H O W I D O

Alice Boman - Waiting (Kalter Remix)

Written, recorded & produced by Theo Krish


Additional drums by Sam Heath https://soundcloud.com/jasper-2
Recorded at the IOSR by Harry Lightfoot https://soundcloud.com/tjorvenbeats

Image by Ben Draper

Never Alone

MDB - I’m Gonna Leave You (Cinematic Orchestra Remix)

Now lot of people don’t like Mondays and we think that’s fair enough; going back to work feeling a decade older after a heavy weekend spent making memories with friends can be a chore for even for the most optimistic of us as we trudge back in to the daily grind. Fear not this week, as our friends over at Sonar Kollektiv are on hand to gently ease us in to the week with an exclusive free download of Robot Koch's remix of Kasar's 'Gone'.

Taken from 'Kasar Remixed', Robot Koch's sombre dub enthused reimagining of 'Gone' is one of 5 tracks from Kasar's 2014 album 'Walk On' that have been reworked for the remix album, each cut seeing a Sonar Kollektiv affiliated artist charged with delivering a vastly different take on the original works whilst retaining some of their character.
Set to arrive July 20th, you can download your copy of Robot's remix of 'Gone' now.


Kasar - Gone (Robot Koch Remix)

Lee Field X RZA

Single taken from "Án Mynda - EP"  available everywhere now
Bandcamp: https://alekfin.bandcamp.com/album/n-mynda-ep
itunes: http://bit.ly/ALEKFIN
Spotify: https://play.spotify.com/album/3ZW9tqE8MQ2af9wtOiDP5r

Written, recorded and performed by ALEK FIN
Mixed in collaboration with Jason Sharp
Mastered by Dave Cooley for Elysian Master
Artwork by Alloy Studio
Copyright 2015 ALEK FIN

B u y 

Lift Up (Feat Robot Koch)

From album 'A night Train to Budapest'

Available to download now from,
iTunes: https://itunes.apple.com/ie/album/a-night-train-to-budapest/id1088780208

Spotify: https://open.spotify.com/album/5W0Wsle6Mz7R1DBc14NYg4

Amazon: https://amzn.com/B01CE4Q6Q6

Release date: 7//3//16

contact: cinemamusicireland@gmail.com

Night Train

To Do (Lorin Sylvester Strohm Remix)

SR073: Odd Beholder - Remixes
Get / stream this nice track: http://smarturl.it/OddBeholder-Remixes

www.facebook.com/oddbeholder
www.facebook.com/hundredsmusic

purchase

Odd Beholder - Isometry (Hundreds Remix)

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Buy on iTunes

Atlas Genius - Back Seat

CTFAT125 – Catacombs EP

Artist: Pále
Label: Fat! Records
Release Date: 22/10/2012
Format: Digital

1. Catacombs
2. Oak Music
3. Orchidea

Manchester based Pále, aka Leo Marcus, has made some serious waves this year, delicately blending spacious melodies with pounding low end to produce consistently forward thinking house music.

After dropping his superb Why’d You Even Say? EP on Fat! Records back in January, along with the brilliant Silverstair on Four40 and his ridiculously huge remix of Mak & Pasteman’s Jungle Juice Pále has not only showcased his impressive variety but also genuinely established himself as one of the most exciting youngsters around at the moment. 

This 3 track EP kicks off with Catacombs, which balances punchy bass stabs with ethereal vocal samples and skittering percussion to create undoubtedly one of Pále’s best tracks to date, something that manages to be fully dance-floor orientated whilst retaining a sense of blissful serenity. Oak Music opens with typically atmospheric pads and beautiful strings before falling into a void, the bassline pulsating ominously, accompanied by sparse clicks and an emotive melody before another breakdown of near-euphoric tranquility. The release is perfectly rounded off with Orchidea, a luscious sepia-tinted slow jam, or as Pále himself would describe it - “slow beats for tired feet.”


DL via XLR8R

Pále - Orchidea

Our 'Hey Now' EP is out now: http://po.st/HeyNow

Our debut album 'If You Wait' is out now!

Vinyl: http://po.st/IfYouWaitLP
iTunes: http://po.st/IfYouWait
CD: http://po.st/IfYouWaitCD

http://londongrammar.com
https://twitter.com/londongrammar
https://facebook.com/londongrammar

Metal & Dust

Hey Now

"Harvest" from The Wilderness: by k.s. Rhoads
Release date: March 5, 2013
www.ksrhoads.com


Harvest

Buy the Metal & Dust EP on iTunes now: http://smarturl.it/METAL-AND-DUST

Our debut album 'If You Wait' is out now!

Vinyl: http://po.st/IfYouWaitLP
iTunes: http://po.st/IfYouWait
CD: http://po.st/IfYouWaitCD

http://londongrammar.com
http://facebook.com/londongrammar
http://twitter.com/londongrammar

Metal & Dust (X Factor Performance)

Released February 18th 2013 via Tru-Thoughts Recordings

Machine

Qtier return with Kind, taken from their second EP 'The Cards' released on Bpitch Control Berlin

http://www.youtube.com/watch?v=kwqljbFamZE

Kind

Electronic duo.

Members;
🎛 Howard Whiddett aka @Sandancer_h (producer)
🎤 Adam Pleass (vocals)

Band Reviewer for Music Connection. Playlist Maker for The Music Ninja.

Kind

Qtier

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