Name: Neez by qanossonap
Duration: 5 min 23 s
Description: Getting lost

Autogenesis - Terminus EP
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Remix by Obelisk

https://soundcloud.com/obelisksydney
https://soundcloud.com/auto-genesis

Ancient echoes reflect off futurist forms.
A sonic portrait of the post anthropic figure.
Alien and intimate.

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autogenesis1er.bandcamp.com/album/terminus

Artwork by Xpearl
Video by niph
Mastered by Borg Queen at Syntonix

STPLNT009

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Steeplejack operates on Stolen land.
We acknowledge the Wurundjeri People of the Kulin Nation as the traditional custodians of the land.
We pay our respects to their elders past, present, and future.
Sovereignty was never ceded.

PREMIERE - Autogenesis - Scatter (Obelisk Remix)

Ben Bondy - Drizl+fashion (Special Guest DJ Remix)

VINYL AND DIGITAL AVAILABLE @wainrecords 

Country & Western

New EP from @kioskk—a Warsaw-based DJ, producer, and founder of the 00effort label.

Across three original cuts plus two remixes from fa:act and Le Frit, the EP merges bass, techno, eco-grime, and baile funk into an ever-shifting soundscape—somewhere between ritual futurism and peak-time club euphoria.

Mastering by Le Dom
Artwork by Studio Boulon

Stream/DL

k:i:o:s:k - Ancient Reference

In Session #7 Pitch Athens is hosting Powehi for a mix that follows the journey of a traveller from the future who lands in a tribal world. It blends deep, slow rhythms and ambient sounds. The music moves between something ancient and something mysterious, creating a feeling that’s both earthy and futuristic.
Guest link https://soundcloud.com/powehi-1
With @powehi-1

Ioanna started playing electronic music for a year now. She goes by the name Powehi, inspired by the first photographed black hole. Her music blends deep, atmospheric sounds with slow rhythms, influenced by her love for space, nature, and the feeling of getting lost in sound.


Pitch Listening Sessions feat. Powehi w/ Pitch Athens (28.03.2025)

A phone call with a past mentor who at age 95 is still teaching piano, a memory of giggling at her transfixed mother photographing swans, a feeling of being floored whilst unearthing letters from her parents’ relationship. Exploring her most personal narratives to date, Laenz’s album ‘88 keys’ is suffused by the power of unwavering devotion - both towards others and towards lifelong study of music. Leaving behind the guilt of adolescent indignation and deviation from classical music towards fascination with leftfield dance music, the release circles back: a reverence to former piano teachers and the nurture they instilled in her.

Across ’88 keys’, loosely tethered memories and the intricate yet unpredictable sonic turns Laenz is known for are grounded through bass frequencies. On ’’11’ which samples recordings of Laenz’s last public performance of Bach’s ‘Chaconne in D minor’ arranged by Busoni, sustained solemnity is beset against misty, dubbed-out percussive explorations of piano acoustics. ’’24’ reminisces on lazy walks by Berlin canals, basslines ebbing hazily below spiralling hi-hats and caliginous melodies. ’9-30-91’ delicately re-casts one of the many love letters written by her father to her mother when they began dating, into a sonically distinct, tenderly stripped back vocal track. The lyrics read: ‘My dear, I miss you so much, I miss you deeply, from the bottom of my heart. Thoughts of you, occupy my whole heart, and every corner of my mind’.

Conversations, past performances, and archival recordings are run through iterations of radio transmission-reception, audio becoming irreversibly lost or altered into ambiguity. Each titled after a year, though not emotionally bound to it, the tracks are an aggregate of Laenz’s desire to calibrate them actively in her current memory—resisting any inevitable, obsolescent effects of time’s passing. In Laenz’s words ’88 keys’ ‘though a fraction of the appreciation I have for my parents, Carolyn Shaak, and Larry Graham, this project was from start to finish an ode to their impact. 

The singles ‘’11’ and ‘‘24’ are out on the 2nd and 9th May, ahead of the full album release on 16th May 2025.

Artist Bio:
Laenz is a producer based in Brooklyn, NY, working within radiophonic textures and caliginous dance music. Her work explores the sonification of indeterminate spaces, saturating abstract musical forms with intensely tender and personal observations. She uses vocals, radio equipment, and live processing in her performances, sonifying unknowable sounds into unsuspecting ears. She holds a Lot residency, and has released projects under Woozy, Early Reflex, Dance Data, and more.


Tracklist :

ARACOELI - LA MARA
GARGANTUAN GRIEF - IN THIS HOUSE 
LOSTSOUNDBYTES - EMPIRE OF FUCKERS
YOLEK - MARTYR’S STARE
GARGANTUAN COLLAPSE - CIRRHOSE DIRECT (FT VINA KONDA)
SSOLVE - GLASS GLOW
SSOLVE - HELLHOUND 
GARGANTUAN GRIEF - GREAT FALL, CUTTING EDGE SADNESS
GARGANTUAN COLLAPSE - TRQCK 4
SSOLVE - SCUM 
HAJJ - ULTRA VIOLENT COMMUNICATION 
LOSTSOUNDBYTES - KILLER COPS
GARGANTUAN GRIEF - DOING WELL
GARGANTUAN COLLAPSE - POLYRHYTMIC DREAM
SSOLVE - SSDIZZY MECHANICS 
GOHDA - JHOLIDAY 
ARACOELI - LIGUREN II
GOHDA - FOREVER

Invité spécial — HAJJ (DAWN)

Neez

shlafenrayn loop 0

"... and is revealed in Its naked truth to those alone who pass right through the opposition of fair and foul, and pass beyond the topmost altitudes of the holy ascent and leave behind them all divine enlightenment and voices and heavenly utterances and plunge into the Darkness where truly dwells, as saith the Scripture, that One Which is beyond all things."

Neez

qanossonap

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