Purchase Richard Devine's Modular UI library here: 
http://soundmorph.com/index.php?page=products&spack=modular

This is a preview of Richard Devine's "Modular UI" soundpack with SoundMorph.com (Sounds by Richard Devine, music by SoundMorph Co-founder Jason Cushing)

Modular UI is an advanced user interface library designed by world renowned sound designer and musician Richard Devine.

Designed and sourced entirely from Richard Devine’s personal and exclusive Eurorack modular synths and processors collection, the Modular UI soundpack combines the retro, clean sound of analog with the futuristic tech of the new wave of advanced analog and digital synthesis from modular synths, evoking flashbacks of iconic sound design heard in both classic and modern sci-fi films.

The Modular UI soundpack gives you access to sounds created by one of the masters of modular synths and sound design, and is sourced from equipment that would take a lifetime to purchase and assemble, giving an incredible value to this soundpack both artistically and financially.

Utilizing many Eurorack modules that have not yet been released to the public and containing samples equally suited to sound designers and electronic musicians alike, Modular UI is in a class by itself!
 
Modular UI features 1,000+ sounds and 5.99Gb of 24bit/96khz .WAV files, all meticulously embedded with Soundminer & Bashead metadata, including:
- Calculations and Text
- Data Crunching
- Data Micro Calculations
- FM Confirm Tones
- FM Hybrid Gestures
- FM Solo Bleeps
- Hologram Pad
- Micro Gestures
- Modular random generations
- Solo Beeps
- Subtle Hi Tech Modular
- Text Typing
- 5Gb of Modular Source Recordings

Richard Devine's Modular UI - Soundpack Preview

The opening drone is just phonogene looping a sample I randomly grabbed off my phone. Hertz donut is being sequenced by the turing machine and is running through the echophone and springray. Bass is from the analog four and drums are octatrack. I over dubbed a second version of the hertz donut but with the trigger from my keys as the clock for the echophone and the feedback out going to phonogene in broken echo mode.

Phonogene

A little ditty that I made with the Korg Electribe 2 and Future Retro Zillion.

Pink Invisible Unicorns

Fun little track through a groovy haunted forest. Made entirely on OP-1 with help on drums from PO-12 and a bit from the ipad app fm4.

Haunted Forest

Link to the video of the patch, recorded in one take here: https://vimeo.com/136165676

download to the .wav file :-)

Patch Notes:

Harmonic patch using the new MakeNoise tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer, and 4ms Spectral Multiband Resonator. The master clock is the Tiptop Circadian Rhythms. Clock output running into the Modcan Touch Sequencer. Channel output one running into one intellijel Dixie (V1) for the bassline. Dixie output running into a Mutable instruments Ripples filter (LP4), triangle waveform. Second channel output sequencing quantized 8 note sequence to the telharmonic oscillator, creating the first lead sequence in the patch (major scale set). One Mult output taken and sent to the Strymon BigSky reverb pedal to create the delicate swarm pads that rise in and out at the builds. Amplitude control of the slow rises via the intellijel HexVCA, slow rate control from one Modcan Quad LFO. The other output is then taken and sent to the Qu-bit RT-60 reverb. Third output from the Modcan TS sending quantized CV to the MakeNoise STO oscillator variable SHAPE output then sent through lower section of the MakeNoise Optomix. The forth output from the Modcan TS is sending a 4 chord pattern (min9) to the intellijel shapeshifter module in chord mode. This output is then sent to another Qu-Bit RT-60 reverb algorithm. MakeNoise Mysteron plucking guitar like effect being triggered by a 4ms RCD, 5th trigger out. The Mysterson then is running out into a Strymon BlueSky pedal, reverb.

Drum sequencing from TipTop CR, channel one kick drum going to the Nord Drum 2. Second channel number 2 triggering a custom snare drum made on the Nord Drum 2. Channel 6 from the CR triggering a low bass drum, in the key of "C". Clock output from CR into the 4ms SCM being rotated by a intellijel dixie sine wave output running at a slow rate shifting the 16th's hi hat pattern. Noise source for hi-hats are the SSF quantum rainbow 2, purple output running into the MakeNoise Optomix. The high end snare clap sound is by the Synthrotek's DS-M drum module, then being lightly processed by the Synthrotek DLY, slowly CV controlled by a Modcan Quad LFO in random mode creating more glitchy effects. This is then being sequenced by channel number 2 from the tiptop CR. The first lower left side 4ms Spectral Multi-band Resonator processing 72 custom DSP samples, which are being played by one addac wave player. The output is then being sent to a intellijel uVCF filter (hi pass), for the light subtle glitch textures. The second 4ms Spectral Multi-band Resonator, processing another set of 32 samples (noise washes/slow rises/falls) via channel number 4 from the CR tiptop. From here the output is being processed by a Mutable Instruments Clouds (granular mode), being controlled by the Pittsburgh Modular Game System running "Meteor Shower" mode in which the explosion based gates and random control voltages are then being sent to 3rd Dixie, controlling the CV rate time then from there its sent to the "Freeze" input on clouds, processing small bits of audio coming from the second addac waveplayer, The second output coming from the gamesystem is going into the "position" input on Clouds, which is doing some additional glitching to the signal.Main output from a intellijel Mutagen mixer then ran through the Eventide space pedal for extra spatial atmosphere. :-)

Harmonic Symmetry - Modular Patch

Some samples from my first few hours with Clouds, I can only describe it as disturbingly good.

Most of these are based around "freeze mode" with the various inputs being modulated.

Mutable Instruments Clouds Demo 1

Made completely with RM1X. It's about a personal journey. I was experimenting with 7/4.

Revelation

Link to the video captured here in real-time: https://vimeo.com/150015591

Patch Notes:

This was a patch experiment using the new Mutable Instruments Rings/Clouds Modules, and trying to create strumming/plucking guitar like sounds within a patch. The inspiration came from playing around with the Clouds Parasites 1.3 alternate firmware running in the Resonator mode highlighting the "scatter" (or strum) function. The master clock was the Tiptop Circadian Rhythms module, taking the first 4 outputs into my Nord Drum 2 for the Kick, snare, closed and open hi-hats. From there the clock output from the CR was multiplied and then sent to the Modcan Touch Sequencer. First row output from the TS was sent to the intellijel Shapeshifter creating a two note baseline sequence that comes in at 1:58. The second sequence Row2 output from the TS was sent to the "ALM Akemie's Castle" module OSC A output using the chord function, that comes in at 25 seconds. The gates from the modcan where set to a 16th's pulse sequence. Modulation from the synthesis technology E102 Quad Temporal Shifter output 1 modulating the Multiplier input on Operator 1. The 2, 3 and 4 outputs from the E102 where also modulating the Operator 2, 3, and 4 inputs on the Akemie's Castle. This was creating the harmonic timbre changing as the sequence was playing.

The slowly evolving sweeping noise textures that come in at 1:09 is from the Music Thing Radio Music module. The sample was a white noise sampled lightly filtered and then sent to the intellijel HexVCA with the amplitude CV control via a Intellijel Dixie modulating from slow to high rates (free running). The Make Noise Rene was being externally clocked from the Circadian Rhythm, and was sending out a quantized output to the Mutable Instruments Clouds pitch input creating the chord guitar sequence. The strum sounds on Clouds was played by the 4ms QCD running in 32th division output into the Trigger input. The freeze input was also triggered by a Ladik R-110 Random clock module. The combination of the two created the trill chord like strums.

The bass guitar tone sound that comes in at 1:24 are from the MakeNoise Mysteron, that is being sequenced by the Modcan Touch Sequencer, Row Output 3 was programmed in the same key but a lower octave. The "Rings" module was creating slow attack soft high pitched chords in reverb that come around 2:50. There was additional processing of the Clouds output that was sent into the Tiptop ZDSP module running the "Halls of Vahalla" card program 8 "Ginnungagap" creating the high pitch octave deep reverb shimmer effects. The harmonic slow swells that come in at 3:30 where created using another intellijel Dixie oscillator sine output running into an Strymon "Big Sky" pedal being harmonically controlled by an intellijel µScale V1. The output was being played slowly then processed using the "Choral" mode, creating the slow shimmer swells. The entire mix was sent into the Eventide Space pedal using the "Corridors" patch.

Mutable Instruments Rings : mutable-instruments.net/modules/rings
Clouds Parasites firmware: mqtthiqs.github.io/parasites/clouds.html

Strum - Modular Patch

At long last, my pre-ordered Mutable Instruments Edges arrived, and I'm in love. It's the perfect companion to Jupiter Storm, but here it is alone. All four voices sequenced from a Beatstep Pro. Additional modulation from outside LFO and S&H modules. 

eurorack study 14: dungeon blaster

My first take on a drone/dark ambient track. Inspired by the chorus of "Killed By Death" by Motorhead. Only an Analog Four and Grendel Grenadier RA-9 were used for the sounds. Recorded to Zoom R8.

Killed By Drone

Completely normal sounds. Nothing at all glitchy or bizarre. Who am I kidding. My sampler just hasn't been acting right since I plugged my weird sound generator into it. Oh well.... This track consists of samples from a Music From Outer Space Wierd Sound Generator and a circuit bent Akai s01 sampler which I bent myself. If you like this, check out my Youtube channel, just search "quailquillz" That's me. Later folks. 

Normal Sound Generator

Circuit bending, Electronic music, Ambient, Drone, space music. Influences: Jon Hassell, Steve Roach, Steve Reich, The Cure, Harry Partch. 

Normal Sound Generator

Quailquillz

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