Wonderfully eerie, experimental avant-garde soundscapes...! Fitting soundtrack for decaying urban environments, like it a lot! 👍

Acaju - 21-8-2025

Long Gone Summer (2025).

When the authentic self seeks to create an environment set apart from the all pervasive false reality and narratives of these distorted times, it must do so without foundation or context, upon a tabula rasa, an arte povera, from nothing, and how better than through joyful aimless play with no intention other than to create and exist within the moment, through art and music and dance, away from symbols and language and meaning, away from expectation or reception, a creator with no audience or consumer, for the simple  fun of it. And it must be fun; if working hard and making effort are key to success or gaining respect then neither success or respect are important, one need not pass beyond gatekeepers for something as worthless as approval. There are no bad paintings. Want for nothing other than to know the people sing even if you hate their song. Smile at their terrible dancing, then dance yourself.

SQRIA is like all my other recordings in that it is made live only with small cheap synth boxes (Korg Volca (Sample1, FM1, Modular, Kick), Korg NTS1, Korg SQ1, Bastl Kastle (1.5, Drum and ARP)) - no daw or complex programming - just some forethought/intention and the generation of a suitable playspace - then recording what happens as I move things about. SQRIA is different in that each track is originally hours long and then edited down to something near 20 minutes.

D/ Optimism Against Their False World

poem, morphing and arrangement: copyright jo richter
https://soundcloud.com/sonic-textures
all sounds by well

she believes in the beauty
of pebbles and in the logic
of living sustainably -
amulet wheel, amnesic

as seasons and perfumes drift by -
a bearer of shields and magic,
her carpet is worn - she will die
an unapologetic aesthetic

the lyre and the wheel -  with sonic structures and silent stretches

Listen to Nathaniel here: https://soundcloud.com/nathaniel-ehrnman

Nathaniel  contributed acoustic guitar, baritone acoustic guitar, weissenborn (slide), and field recordings of local cicadas.

photo: H.Skeneby

Mellan Sinnena   with Nathaniel Ehrnman

Seedship Relic

Electric Teeth

Öoove

howare

Listen on Spotify: https://open.spotify.com/track/2YFp3BVowS5MpbjuN049iQ?si=4d89b1eb0f9d4ee1

Limerence I

Grounding Heartbeart

Qarenthe.

Live Improvised Abstract Electronic Sandbox Audio / Falmouth Cornwall

D/ Optimism Against Their False World

Qarenthe

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