one of my favorite tracks from last year.  still hasn't left my sets!

the best track of the year.....http://soundcloud.com/alex-villanueva/moresoul-dicpromomix

Control Me

Buy On Bandcamp

Red Richards & Ben Arsenal - Control Me

Cosmic Beings

Cosmic Child

02. Cosmic Child  DTRDJJOXΞ

Goodman (Original Mix)

(4th single from new A.M.O.S. album - S.o.S. Rec.) 
"Don't play what's there, play what's not there."

Darkolas - Love to Hate (original mix)

A track that evolved from a late night jam with Martin Grafton (AKA "Arrantrax", and the other half of our "Discoteca 101" collaboration project). 
We had just finished a Discoteca 101 track, and started messing around with some sounds, Martin on his Korg Minilogue, and myself jamming with a Roland SH01A. 
Martin improvised a sequence following some notes I was playing and we just built up some more layers to build it something more structured.
Since it didn't fit the Discoteca 101 style we decided to put it out here.

Check out Martin's page:
https://soundcloud.com/arran-trax

And our collaboration project Discoteca 101 here:
https://soundcloud.com/user-78813358

Zone 211 (Featuring Martin Grafton)

Bed88 A side Quivver - Yeah Yeah

This version slept on my harddisk for some weeks, and I worked on it a few days ago. Again, with the principles of endless recycling and re-using existing material, this version seems to be quite fresh, but including some familiar sounds at the same time.

The good thing about this series is that with each track, the possibilities and ideas strongly potentiate themselves upwards, since in each new version the merged sound material of different older versions is brought together, which in consequence is again the ground for a new version and the spectrum is enlarged again - that's why there are so many aspects in the Wanderer's Path series. 

From a certain number of tracks, it is simply impossible to exhaust all resources in this diversity. I still have ideas for 10 or 20 further titles, but I'd like to finish the series now and publish it in a big release with several CDs. Therefore, when I make new versions or finish old ones, I try to keep the spirit of the piece in which it was forged, even if one or the other was started long ago. In a way, this also shows how my musical fingerprint has evolved and changed over the years, and which remained the same as my own principles, since the WP has now emerged as my biggest ongoing project since 2012, to illustrate the diversity of the stories and to emphasize aspects. 

Still, I am very excited about the idea of ​​recycling music in nature and of using old vintage equipment and synthesizers with the right spice on the one hand and sampling my own works over and over again because working with samples is one thing very nice thing.

Wanderer's Path [Farewell Version]

taken from the album, the silent earth

https://ollilaboratories.bandcamp.com/album/the-silent-earth-2

The Silent Earth

Periorbital Dark Circles part 1

Young

Смъртта е за победителите 
(а страхът за всички)

На триумфалните арки го пишеше. 
И на знамената. Значи е истина. 
Свободните обираха лаврите, 
които мъртвите вече не искаха. 
Свободните поискаха правото, да имат всичко 
и да го рушат (ако искат)
Помислиха малко и сами си го дадоха.
Славата, словото, силата, солта на живота 
Ерос и Танатос (като конете на Моцарт)
Разделиха си справедливо, а после- хищно.
А после нищо. 
Който нямаше си всичкото
с пръст сочеха, вижте го!
а той на свой ред сочи арките
и флаговете, на които пишеше,
че свободните ще наследят страха.
И от страх все повече искаше 
И от искане все повече взимаше 
И като имаше, рушеше 
И като нямаше, пак 
А като всичко беше наред се сещаше, 
че смъртта е финалният праг.
Деляха свободните силата, словото, славата,
солта на живота и страхът от косача.
Победителите не се боят от забравата,
защото след победата 
тези работи
нищо 
не 
значат.


Death is the winners’ prize
(but fear is for everyone)

It was written on the triumphal arches
And on the flags. So it must be true.
The Free could rest on the laurels,
The Dead had left behind.
The Free craved the right to have it all
and then tear it down (if so they desired)
So they took a moment, gave it thought, then claimed the entitlement.
The glory, the word, the might , the salt of life-
Eros and Tanatos (like Mozart horses)
-at first they split fairly, and then predatory,
And then-  nothing.
Whoever was left with nothing
They’d point their finger at, 
Look at him!
And in turn he’d point at the arches
and the flags with their sign:
“The Free will inherit the fear”
And out of fear, they wanted more
And out of want,  they took more
And when they got all, they would destroy
And when they got none, they’d destroy too.
And when finally everything is just fine
they’d remember
That death is the end of this.
The Free shared the might, the word, the glory,
the salt of life and the fear of the reaper.
The winners, however, don’t fear being forgotten,
because after the victory
Those things
Mean nothing
At
All.

Смъртта е за победителите(а страхът е за всички)Death is the winners prize(and fear is for everyone)

From the album "Temporal Land".

Spotify: https://open.spotify.com/album/6W4kks1movZidnbnrpLdxJ
Bandcamp: https://laurentcolson.bandcamp.com/album/temporal-land

Temporal Land

Artificial Lovers

www.linktr.ee/Quivver

John Graham, aka Quivver, is a renowned hitmaker and five-time DJ Mag Top 100 artist. Known for his genre-defying style, he continues to inspire new generations of ravers, artists, and DJs alongside his loyal fanbase.

Recognized as one of the world’s top electronic music producers, his 2022 album Revelate on John Digweed's Bedrock Records showcased his multi-genre mastery and earned multiple Beatport number ones.

Teaming up with Dave Seaman of Selador, the duo released a Balance Series mix compilation, secured several Beatport chart-toppers, and embarked on a global tour. Their collaborations have also appeared on labels like Einmusika, Mobilee, Poker Flat, and Renaissance.

His label, Controlled Substance, is celebrated for fostering creativity and innovation, supporting both established and emerging talent. 

In 2024, John delivered major releases on Anjunadeep and Franky Wah's SHÈN Recordings, and finishing the year as Beatport's 5th best-selling Progressive Artist and earning 4 of the platform's Top 40 most-streamed Progressive House tracks.

Bed88 A side Quivver - Yeah Yeah

QUIVVER

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