Recorded live and improvised straight onto a stereo cassette recorder in 1987. Using a PPG wave 2.2 (sequence and lead lines), Minimoog (Thunder) and Boss DR-220E (Simmons SDS-V samples). The title translates to "The Acoustic Wallpaper".

Dimm the light and lean back.

Published CD "Till Kopper '90", released 1995.

Die Akustische Tapete

I came up with this idea when my very first girl friend quit on phone 1989. We phoned a long time (as usual) while I was sitting at the keyboards (PPG wave 2.2 and 2.3, Minimoog, cheap Alesis reverb).
Later I rerecorded it several times till I got the right mood again.

Published CD "Till Kopper '90", released 1995.

Aboriginies' Land

Recorded between 1987 and 1989. Using a PPG wave 2.2, Minimoog, Moog Prodigy sequenced by EEH DS 500, Ibanez DM-2000 delay, Alesis reverb.

Published CD "Till Kopper '90", released 1995.

Zero Headroom

Recorded 1989: PPG wave 2.2 (wavetable #16), Minimoog being played by the EEH DS 500 hybrid monophonic sequenzer, Boss DR-220E drum machine, Ibanez DM-2000 digital delay and an Alesis reverb.



EEH 16 Cello

Recorded before 1987, this track uses the Seiko DS-202 with the 310 additive synthesis add-on and my good old Minimoog. When you listen to it, you know why it is named "Monomental". Sorry for the poor audio quality.

Monomental

This track was played on a single voice number expanded Waldorf WAVE (incl. the drums) using MIDI sequencing software on 21st of June 1996. It was later cut to fit the max length of a Waldorf user CD project, that never happened.

Grooving The Dream (Waldorf Cut)

All you hear is a single Waldorf WAVE+16. These chords and melody (yes, it is a WAVE playing the lead line) just dropped into my mind one day. Recorded May 1999.

First released as a mp3.com CD in that year.

See You

Waldorf WAVE and two Modulus MonoWaves (http://www.till-kopper.de/monowave.html) used here. All notes played using a MIDI software sequencer. Recorded on the 7th January 2003.

Inside

The well known work of J.S.Bach slightly transformed to the border of recognition? Recorded on the 17th of March 1996 using a Waldorf WAVE, Minimoog (bass ticks), Moog Prodigy (dumdumdidi) and a software MIDI sequencer software.

Fuge (aus BWV 565) shortened + Trance

Live improvised sessions on one synth (ARP 2600 clone TTSH) and one analogue step sequencer (ARP sequencer clone) and Schulte Compact Phaser FX (J. Haible clone)
Recorded via microphone (sorry). And a train passing by from 2:45 on.

Qwave

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