Name: Égloga: el Sauce que se enamoró de la Caricia del Viento (Op. 78, 2002) by R.A. Moulds
Duration: 10 min 18 s
Description: Égloga: el Sauce que se enamoró de la Caricia del Viento (Leyendas Místicas I); recorded by the Moravian Philharmonic, conducted by Joel Suben [Mystic Legend #1, "Eclogue: the Willow that fell in love with the Wind's Caress."]

@musiques_intemporelles Thank you very much.

Wonderful music with great motifs - I love it!

Beautiful composition with a profound meaning of the wind's caress

Fantastic composition and great orchestration !

Astounding, I really hope that Archie appreciates your brilliance as much as we do!

The opening motif on the clarinet happened to come to mind unbidden this afternoon and I was impelled to listen again to this gentle, lovely work of yours.

Video: https://www.youtube.com/watch?v=sxpKNJFDUm4
--
Someone once said that symphonic orchestra is the most sophisticated musical instrument humanity ever invented. And I always felt like this is an ultimate challenge for a composer to write music for such a giant. I started my first shy attempts to compose orchestral music a few years ago. Of course, at that time it was all done using digital libraries. I did dream that one day I may experience the thrill of hearing a live orchestra performing my compositions but that was truly an ephemeral dream, no actual plans to do it. Until now.

This summer my husband and I took a composing course (focusing on film composing). As a part of that course I had a homework: to compose a piece for a string orchestra. I chose the solo piano piece I wrote earlier this year as a foundation. It took a few evenings to come up with the orchestral arrangements - again, using digital libraries... at first! But then my husband said that he feels like this piece deserves to be recorded with live orchestra. And so it happened - two months ago we hired a session orchestra from Budapest. We only had half an hour session to record 2.5 minutes of this composition. Gosh, it was such an amazing experience! When I heard 40 musicians playing the harmony I burst in tears. Then I was shocked again to learn that my composition was nominated for Hollywood Music in Media Awards.

I called this piece "Distant Memories". It was written during one of the lockdowns when I was on the edge of breaking down. I devoted it to my mom, who lives on the other side of Atlantic but she used to come here every year.. until 2020.. and then 2021.. I hope we will see each other next year. But meanwhile all we have are those "distant memories".

The original piano solo version is coming next week!

"Distant Memories" (Orchestral) by Milana Zilnik

Wonderful summer evenings... I love to sit outside until the stars come out...just magical...

Sommerabend Mitte Juli

Sommerabend Mitte Juli - Summer Evening In Mid-July

The sheet music of some of my compositions can be downloaded from my website https://pianoimprovictor.com/
You can support me on Bandcamp https://pianoimprovictor.bandcamp.com/
If you like my music – share it with your friends!

Try To Remember - Improvised Piano Piece

Nottorno ## (Arranged for Piano and Orchestra)

Buy/Stream on Amazon

Notturno No 3 (Arranged for Piano and Orchestra)

Égloga: el Sauce que se enamoró de la Caricia del Viento (Leyendas Místicas I); recorded by the Moravian Philharmonic, conducted by Joel Suben [Mystic Legend #1, "Eclogue: the Willow that fell in love with the Wind's Caress."]

Égloga: el Sauce que se enamoró de la Caricia del Viento (Op. 78, 2002)

Brano n. 4 di "SALMODIANDO"
Salmo 4 "Io Lo Ho Costituito Mio Sovrano"

SLMO 2 (Io Lo Ho Costituito Mio Sovrano)

SALMO 2 (Io Lo Ho Costituito Mio Sovrano)

A composition I was inspired to write by watching this lovely character Violet in children's books by Stephanie Stickel....
A link to the video is here...

https://youtu.be/-CD7k1B0vyk

Les Aventures de Violet

First Step Towards Light

Pacem Aeternam

Le Navire Argo

Le navire argo (v2)

Through a Glass Darkly: A Prelude

R.A. Moulds studied composition with William Presser at the University of Southern Mississippi. His early music exhibited an idiosyncratic, non-dogmatic post-tonal style, which was soon abandoned in favor of a more eclectic manner.

Égloga: el Sauce que se enamoró de la Caricia del Viento (Op. 78, 2002)

R.A. Moulds

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