The music has a fun atmosphere and is nice 🌟🎶❕

Hi! Great stuff. What it’s made off? 😀🙏

Definitely original. Danceable but in a jerky way!

Love it, mate! Enough of strange sounds :))

Only want to test a module. I dont use my modular like an instrument. Every track i reconfigure/repatch my modules.
The DOEPFER A-188-1D is a raw MN3005 BBD-analogdelay implementation. By setting the internal clock lower than 10kHz for long Delays the clock is audible. I used the breakout-jacks for filtering the delay with large Bandpass from XAOC Belgrad. Furthermore i use the Tallin for controlling Feedback. I use Math as envelope-Folower->joranalogue compare 2->inverted-Envelope for limiting the gain stage.
At the end I created a little track. enjoy :)
no computer as allways…Heavydubtools rulez…

DOEPFER A-188-1D

Accessible Presentation

Buck Rogers

Marco Lucchi : synthesizer

found sounds
https://freesound.org/people/felix.blume/sounds/505094/

6 ottobre 2021

Ὁ Γὰρ Καιρὸς Ἐγγύς (mad version)

2021-11-14

Dogs

This is another piece for the Conjunctions series of tracks. I recorded some sounds from my Moog Theremini onto the Koala Sampler app on my phone which I used to mash up sounds which were then uploaded into the Auria app on my iPad for further tweaks.

Conjunctions VI

Made for Naviar Records' 412th Haiku Challenge. Details and other illuminations at https://www.naviarrecords.com/2021/11/24/naviarhaiku412-even-the-fields/

Territory [naviarhaiku412]

Prometheus (Chemical Prison x Cave Depression)

Closeness is included in the collective performance 'Brain of Many Rooms' by Marjorie Van Halteren https://soundcloud.com/vanwindmill, Tony Brewer, Brian K. Price, https://soundcloud.com/jeff-gburek that you can listen to here:  http://mixlr.com/eaps/showreel/brain-of-many-rooms

Field recording taken by Ilaria Boffa on the Oresund strait in Copenhagen, 2021
(Please use headset)

Closeness

There was a day when
C’è stato un giorno in cui

sounding different seemed 
un suono diverso è sembrato

a useful coping strategy.
un’utile strategia di adattamento.

The gender of objects
Il genere degli oggetti

never stopped flashing 
non ha mai smesso di far capolino

like reminders of identities.
come promemoria di identità.

The road, a path
La strada, un tragitto

our relationship to the world
la nostra relazione con il mondo

our multiple us 
i nostri multipli noi

foreign to each other
stranieri a se stessi

one and the same.
eppure identici.

Voices whispering from behind
doors left ajar
Voci che bisbigliano dietro porte 
socchiuse

we are the morning, the backwash 
of faraway seas and the dusk chorus.
Siamo il mattino, la risacca di mari
lontani e il verso degli uccelli la sera.

Such Interlocutors complement
Tali interlocutori si completano

and when it’s time they temporise
e quando è ora temporeggiano

imperceptibly to get ready and 
play their role.
Impercettibilmente nel prepararsi
e fare la loro parte.

Alternate soundscapes they vocalise 
their own anima. 

Paesaggi sonori alternativi verbalizzano 
la propria anima.

Is this deconstruction and reconstruction 
is this closeness?
	
Si tratta forse di decostruire e ricostruire
oppure vicinanza?

And so I’m here writing through 
E così sono qui a scrivere attraverso

my two breaths, choosing words 
i miei due respiri, scegliendo parole

that you may understand.
che tu possa comprendere.

For when the beginning comes
Perché quando l’inizio verrà

each end will be forgotten
ogni fine sarà dimenticata

though the record of pain
sebbene la testimonianza del dolore

will remain lost in translation.
resterà intraducibile.

Closeness

A moment of your time please [38]

Debut




written and produced in 2004/2005 in my Grandma's House, using Reason and Ableton on Windows XP.

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