Toooones

Joris Voorn - Nobody Knows

1. The Monk
2. A House featuring Kid A
3. Homeland featuring Matthew Dear
4. The Wild
5. Sweets For Piano
6. So Long featuring Kid A
7. Ringo
8. Mugged
9. MoMo
10. Fall
11. Left
12. Dust featuring Bram Stadhouders

All tracks written and produced by Joris Voorn. Except tracks 2 & 6 written by Joris Voorn and Kid A, track 3 written by Joris Voorn and Matthew Dear.
Additional guitar on 1 & 12 by Bram Stadhouders and Shawn Lee. Additional percussion on 8 by Shawn Lee. Drums and bass guitar on 12 by Shawn Lee.
Additional Engineering on 1, 2, 5, 6, 10, 11, 12 by Daniel Rejmer. Additional Engineering on 8, 12 by Pierre Duplan. The Wild contains a sample of Rina Mushonga’s ‘The Bitter End’ (B2 Music/Sony Music).

Mastered by Sam John at Precise Mastering.

Photography by Joris Voorn.
Layout design by Paul Swagerman

Published by Sony ATV.

Matthew Dear published by Ghostly International.
Kid A published by Just Isn’t Music.

www.jorisvoorn.com
www.facebook.com/greenofficial


GREEN 2014

07 Ringo (Album Version)

Fee to download.  
Maceo Plex remix of "The Warden" by Chelsea Wolfe

Chelsea Wolfe "The Warden" (Maceo Plex Remix)

If 'This Love' is the rugged, abrasive techno roller then 'Settled' is the Innervisions-esque floater. We've got the premiere of the latter and it's pretty special.

Ominous low-ends rumble while delicate yet deadly riffs twinkle on top and the ferocious claps and snares only add to the pace. It's a refined and accomplished track from the Londoner and has all the makings of one of the summer's biggest smashes. Bravo.

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Egbert's special skills both as a producer and highly acclaimed Live Act have attracted the attention of big names from the electronic scene: Secret Cinema, Sven Väth, Paco Osuna, Gregor Tresher and Adam Beyer are just a few of the DJs and producers who have detected the genius beneath the fingers of this slick young Dutchman. 

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Kraftek is proud to present - label head Pleasurekraft's first release since the debut album earlier this year.  Two peak time heaters that encapsulate the essence of what Cosmic Techno is all about: dark, brooding , and atmospheric rhythm sections providing the canvas on which big synth hooks hover and grab the listener.  Pleasurekraft bids you "Welcome to the Universe".

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Young Irish-producer Rebūke continues his rapid ascent to the top with two original productions on Hot Creations, primed and ready for the dancefloor.

Rebūke recalls being worried that Along Came Polly may have been perceived as being “a bit too weird”, but once it caught the attention of Jamie Jones, there was no stopping it. He says that the hype surrounding this EP “is something I’ve never experienced before...and it always get a great reaction”.

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The alias of Reuben Keeney, Rebūke, has only been in business for a short while, but his efforts have already proved to be fruitful. He has garnered support from the likes of Nic Fanciulli and released on labels including Saved and DFTD, as well as having a successful club night under his belt, where highly regarded names such as Camelphat, Darius Syrossian, Ejeca and Huxley have all played.

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Along Came Polly

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Mathame refine their singular sound on ‘Skywalking’ and a collaboration with Tale Of Us, ‘Departure’.
Following 2018’s ‘Nothing Around Us’ single, Mathame show no sign of slowing down. Their Afterlife Recordings follow up is a dancefloor single of epic proportions, taking the duo further into a realm of their own. Tension hangs off the sliding chords and spacious arrangements. In the case of ‘Skywalking’ it reaches an uplifting, euphoric crescendo, in Tale Of Us’ intro edit of ‘Departure’ the theme goes darker and off-kilter. Bona fide anthems in the sets of Mathame and Tale Of Us.

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Denis Horvat returns to Afterlife Recordings for a second EP of distinctive, dancefloor productions.

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Childish Gambino
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Following Colyn’s standout track on the Realm Of Consciousness Pt.IV compilation, we see the full breadth of his scope as a producer on his first EP for the label.

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Rebūke joins the Drumcode family with a blistering three-track EP.

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Inspired by his experiences at Drumcode’s now-legendary party at Space Miami during WMC, Rebūke’s DC debut encompasses all the dynamic energy of his previous contributions, with peak-time pounding effect. ‘Rattle’ leads the trio, a cut voraciously track I.D’d by Rebūke’s fanbase and highly anticipated across the industry after a high-impact play during Radio 1’s Weekender in Ibiza. The track pops with the producer’s trademark rubbery rhythms, pin-sharp drums, intermittent rave horns and a wicked acid line, culminating in a high-octane trip that’s one of the most thrilling we’ve heard on DC this year. ‘Operator’ spits fierce drum sequences before a tweaked-out bass melody grows with undulating intensity giving the track it’s shining character. ‘Metal’ builds with intergalactic stabs and claps before a menacing low-end melody enters the fore and his signature percussion gives the track an otherworldly tribal crunch.

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