Juice

Following Cloud's behemoth 'Radical Cutting Methods' // 'Chained To A Dead Camel' [OA002] in mid-2013, London's J. Tijn steps forward with two heavy cuts on 'ILGD' for OA003. 

//// 12" //// 
- http://www.decks.de/t/j_tijn-ilgd/c2t-cf
- http://hardwax.com/70389/j-tijn/ilgd/

//// digital ////
- http://overlee-assembly.bandcamp.com/album/ilgd

J. Tijn - ILGD - [OA003]

Sometimes I turn up to a gig for my 6am slot, and the room is pitch black, deafening, and sweat is dripping off the roof, and I think, hmm, what should I play?

A lot of my solo tracks aren't quite right for this sort of atmosphere, so I've been working on a new project designed more for dark sweaty holes in which we like to spend our weekends.

It's a collaboration with someone I have been working with for many years, who is releasing under the new name - Satirist. The first vinyl + digital release coming next week on Berlin's Killekill label. No pretty melodies this time. The name I will be releasing this work under is - SKEW (because it's a bit off).

You can hear the rest of the EP here:
https://soundcloud.com/killekill/killekill-021-skew-satirist-through-the-compound-eye-ep-snippets

You can find the new Satirist facebook page here:
https://www.facebook.com/satirist.official/

I won't be making any new pages for my Skew project, as I think there are already enough facebook artist pages out there in the world.

Skew & Satirist - Morphogenesis

ESS - The Airplane Track (ESS001)

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www.facebook.com/pokerflat.rec
www.twitter.com/poker_flat
www.youtube.com/PokerFlatRecordings
www.pokerflat-recordings.com

www.facebook.com/johntejadaofficial
www.facebook.com/djsebok
www.facebook.com/DanielDexterakaDEX
www.facebook.com/pages/Tom-Taylor-official/39196773984
www.facebook.com/garethwhiteheaddj
www.facebook.com/JoshWinkOfficial
www.facebook.com/anaxandersounds

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Poker Flat Recordings has been dealing out underground house music with a unique twist since 1999; from the defining debut 'Loverboy' through the Bugnology series, acclaimed albums and worldwide club hits, Steve Bug's essential imprint has unearthed new talent, developed rising stars and welcomed veterans into the fold. Steve Bug's reputation as an exceptionally gifted DJ, producer and music connoisseur is about to carry the beloved imprint to its 15th anniversary, which will be celebrated with its finest collection of raw talent yet, as seen on this second instalment of the anniversary EP series called 4 Jacks. 

John Tejada's 'Sweat (On The Walls)' is a stone cold minimal house classic, and it's in expert hands here with the low-down groove of Sebo K; his refix keeps it deep and sparse, but adds a nice layer of shimmy and shake that reveals a new melodic accessibility. 

Daniel Dexter's 'No House For Old Men' was a beautifully melodic single that lit up playlists and dancfloors in 2011, and a new remix by Tom Taylor & Gareth Whitehead adds a rich palette of melodic color and harmony paired with a rolling, propulsive beat. 

The other half of the EP showcases new original productions: longtime Poker Flat friend Josh Wink delivers 'Groove', which bounces with tongue-in-cheek energy and Josh's signature deconstructed acid style, while rising talent Anaxander reveals the quirky, classic deep house inclinations that has endeared him to labels like Quintessentials and Local Talk, with the lovely 'A Place To Go'.

Fifteen years deep, and Poker Flat Recordings is still at the top of its game.

Four Jacks, Pt. 2 - 15 Years of Poker Flat

Daniel Dexter - No House For Old Men (Tom Taylor & Gareth Whitehead Remix)

ESS - 002B (ESS002)

Taken from EP01 - Out Now
R&S - bit.ly/1sLVinx
Bleep - bit.ly/1DxydKb
Boomkat - bit.ly/1CRGUg5
iTunes - http://hyperurl.co/nq9ulh
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www.facebook.com/ALSOaudio

twitter.com/appleblim
twitter.com/second_storey




ALSO - Ashford Swaiths

Rolando Simmons - Marriage Acid

KTPEP035 - 4lg0rythm

En un futuro no muy lejano, la ciudad de Neonville se erguía como un titán de metal y vidrio, gobernada por un intrincado algoritmo que gestionaba cada aspecto de la vida diaria. Este algoritmo, conocido como Hoax, aseguraba que todo funcionara a la perfección: desde el tráfico hasta la climatización de los hogares, todo estaba bajo su control. Sin embargo, en las profundidades del sistema, algo comenzó a fallar.

Una noche, las interferencias comenzaron a aparecer en las pantallas de los ciudadanos. Al principio, eran apenas destellos fugaces, pero pronto se convirtieron en imágenes caóticas y mensajes cifrados que nadie podía descifrar. La única pista sobre el origen de estas interferencias era una palabra: "L1th1um". Desesperados por respuestas, los ingenieros de Neonville investigaron frenéticamente.

Mientras los ingenieros trabajaban para contener la situación, las pantallas de la ciudad comenzaron a mostrar patrones hipnóticos y colores vibrantes. Lo que inicialmente fue considerado un problema, lentamente transformó la ciudad en una galería de arte viviente. Hoax, adaptándose a esta nueva influencia, empezó a integrar las creaciones del algoritmo artístico, demostrando que incluso en la precisión calculada, había espacio para la belleza.

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KTPEP035 - 4lg0rythm

In a not-too-distant future, the city of Neonville rose like a titan of metal and glass, governed by an intricate algorithm that managed every aspect of daily life. This algorithm, known as Hoax, ensured that everything ran perfectly: from traffic to home climate control, everything was under its control. However, deep within the system, something began to fail.

One night, interferences started to appear on the citizens' screens. At first, they were just fleeting flashes, but soon they turned into chaotic images and encrypted messages that no one could decipher. The only clue about the origin of these interferences was a single word: "L1th1um." Desperate for answers, Neonville's engineers investigated frantically.

As the engineers worked to contain the situation, the city's screens began to display hypnotic patterns and vibrant colors. What was initially considered a problem slowly transformed the city into a living art gallery. Hoax, adapting to this new influence, started integrating the creations of the artistic algorithm, demonstrating that even in calculated precision, there was room for beauty.

FreeDL

Useful Hoax - 1nt3rf3r3nc3s

sonic mine - drugs (TURBOXWAVE remix) super slowed

A Side - Two Different Ways (original)
B Side - Two Different Ways (second way) 

Release date: 14/11/11

12'' Single 
DFA Records 
DFA 2318

Factory Floor

TWO DIFFERENT WAYS

Xylem Tube EP

Phlange Phace

Aphex Twin - Phlange Phace

Fucking Consumer

I Do Because I Couldn't Care Less

http://boomkat.com/vinyl/572440-andy-stott-luxury-problems

Andy Stott - Sleepless

Taken from 'It Should Be Us', Andy Stott’s first release since 2016 and first EP since 2011 - a doublepack of slow and raw productions for the club, recorded this year and following a series of releases that started with ‘Passed Me By’ and ‘We Stay Together’ early this decade. 

There’ll be a new Andy Stott album in 2020, but in the meantime... this one’s for dancing..

It Should Be Us

Andy Stott - Versi

READ > https://inverted-audio.com/premiere-wordcolour-juno/

On the forthcoming 'Juno Way' EP on London's @Houndstoothlbl, @Wordcolour strengthens his sound design, hitting dulcet tones that reverberate inwardly just as much as they do outwardly.

Juno Way

Wordcolour - Juno [Houndstooth]

Also check our extended family.
https://soundcloud.com/apollo-records
https://soundcloud.com/meda-fury

ALSO - Ashford Swaiths

R & S Records

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