Where to find Maarten?

#aphextwin #bonus tracks

Missing track from Syro, didn't make it for technical and personal reasons. Drums were made on FOUR customised mid-racked Pearl syncussions, thanks to Colin Fraser and Tony Allgood

https://aphextwin.warp.net/release/68152-aphex-twin-syro?lang=en_US

Aphex Twin - Syro / 013 // end E2*

Aphex Twin - Mt Saint Michel + Saint Michaels Mount[slower]

Hope you enjoy this banger from us!!! 

KVN ------- 

https://soundcloud.com/kvnsound

DEVASTATE -  BLZBO & KVN

Taken from the 'Orphaned Deejay Selek 2006-08 E.P'


orphaned deejay selek 2006-2008

simple slamming b 2

Simple Slamming B 2 .wav

Digeridoo

Phloam

Aphex Twin - Phloam

Xylem Tube EP

Tamphex

Aphex Twin - Tamphex (Hedphuq Mix)

Phlange Phace

Aphex Twin - Phlange Phace

Dodeccaheedron

Aphex Twin - Dodeccaheedron

Original version taken from 'Struggle & Emerge' in collaboration with www.revivethis.org 
Listen here - https://randsrecords.lnk.to/lakker-struggle-emerge


https://www.facebook.com/alexsmokemusic/
https://twitter.com/alexsmoke

Image via Nationaal Archief CC BY

Lakker - Ever Rising (Alex Smoke remix)

Yellow Calx (Mercyy Remake)

One of my absolute favourites from AFX Analord series. Recorded via Vinyl by my DandyPanty/Digitalblasphemy1100. Uploaded in a .WAV format like all my other uploads. Enjoy!

AFX- W32.Deadcode.A (Vinyl)

Buy on Bandcamp - https://lostsoulsofsaturn.bandcamp.com/album/bint-el-khandaq
Listen on Spotify -https://open.spotify.com/album/6ASZsX0NQfZ9DkFnoKAsFO

• R&S Records are proud to announce the debut release from Lost Souls of Saturn. 
• A collaboration with Lebanese indie band Mashrou’ Leila. 

Clocking in at 11 minutes, this is a radical deconstruction of the track 'Bint El Khandaq’  that appears on the Mashrou’ Leila album ‘Ibn El Leil’. Lost Souls Of Saturn tease out the underlying emotion and yearning present in the original and take the listener on a beguiling, symphonic ambient journey that calls to mind Wolfgang Voigt’s much loved Gas project, or the shimmering imaginary landscapes of Brian Eno.

Renowned for their rousing, sensual electro-pop Mashrou’ Leila’s songs touch on political freedom, LGBT rights, race, religion and modern Arabic identity.
    
Lost Souls Of Saturn were approached by the band to reinterpret the original track and the stunning results fit perfectly as their debut release on R&S.  

This is the next step in the evolution of Seth Troxler and Phil Moffa’s Lost Souls Of Saturn project.  Look out for an album on R&S in 2018.

Lost Souls Of Saturn vs. Mashrou' Leila - Bint El Khandaq

Synkro has really delivered the goods on this mix.
It's inspired by his wicked new Apollo EP
https://synkro.bandcamp.com/album/hand-in-hand-ep

Tracklist

Black Narcissus - Till The Rains Break
Desolate - Tyroshi
The Volta Laboratory Associates - 287701_2ndhalf
Synkro - Automatic Response
Com Truise - Isostasy
Paul Blackford - Light Years
Synkro - Vanishing Point
Overlook - Travelling Without Moving
Chromatics - Broken Mirrors
Boards Of Canada - You Could Feel The Sky
Neozaïre - Departed, Gone and Lost
Danny Wolfers - Scenic Highway System
Marenn Sukie - Until Such Time
Mark Isham - Sympathy and Acknowledgement
Synkro - Hand In Hand
Satoshi & Makoto - Chuchotement
Andy Stott - Expecting 
Synkro - Red Sky
Aleksi Perälä - The Field

R&S Records Mix Series

RSMIX015 - Synkro

Released 02/03/18 - http://smarturl.it/integrity-outrage

- R&S welcome Dutch dance icon Maarten van der Vleuten back into the fold.
- ‘Outrage’ is a compilation of Maarten van der Vleuten’s Integrity project tracks, originally released on R&S sub-label Outrage Recordings in 1992, now remastered by Matt Colton
- Features collaborations with Mike Kivits (aka DJ Aardvarck).

Maarten van der Vleuten is one of the most influential figures in the Dutch scene, and also a man of many aliases - between 1987 to 2007 he racked up releases with over two dozen projects producing Detroit techno, electro, house, experimental and ambient tracks and remixes.

Still highly active and inspired in 2018, R&S see the Outrage release as a perfect opportunity to re-introduce Van der Vleuten’s masterful productions to a new generation, adding to his existing influential fans such as Optimo, Global Communication, Ellen Allien and Dave Clarke.

During the 90s he recorded mainly dance/techno for R&S Records, as Orpheus, 48V Phantom Power and Mantrax. He also memorably released on Apollo Records (check his excellent In-Existence ‘Moonwater’ album), Djax-Up-Beats, See Saw and Klang Elektronik amongst others. 

Van Der Vleuten’s ongoing collaboration with R&S founder Renaat Vanderpapeliere saw the later set up Outrage Recordings in early 1992 to release Van der Vleuten’s tracks that didn't fit on R&S Records, recording as Integrity, Zimt, Flux and Pultec. 

“Every couple of weeks i would drive up to Ghent with my new tracks and meet Renaat,” explains Martin. "We then went straight to Foon Mastering where we played the DATs and decided which tracks would be cut - i had carte blanche when it came to the 'sound' of the label. 

Van der Vleuten’s music on Outrage Recordings moved in the opposite direction of the contemporary rave and gabber scenes; while Techno became faster and shifted to a more aggressive sound, Van der Vleuten focused more on composing and arranging over danceability.  This resulted in these EP’s being difficult to sell back in 92 but listening now it feels vital and fresh well over two decades since they were recorded which is an obvious sign of 
Van Der Vleuten’s deft talent.

The release also includes Van der Vleuten’s collaborations with another dutch icon, Mike Kivits (aka DJ Aardvarck). The pair first met In 1989 when Kivits would sometimes play his demos on cassette-tapes at local clubs. The pair became fast friends and Van Der Vieuten invited Kivits into the studio where they found a natural chemistry that ultimately resulted in the tracks ‘Nightshift’ and ‘Intens’ which feature on ‘Outrage’, both written and recorded on the same day.

Studio Equipment used on this release:
Mixing console: Soundcraft Spirit Live 24
Computer: Atari 1040ST running Notator
Drum machines: Roland TR909, Roland TR707, Roland TR727, Alesis HR16
Synths / Keyboards: Roland Juno 106, Yamaha DX100, Roland D50, Ensoniq EPS

Effects Processors: Alesis Midiverb II, Boss SE-50, Ibanez DD700

Outrage

Maarten van der Vleuten Presents Integrity - Living In A Fantasy' (1992)

Released 02/03/18 - smarturl.it/integrity-outrage

- R&S welcome Dutch dance icon Maarten van der Vleuten back into the fold.
- ‘Outrage’ is a compilation of Maarten van der Vleuten’s Integrity project tracks, originally released on R&S sub-label Outrage Recordings in 1992, now remastered by Matt Colton
- Features collaborations with Mike Kivits (aka DJ Aardvarck).

Maarten van der Vleuten is one of the most influential figures in the Dutch scene, and also a man of many aliases - between 1987 to 2007 he racked up releases with over two dozen projects producing Detroit techno, electro, house, experimental and ambient tracks and remixes.

Still highly active and inspired in 2018, R&S see the Outrage release as a perfect opportunity to re-introduce Van der Vleuten’s masterful productions to a new generation, adding to his existing influential fans such as Optimo, Global Communication, Ellen Allien and Dave Clarke.

During the 90s he recorded mainly dance/techno for R&S Records, as Orpheus, 48V Phantom Power and Mantrax. He also memorably released on Apollo Records (check his excellent In-Existence ‘Moonwater’ album), Djax-Up-Beats, See Saw and Klang Elektronik amongst others.

Van Der Vleuten’s ongoing collaboration with R&S founder Renaat Vanderpapeliere saw the later set up Outrage Recordings in early 1992 to release Van der Vleuten’s tracks that didn't fit on R&S Records, recording as Integrity, Zimt, Flux and Pultec.

“Every couple of weeks i would drive up to Ghent with my new tracks and meet Renaat,” explains Martin. "We then went straight to Foon Mastering where we played the DATs and decided which tracks would be cut - i had carte blanche when it came to the 'sound' of the label.

Van der Vleuten’s music on Outrage Recordings moved in the opposite direction of the contemporary rave and gabber scenes; while Techno became faster and shifted to a more aggressive sound, Van der Vleuten focused more on composing and arranging over danceability. This resulted in these EP’s being difficult to sell back in 92 but listening now it feels vital and fresh well over two decades since they were recorded which is an obvious sign of 
Van Der Vleuten’s deft talent.

The release also includes Van der Vleuten’s collaborations with another dutch icon, Mike Kivits (aka DJ Aardvarck). The pair first met In 1989 when Kivits would sometimes play his demos on cassette-tapes at local clubs. The pair became fast friends and Van Der Vieuten invited Kivits into the studio where they found a natural chemistry that ultimately resulted in the tracks ‘Nightshift’ and ‘Intens’ which feature on ‘Outrage’, both written and recorded on the same day.

Studio Equipment used on this release:
Mixing console: Soundcraft Spirit Live 24
Computer: Atari 1040ST running Notator
Drum machines: Roland TR909, Roland TR707, Roland TR727, Alesis HR16
Synths / Keyboards: Roland Juno 106, Yamaha DX100, Roland D50, Ensoniq EPS

Effects Processors: Alesis Midiverb II, Boss SE-50, Ibanez DD700

Maarten van der Vleuten Presents Integrity - Intens

AFX - T16.5 MADMA With Nastya5.2

Also check our extended family.
https://soundcloud.com/apollo-records
https://soundcloud.com/meda-fury

Aphex Twin - Dodeccaheedron

R & S Records

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