this is the kind of sound that i love  lol!

We love this flavor ... a wonderful tra?p 

Yip, like and love this \0/ All the layers are one and on the own at the same time - lovely production... \0/

Ride

Buy - https://go.planetv.link/t/plv147

Bladerunner on remix duties for Suv & Dr Meaker on V Recordings. 

↪ https://soundcloud.com/bladerunner-dnb
https://www.facebook.com/Bladerunnerdnb

↪ https://soundcloud.com/vrecordings
https://www.facebook.com/vrecordings

Suv, Dr Meaker & Paul Charles - Fire (Bladerunner Jungle Mix)

A New Year - a new project : ) 
Grundomma is myself and my brother Glenn Ward. Its been a few years since we actively made music together...but now seems like a good a time as any. We live a few 1000 kms apart across Australia so this a file swapping exercise. The first track "Flying" features Glenn on rhythm programming, synths and sampling and yours truly on Basses and glitchy noise stuff.. this will no doubt change with each future track. Thanks as always for stopping by. Grundomma salutes you : )

Flying

COSMOS  --  16

Mario Liguori Lex - Time is running out

I took Marc's instructions (thanks for this fun assignment, Marc!) the other way around to explore a different avenue possible with this combination of numbers: Instead of 5/4, I went for a 4/5 feel (so based on five quintuplets rather than four sixteenth notes to the beat. Or you could look at it as a VERY fast 5/4).

This was inspired by Miles Okazaki's excellent book "Fundamentals of Guitar". The chapter about rhythm explores these and far more complex polypulses: https://www.milesokazaki.com/fundamentals-of-guitar
Also, I tried for something along the lines of Strobes from London: https://strobesband.bandcamp.com

So I ended up with a rather unsteady-feeling groove and the tricky task of playing a couple of guitar breaks in quintuplets.
But I spent far more time on the beat, obviously, which was too much fun.

See what you think! Thanks for listening. 

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More on this 540th weekly Disquiet Junto project — 5ive 4our (The Assignment: Take back 5/4 for Jedi time masters Dave Brubeck and Paul Desmond) — at: https://disquiet.com/0540/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0540-5ive-4our/

4/5 [disquiet0540]

Return To Motherland (sound particles)

From the new Etched Traumas release “Fuerte” by Steve Coombes: bass clarinet / Martin Hoogeboom: noise/guitar / Juan Miñana: electronics

http://etchedtraumas.bandcamp.com/album/fuerte

Music by Coombes/Hoogeboom/Miñana
Theo Calis: sound-design, mastering
Artwork by Scott Bergey https://www.etsy.com/ca/shop/ScottBergey 

Steve Coombes http://soundcloud.com/stevesoundcoombes
Martin Hoogeboom http://www.martinhoogeboom.com
Juan Miñana https://soundcloud.com/juan-a-mi-ana

Fuerte 1 (Coombes/Hoogeboom/Miñana)

NEONLIGHT, sH1 & Wintermute - Perpetuum Mobile OUT NOW!!!

SOME OLD SKOOL JUNGLE DRUM AND BASS

SOME OF THIS TUNES ARE MY FAVS HOPE YOU LIKE

OLD SKOOL JUNGLE,DRUM AND BASS

Modern electronic music, the art of omission
Youtube: https://www.youtube.com/user/lorenemmerich
My music contains 4 basic waveforms (sine,saw,tube and noise)
Gear: Roland CS1X, Korg microKorg XL, Gibson LG1, Boss SP 303, Korg monotribe (drum computer)and kaoss pad by Korg.
The track Tube is an example, i've made saw and tube sounds into sounds that makes an art form i like to call abstract expressionistic.
Software: soundhack, Thonk and soundedit, all run on my Apple (mini).
buckeyball171717@gmail.com       
http://www.nasa.gov/mission_pages/station/main/index.

Return To Motherland (sound particles)

A Loren Emmerich production

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