yet another delightful experience for ears, any explained lyrics available?

Open your eyes, take a step and have a look forward. Close your eyes, take a step and have a look back. Stretch yourself in every direction, make a round behind them. Bend over and rise. Hop and fall down. Hang mid-air and you won’t drown. "Mglista" in English, more or less.

accidentally played two copies of this - in two soundcloud windows - at the same time and that sounded bloody marvellous too

classical

Here is the third fragment. 
from the album "2 Days & a Year"
Hope you enjoy...

fragments of a journey #3

from 'The Unified Field' [CD|LP|DIGITAL]
Denovali Records · den182
available on all formats at [http://denovali.com/pianointerrupted]

The Unified Field

Buy @ Denovali

Piano Interrupted - Emoticon

a few months ago, Fivos asked me, if I would play to one of his piano pieces. Finally I had time to record and it was a great pleasure to feel myself into his wonderful music. 
you can hear the original version here: https://soundcloud.com/fivosvalachis/nocturne-29-oct-looping

Don't miss his wonderful music, find him @FivosValachis


Nocturne    -    fivosvalachis/jensfelger

Bryozone — Eye Of Delirious 
@gannabryzhata

“Eye Of Delirious” is a long-awaited debut Muscut's release of Chillera’s band bass player Ganna Bryzhata — an Odesa-based sound artist. An ambient LP is a smoothy-flow sub-nautical journey with the songs of Black sea sirens glowing under the moon.

Format: C40, cassette / Digital
Edition: 100, hand-numbered
File under: ambient, dub, experimental

Face A:
Smoothy Flow 
Sub Nautica 
Sequence One 
Glowing Sirens 
Ghost Tribe

Face B:
Ambiency 
Liminal Tribe
Eye Of Delirious 
Fateful Torment 
Ground Floor

Mastering by Gennadiy Boychenko 
Artwork by Volodymyr Pavlov 
Graphic design by (DN) daynight.info 
Neu Medieval and Heymland typefaces by KTF 
Riso print by Hands on Press 
Muscut, 2023

Eye Of Delirious

Order

Bryozone - Smoothy Flow (Muscut 27), March 2023

Boards of Canada - Korona

みかんむくっ (Mikan Mukku) - 缶 (1986)

Taken from the album Rabbit Eclipse (PP19) CD/LP

http://penultimate-press.blogspot.co.uk

Rabbit Eclipse is the second full-length recording from the legendary Księżyc following on from their self titled debut from 1996. 

The Moon never went away. 

The 2013 the Penultimate Press re-issue of Księżyc’s timeless debut exposed the band to a large new audience resulting in a return to live performance and the subsequent development of new material.

Rabbit Eclipse was recorded in Warsaw throughout May to September 2015 within the idyllic Palladian palace Królikarnia (The Rabbit House).  All original members gathered to conjure the peculiar hybrid of the the ancient and the contemporary unique to the band. 

With more expanded forms, Rabbit Eclipse presents a rich and subtle environment of beguiling narratives hanging in suspended tension.  This opens up an entire new phase in the cycle of the band where an enchanting discrete musical continuum of rich and subtle sound excursions are enveloped in a mysterious melancholia.

Rabbit Eclipse is another exemplary presentation from one of Poland’s most idiosyncratic and respected outfits. 

Line up: 

Agata Harz - vocals, objects
Katarzyna Smoluk-Moczydłowska - vocals, keyboards, objects
Lechosław Polak - accordion, keyboards, synthesizers
Remigiusz Mazur Hanaj - tapes, hurdy-gurdy, violin
Robert Niziński - clarinet, keyboards, objects
Paweł Romańczuk - Fidel, Stössel-Laute, objects 

Track listing:

1. Kapkowa
2. Mglista
3. Flażoletowa
4. Walczyk III
5. Syreny  


Księżyc - Mglista

Myttys "Sloggilukio" Oma333 No.024 

Seeing Myttys perform at H2Ö festival in Turku last summer was a jaw dropping experience. Certainly my favourite set amongst a damn fine line up and I demanded to release something of theirs before they'd even packed away their stuff.

I'd known Heta for years via Olimpia Splendid/Toblerones and Samuli from when he came to play with Clouds. The idea of them as a duo had gold stars written all over it but the results are far beyond my already high expectations. This is one of the best tapes I'll ever put out.

Delving in to the music and attempting to describe what I hear was quite a daunting task and my notes got kinda fun in the process. 
For example Lenak and Street Person made me think of Drunken Fist Kung Fu. Heta's effortlessly cool vocals (and the occasionally perfectly placed scream) echoed by either an imaginary twin sister or the weirdo boy next door. 
Ekkä Ota comes across like an off kilter hip hop soundtrack for a Sci-Fi film. 
Kallupää, Pamsypak and some of the interlude tracks sound, to my ears, beautifully close to the Broadcast and The Focus Group experiments of the "Witch Cults of the Radio Age" album and I hear traces of early Múm stuff in Paksotal. 
Another favourite Foliojakku holds its own unique beauty, quite different from the other tracks. Its machine music with heart and grace which builds and builds until waves of submarine echo's and rapid morse code sequences wash over you. 
Oh and the title track Sloggilukio is the bees knees! 

Certain parts of some of these tunes veer into territory only Finns seem to get away with. I find this hard to explain but there is a certain kind of relaxedness I often hear amongst my favourite Finnish bands which oozes either tons of self confidence or a massive indifference to not fitting into any kind of musical category. Or both. This unpindownable quality is what makes me instinctively trust most of the music which comes my way from there, in whatever form, yet I'm also aware of how blessed I am to have got to know the Fonal/Avarus etc crew so early on. 
The experiments they all create help make that country shine to me and I'm dead proud to finally be able to play a small part in that great history

133 jelly green tapes with white body printing will be made available from Feb 27th. Cover beautifully designed by the band themselves and risograph printed by Jan Matthé at Het Bos in Antwerp. 

Pre order; http://oma333.com/product/no24-myttys-sloggilukio

"Lenak" by Myttys from "Sloggilukio" on Oma333

Yoshi Wada – Off The Wall (SLT-003)

First vinyl reissue of composer and Fluxus artist Yoshi Wada's second album, Off The Wall, originally released in 1985 by famed free jazz label FMP. Recorded in Berlin on May 11 and 12, 1984, by a quartet featuring Yoshi Wada and Wayne Hankin on bagpipes, Marilyn Bogerd on adapted organ (hand-built by Wada), and Andreas Schmidt Neri on percussion. Mastered by Rashad Becker and housed in old-style gatefold jackets printed by Stoughton.

"Off The Wall belongs somewhere between the exuberant harmolodic ritual of Ornette Coleman's Dancing In Your Head, a damp, medieval dirge and the inner ear soundings of composer Maryanne Amacher." – David Keenan, The Wire

"It may be more accurate to think of Wada as a sculptor than as a composer, because his music seems to be a physical reality, like wood or stone, and also because of the way he treats this material. Most composers work with ideas. Their basic interest is in melodies, harmonies, thematic relationships, tone rows, tonal centers, emotional qualities, and other rather abstract things, all of which can then be conveyed in sound, but none of which really are sound. Wada, on the other hand, works directly with the sound itself. His music would sound silly arranged for church organ for example. And if he prefers to preserve some improvisatory freedom rather than to notate specific musical ideas, this is at least partly because he is not so interested in the kinds of musical ideas that can be written down on paper. He wants to maintain direct contact with the physical reality of the sound." – Tom Johnson

Yoshi Wada – Off The Wall I (excerpt)

Ryuichi Sakamoto - Rain live

We have been a fan of John Maus (@john-maus-official) for a long time, loved 'Love is Real' and listened to 'We Must Become The Pitiless Censors Of Ourselves' on @upset-the-rhythm on repeat,  so we are super excited for his new record out on @dominorecordco imprint @ribbonmusic and this mix that he has made especially for you.

Check the album here >>> http://link.bleep.com/John-Maus-Screen-Memories-LP

Armed with a keyboard loaded to the brim with melodies so catchy you will have to be admitted to quarantine to escape them, and more sing-along choruses than a karaoke machine on a Friday night, John Maus returns with his first new long player in six years - Screen Memories. A joyful return that further investigates the quasi-synth-pop and electrocuted soul that has made him a legend in our and many others' eyes and ears.

And yes, we Saw John Maus Live. 

(so should you)

For full tracklisting and his new album on @ribbonmusic click here: https://link.bleep.com/BleepMix16

Bleep Mix #16 - John Maus

Track from NE47 Isorinne - Speechless Malison

Visual by A.L.
Mastered by Neel at EnissLab, Rome

Speechless Malison

Isorinne - 4:55

Ti Amo

This is a live concert performance of an original piece I composed for the concert. I did not notate the piece, and no longer play it. Other works on the program that evening included Scriabin's "Desir," Chick Corea's "Children's Pieces," and Chopin's G-minor Ballade.

Morning Rush

Inspired by open spaces (and the objects that interrupt them), META DOOR L is the latest auditory excursion from Perila. Expansive in scope, it extracts beauty from the organic and inorganic alike, tapping into the wonder of the outdoors as it revels in the unique properties of metal—both as a material and a sound source. Building on her work for labels like Sferic, Motion Ward, and Boomkat Editions, META DOOR L is rooted in field recordings extracted from the wilderness outside Tbilisi, where a series of hiking expeditions led Perila to chance encounters with metal tubes, large rocks and the ruins of an old house. In the months that followed, these recordings were patiently processed, degraded and transformed, their misshapen remains welded together by hazy ambient atmospheres and textured soundscapes. From there, the St. Petersburg-raised, Berlin-based artist pushed herself into new creative territory, searching for the innate (and decidedly non-linear) rhythms lurking within her dense sonic stratigraphy. META DOOR L is the hypnotic end result, an immersive listen whose lush tones and guttural rumbles coalesce into something utterly transportive.

Music by Perila.
Mastered by Rupert Clervaux.
Artwork by Oficina de Disseny.
Printing by L'automatica, Barcelona.

Księżyc - Mglista

Penultimate Press

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