16 track digital recording, 2 April 2013.

sampler, hammered keyboard

A brief encounter

Recorded 29July 2017, overdubs 5 December 2021.

Somehow these words on the not quite carefree beginning of a romance, came with it. I can't sing them, I doubt it if anyone could (but please feel free to try it... :))

Under the trees the river saw us embrace
Heard two hearts beating restlessly yet seeming safe
As the evening sun kissed the gentle waves
it never seemed to wonder why we came
While you and I dreamed of a ship to sail away
In still waters that are darker than before

synthesizers, guitar, e-bow.

...in still waters (instrumental version)

Cover of a song by Adrain Borland, recorded by The Sound on their album "Shock of Daylight".
Recorded September 2021 (synthesizer, bass) and February 2022 (vocals, iPad). 
Thank you brigadier R (courtesy of https://soundcloud.com/no-fi-1) for lending a hand!

brigadier R: vocals
qsc: Audiokit and Korg Minilogue XD synthesizers, bass, iPad (cello, oboe, clarinet)., string arrangements

Winter (cover, original by The Sound)

A fieldrecording to celebrate the coming of spring. Or to take your mind off the dreadful things that happen in Ukraine. It might be a comforting thought that nature carries on, no matter what we do...

Nature awakens (and Man too)

There is the one-man campaign against the war by the former Soviet air force pilot Volodymir Bilevich; when arrested by the police he responds "Guys, this is the country that defeated fascism. Now, a man with a slogan 'No to war' is arrested. What kind of world are we living in?"
There is Yevgeni Albats, a journalist in Moscow, who is staying in Russia despite a new law that could jail journalists. She speaks to CNN: "I am so ashamed of my country...ashamed that my taxes go into bombs that kill people in Ukraine".
There are still anti-war protesters who, armed with nothing but protest signs (and an occasional didgeridoo), defy the riot police, risking jail sentences up to fifteen years.
And last night, there was Marina Ovsyannikova. During a live broadcast related to the Russian invasion, she appeared behind the news anchor, carrying a poster stating: "No war. Stop the war , don't believe  the propaganda, here you are being lied to."

As long as there are brave people like Marina Ovsyannikova, Yevgeni Albats, Volodymir Bilevich and all those other yet unknown people who protest against the war and oppose Putin, there is still hope. Hope that the dreadful war stops. Before it's too late...

This mess was recorded March 2022, using Korg Minilogue XD and Audiokit synthesizers, guitar and sampler.

нет войне No to war! (see description)

Suzy Hazelwood makes lovely photographs and videos. Besides that, she’s a very gifted writer too. So I’m very grateful to her for allowing me again to add music to her poetry. 
A big thank you Suzy, for your kindness and for your beautiful words and voice!
You can find Suzy Hazelwoods photograps and videos on suzyhazelwood.tumblr.com/ and vimeo.com/user48871036. And check out her wonderful poetry and voice (@suzyhazelwood) and (wordmusing.wordpress.com/)

Suzy Hazelwood: words, voice
qsc: noises and sounds

"Recollection Chills" Spoken Word By Suzy Hazelwood with quarkstrangenesscharm, see description

As I try to follow the news about the war in Ukraine, I feel increasingly  pessimistic about a "good" outcome (i.e. an end of the hostilities and withdrawal of all Russian troops from all of the Ukraine could be a start...)
War has its own dynamic. With every kind of rhetoric, bluff and outright threats (from both sides),we are quickly getting closer to the abyss...we are desperately in need of common sense, more than brinkmanship or anything else...and there's really no time to lose if we want man and earth to survive!

This mess was recorded  in the last days of June and the start of July 2022 with synthesizers and a sampler. I prefer to listen to it with headphones.
The title is derived from a book by William Burroughs.

A Report From The Bunker (see description)

I'm really happy to post this collaboration with E-noki . With her wonderful voice and cool production techniques she gave new life to this track. Thank you so much for all your work and input E-noki! And for proving at least some of my words turn out to be singable after all :).

For E-noki's solowork, please go to @e-noki); for the equally adventurous and beautiful collaboration of E-noki with Karl Gründer make sure to visit Anouge (@anougemusic)!

Finally: a big thank you to my friend SinTaMental (@sintamental), who made all of this possible in the first place!

Recorded 29July 2017, overdubs 5 December 2021.
Vocals recorded by E-noki January 2022.

E-noki: vocals, electronics, music and final mix
qsc: words and music, synthesizers, bowed guitar

Under the trees the river saw us embrace
Heard two hearts beating restlessly yet seeming safe
As the evening sun kissed the gentle waves
it never seemed to wonder why we came
While you and I dreamed of a ship to sail away
In still waters that are darker than before

"...in still waters" E-noki with quarkstrangenesscharm

16 track, recorded February-December 2022.  Anyone interested in trying some vocals, please contact me.

Let's meet in our dreams she said
As if we could find the keys to a secret kingdom
Where anything could happen
As if she knew
only magic could  keep this love alive

qsc: synthesizers, guitars+delay, fretless bass

Rehearsal for a dream (see description)

Recorded June and November 2022,

synthesizers, fretless bass.

Shortcuts to a detour

16 track digital recording, 4 and 9 January 2015

synthesizer, keyboard

Pulsar winds

16 track digital recording

triggerfinger, bass, guitars.

Cover of a song played by Dutch punkband The Jack Nicholson's Toilet Seeds, written by Peter with a little help from Ralph.

Holklap

16 track digital recording. Backing tracks recorded April 2014. Vocals recorded June 2014. Overdub keyboard recorded 21 August 2016.

Rob: vocals, music
Ralph: guitar, keyboards, music, words.

(A) (Song for whomever)

I wonder where I should be
seeing you in that velvet red dress
as if anything could match your cheeks 
eyes shining with expectance
on opening the door
I dream... yet do not sleep

would you still be
looking at the world through a child's eye
your words won't have to inhaled
to fan a smoldering fire
a clock losing its time
strangely it's at ease
I dream...yet do not sleep

when I sleep I dream
explaining these deeper thoughts
and everything that may matter
when you leave, leave
a confusion
you're still here
a trumpet 
in the distance
playing
at night

(A) song for whomever (vocal version)

16 track digital recording, October 2013 and February-April 2017

sampler, electronic percussion, synthesizer, fretless ukulele bass

Ancient Chant

For this collaboration Sulevia kindly provided the beautiful lyrics and painting. Sulevia, thank you for collaborating and for your patience!

Please check out her website for more wonderful poetry and painting, (http://www.sulevia.net). And please listen to her adventurous music (https://soundcloud.com/user-947999181)!

16 track digital recording, 22 February- 24 May 2017. Voice recorded by Sulevia, January 2017.

Sulevia: words, voice, artwork
qsc: synthesizer, iPad (shakuhachi), bass, tenor ukulele, sample.

there´s a vibratory field that connects all things
time is timeless, compact, incomprehensible,
drifting in like leaves in storm
take, what I offer you
between colour-world and word
no questions, no answers
only now
divines, pulsates
heart-leaves-trembling
bound from sounds
silence-pressing
I search you
time borders trickle downhill
catch in morning dew 
what shows up shiny etheral 
gets through blood weave
and swings

Zeit Ist Zeitlos - Sulevia with quarkstrangenesscharm (see description for words)

16 track digital recording, August 2012. Bassguitar overdub August 2017

Rob: vocals, words
Ralph: guitar, sampler, bass

Feed Me

How the night came (@howthenightcame) came up with the idea of making an album on Roman mythology (Ovid's great book Metamorphoses) and invited other artists to participate in the project. 
The results are very nice I think: 21 tracks based on his favourite stories, while collaborating with lovely artists like Hypoid (@hypoidsound, www.youtube.com/channel/UCc_iQ5JFusPt9EIwKIZ5rew) and Daniel Diaz (dedeland.com, @daniel-diaz) amongst others.

“Ovid stares at The Black Sea (Niobes return)” was the track I was asked to collaborate on. The story is about a woman who turns to stone: (en.m.wikipedia.org/wiki/Niobe)
The basic tracks and final mix are How the night came’s. Thanks Martin, for your confidence and all your work!

Here you can listen to (or download) The Ovid album: howthenightcame.bandcamp.com/album/metamorphoses with an accompanying PDF which gives you some information about the project.
For more info: howthenightcame.wordpress.com/
www.youtube.com/channel/UCPGfN1lu3WZovgIA42_G0eg

How The Night Came - 21. Ovid Stares At The Black Sea (Niobe's Return) -with Quarkstrangenesscharm-

Recorded 22 December 2019 and 31 January 2020.

synthesizers, Roland TR-8, Chinese percussion, sample

Shimmering Clouds

16 track recording, July 2017 (basictracks) and October 2019 (overdub).

synthesizers, guitar.

Sunrise

16 track digital recording, 23 November 2019

I had rather vague memories of the first scene of The Shining, but what I did remember clearly was the sense of total desolation and impending doom. In other words, perfect to try to make (new) music for it.
It was not my intention to redo the work of Wendy Carlos...her soundtrack is chilling to the bone and unsettling and fits perfectly. This is just another interpretation, a different approach. And it was fun making it.

For those who haven't seen the movie: the first scene is on Youtube.

https://www.youtube.com/results?search_query=the+shining+first+scene

The Shining (first scene) -alternative soundtrack

Thanks for lending an ear.

for different sounds see also:
https://soundcloud.com/delichtmorbidebrigade
https://soundcloud.com/thefactsoffiction
https://soundcloud.com/bint-4
https://soundcloud.com/rgmb-1

quarkstrangenesscharm

Popular tracks