? When I set out to write this series, I wanted to pay respects to people who inspired me to create. Gary was the first. I was introduced to D&D in the 3rd grade, and I became fascinated with it immediately. I used to sit in class drawing dungeon maps on graph paper instead of listening to my lessons. This was my first real creative outlet, and where I first encountered the mechanics of telling a story. For instance, if I drew a long hallway on the graph paper, and then drew in a secret door halfway down on the left wall, this in itself posed many questions - questions that I had to answer. Why is there a secret door here? What is it hiding? Is it an object of significance relating to the rest of the story? Is it a dangerous monster, sealed away forever? How does that relate to what the adventurers are going through? My 3rd-grade mind was sent wandering with almost endless possibilities. Through Gary's creation, I learned to craft a narrative - a skill that became invaluable in writing music. How could I not write an Hommage to Gary?

Ammar Ezzahi (Heddi, Soirée Alger).avi

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