This tune's pretty killer, my favorite track of WWJ 6

Sweet little tune! Gonna put htis up for DL? I love the arps

Sick track man, absolutely slammin. You should put it up for remix on /r/edmremixexchange I know I'd love to have a go at it.

(RUS)
Март 2015 года - месяц русских музыкантов на Good Street Records. У нас есть два EP альбома от https://soundcloud.com/6dayofaugust и https://soundcloud.com/ilzp

Наш первый EP в этом месяце от https://soundcloud.com/6dayofaugust
(music.goodstreetrecords.com/album/doomsday) показал новаторство и качество русского Footwork'а, а релиз от https://soundcloud.com/ilzp поможет показать другое направление русской сцены.

Проживающий в Краснодаре, на юго-западе России, продюсер, ILZP делает Bass музыку с характерными для Juke и Footwork'a чертами. Его треки на грани эксперимента, с отсылками к Acid, Techno и Hardcore музыке.

A911 это собрание из четырех треков, которое дает почувствовать то, как https://soundcloud.com/ilzp представляет Footwork и Juke, а также все остальные ароматы Bass музыки. 'Rescue Me' и '50000' в ритме 150bpm подверглись прямому влиянию джука. 'Yes' и 'Lywd' в ритме 160-ти ударов в минуту, по содержанию и ритму они немного экспериментальнее, наполнены оттенками жанров Hardcore и Acid.

Также мы очень рады принять на Good Street украинского продюсера https://soundcloud.com/iamzolaa. Его отличный ремикс на Lywd вызывает чувство, как-будто вы прыгнули в кислотный океан в джунглях.

Огромное уважение всем русским, украинским и белорусским футворк продюсерам от Good Street!

(ENG)
March 2015 is a Russian month for Good Street Records. We have two EPs from upcoming Russian Footwork producers - https://soundcloud.com/6dayofaugust and https://soundcloud.com/ilzp

Our 1st EP of the month, from https://soundcloud.com/6dayofaugust (http://music.goodstreetrecords.com/album/doomsday) showed the innovation and quality of Russian Footwork, and this release from ILZP helps show another direction of the Russian scene

Based in Krasnodar, South West Russia, ILZP makes Bass Music with a Footwork/Juke twist. His tracks have an experimental edge, giving hints of Acid, Techno and Hardcore

A911 is a collection of four tracks that give a sense of how https://soundcloud.com/ilzp interprets Footwork, Juke and all flavours of Bass Music. 'Rescue Me' and '50000' are 150bpm, and take clear influence from Juke. 'Yes' and 'Lywd' are 160bpm and a bit more experimental in rhythm and content, with undertones of Hardcore and Acid

We are also pleased to welcome https://soundcloud.com/iamzolaa to Good Street. He expertly remixes Lywd, making you feel like you've just jumped into an acid ocean in the jungle

Massive respect from Good Street to all the Russian, Ukrainian and Belarusian Footwork producers!

Buy + Support Us

GSTR043 | ILZP - A911 (PREVIEW - Out Friday 27th March)

Volume 2 was just as fun as the first. Big up all the footwork and juke crew especially, Ground Mass, Dynamix, JBW, Modern Ruin, Teklife, Philthtrax, Dred Collective, RWD.FM, Smashtales, Polish Juke and Imperial Philly.

Big shouts to all the artists especially DJ Rashad, RIP mate.

Tracklist  >> https://www.mixcloud.com/djsideswipe/sideswipe-presents-soulwerk-vol-2/

Sideswipe Presents Soulwerk Vol. 2

Live instore at Transistor Chicago (transistorchi.com) 5/8/2015.

Live At Transistor 5/8/2015

My second mix for Moonshine. Released in the summer of 2000. 

TRACKLIST

1 L Double & Serena - Crazy
2 DJ Dara - Duplicity (Klute Remix)
3 Profound Noize - Luminous
4 DJ Hype - The Big 30h	
5 Monty & Pascal - 4D99	
6 Decoder & Substance - Hazardous	
7 Biostacis - Menace
8 Cyba Space Feat. Shanie - I Bless The Day
9 Future Cut - Whiplash
10 John B. - Prowler	
11 Usual Suspects - Doorway
12 Blue Sonix - Devil Inside
13 Kenny Ken - Project One
14 Fresh 'N' Vegas - Shades Of Sound
15 John B. - Progress
16 Fallen Angels - Biophonic

DJ Dara - From Here To There

Hyroglifics - Each & Every - Critical Music

Buried On Jupiter

full broadcast

http://m50.net/playlists/2001.11.10.html

Chris Widman + m50 @ etc, WNUR 2001.11.10

Track written using Ableton Live and Novation Bass Station II.

Campfire Banger

ringing in my ears

Get Vibrator from iTunes here: https://itunes.apple.com/us/album/vibrator/id659358088

The first EP on new sublabel Droidsong Abstract, Vibrator is characterized by heavily textured synthesizer work, fleeting and nostalgic melodies, aggressive breakbeats and hard driving dance rhythms influenced by a wide range of musical artists including Kraftwerk, Front 242, Orbital, Depeche Mode, and Aphex Twin.

Defying genres as always, @Dysphonix draws from a wide palette of electronic music cultures including, drum & bass, breakcore, synthpop, and techno. This is the first widely available commercial release from this artist that has composed and remixed electronic tracks since the early 1990s.

More info here: http://abstract.droidsong.com/dysphonix/vibrator/

Dysphonix - Fantasy

QUADRATIC crafts dance floor oddities that skirt the boundaries of dubstep, techno and detroit electro. since their first ep release in 2008, the long-simmering collaboration of CHRIS WIDMAN and COLIN HARRIS of abstract science has impressed chicago crowds opening for DAEDELUS, HUDSON MOHAWKE, KODE9, RUSKO, DISTANCE, KING CANNIBAL, ISOLEE, OTT, LORN and BLOCKHEAD. WIDMAN is best known as a dj, promoter and long-time host of the chicago radio program abstract science on WLUW 88.7fm. over the years, he has shared the bill with a diverse cast of underground luminaries -- including AMON TOBIN, CINEMATIC ORCHESTRA, MODESELEKTROR, M83, MEAT BEAT MANIFESTO, MONOLAKE, PLAID, THE ORB, SKREAM, UNKLE and ULRICH SCHNAUSS-- played every type of event imaginable, from raves to operas. WIDMAN was named a SMARTBAR resident dj in 2010 and continues to co-promote SUBFIX, the city's most prominent dubstep night. colin harris is an agile developer who spent many hours of his youth tweaking lines of code, playing with music trackers (and guitars), and pumping hours of bass-drive out of his computer subwoofer. graduating from a casio sk5 to fruity loops to ableton live, harris has transformed his programming skills to adapt custom devices for live performance. the duo first met in 1998 at widman's club residency in columbia, missouri, where he first encouraged, and eventually, invaded harris' music projects: widman's experience as a dj and drummer complementing harris's sense of melody and technical dexterity. the result is QUADRATIC.

ringing in my ears

quadratic

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