Quinn XCII

In the Water

In the Water (feat. Quinn XCII)

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Could've Had It All (Prod. By Luminox)

Calling All Angels

Calling All Angels (feat. Quinn XCII)

Margot Robbie

Breakfast EP

Natural High (feat. Allen Stone)

Lip Gloss

Melt

Unconditional

Dinner EP

Red Lights

Quinn XCII - Wounds (Prod. by ayokay)

Download the full EP, Change Of Scenery: http://bit.ly/quinncos

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www.twitter.com/quinnxcii
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DOWNLOAD EP

Wounds (Prod. by ayokay)

Quinn XCII - Demon (Prod. by ayokay)

Download the full EP, Change Of Scenery: http://bit.ly/quinncos

CONNECT WITH QUINN XCII
www.facebook.com/quinnxcii
www.twitter.com/quinnxcii
www.youtube.com/watchquinn
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@everythingisayokay

Demon (Prod. by ayokay)

"Last Left Standing Wins " Indie Genre, Created By Kelly Hector, Kellytranscend.
Song Review — “Last Left Standing Wins” by Kellytranscend (Songwriter/Producer: Kelly Hector)

“Last Left Standing Wins” is the rare dance-pop anthem that feels earned, not manufactured. Kelly Hector’s songwriting and production do the heavy lifting here—building a festival-scale experience that’s equal parts adrenaline and affirmation.

The opening frames set the tone: filtered percussion and crowd-clap textures prime the room, then a rubbery, optimistic bassline snaps into focus. 
Shimmering guitar flickers and airy pads sketch the horizon while the lead vocal (performed by the featured singer) enters with purpose. Lyrically, Hector keeps it plain-spoken and powerful—lines like “We didn’t give up… we just had belief” and the title mantra cut through the mix because they’re honest, not overwrought.

Pre-chorus mechanics are on point: rising synth layers, stacked harmonies, and pressure-building claps lift tension without clutter. When the chorus lands, it detonates—straight four-on-the-floor, supersaw chords that feel like searchlights, and a hook that begs for 2 a.m. crowd chants. It’s sticky, but never saccharine.

Production is tight and modern. The low end is disciplined (sub weight without smear), sidechain movement breathes life into the groove, and the top end is polished without splashiness. FX are used like stagecraft—reverb swells and delay throws spotlight key phrases, then get out of the way. The mid-song breakdown (filtered drums + chant energy) resets the pulse before the final lift, which arrives with the right amount of fireworks.

What stands out most is intent. Hector writes like someone who understands the audience journey: tension → release → triumph. The result isn’t just a song; it’s a communal ritual about resilience. You can picture the LED wall screaming the title while strangers sing it back like a promise.

Bottom line: anthemic, cleanly engineered, and emotionally direct. Put this on your victory playlist—or better yet, your closing slot. Because yes: last left standing wins.

Last left standing wins

Grace & Gasoline

Green

Lemonade (feat. Mike Posner)

Melt

Quinn XCII

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