Fantastic piece, my friend!! Awesome guitar solo, arrangements and atmosphere! I love it!!

that guitar solo of Chris's is fire man !! ... great collab!! :))

gorgeous mood and atmosphere!!! great collab!

Wonderful and warm atmosphere now at the begging of the winter. Excellent composition and sound.

Yes, Richard... at the time of this release, summer was definitely over and I was already well into autumn (see my track "Autumn"). Great atmospheric track for a relaxed end to the summer. The guitar arrangements are so brilliant, my friend! I hope everything is going well for you!✌🏻

I SEE AN ADVENTURE OF INTERSTELLAR FRUITS

The part that sounds like a bass in the middle section is actually tapping using an 8-string guitar. Naturally, no bass was used at all for this part. Lately, I've been exploring the potential of the lower strings, and tapping and slapping are part of that. Regarding the song's theme, I've been deeply contemplating the grandeur of the universe and humanity recently, and I composed this piece wanting to express that atmosphere through my guitar. I'd be delighted if you could feel a sense of floating and light-like speed within the song. Finally, thank you so much for reading this far. I think you're truly wonderful!

Interstellar Contact

Between the Worlds

In the Balance

A conversation between two oceans inside the same heart. 🌊💭
Born from a fragment shared by Liz, this piece evolves like the sea at dawn — from calm ripples to inner resonance.
The first section breathes in reflection; the second opens into my own voice, where every pause carries the echo of what remains unspoken.
Piano only, captured between silence and intention.
written by Liz Dicker & Francesco Adornetto
#Piano #Ambient #Neoclassical #Meditation

The Stillness Between Waves

We are all gods

Original composition by Neno J.
Nylon electro-acoustic guitar Cordoba Studio GK, electric guitar Gibson les paul Studio, recorded directly using multi effect Hotone Ampero 100, Guitar Rig 5, October 2025

Out of time

A bit late for the end of summer, but I hope you enjoy this melancholic atmosphere.

This is a song I started composing in August 2024, with the idea of ​​featuring a real guitar solo, especially at the end. This summer, I approached Chris Grant @chris-grant-554540731 about joining the project. He loved the idea, and what I've included here is the result of that collaboration. His solo made a huge impression on me, and I'd like to thank him for his fantastic contribution. Without that guitar, this song wouldn't exist! Thank you so much, Chris!
If you want to listen to more of his amazing music, please visit his profile: @chris-grant-554540731!

I hope you enjoy his contribution and our song as a whole!

Composition, programming, production and mastering - R.U.R.
Guitar additions and solo at the end - Chris Grant @chris-grant-554540731

To make my part I've used:
DAW: Ableton Live 11 Standard
Instruments:
Spitfire LABS (free): Soft Piano, Bell Swarm, Expressive Strings, Bass Guitar
Impact Soundworks Sheddage 3.5 Stratus Free (NI Kontakt Player)
Drum Loop: 64 Pads Dub Techno Kit groove 01_105 bpm from Ableton's Drum Essentials Pack
Samples: Ambient Crash (Live's Factory Content)
Chris used: Yamaha Revstar guitar and the ToneX Mesa boogie reference signature collection – Mesa Boogie MKIV amp capture

This piece was created without the help of any generative AI.

Cover picture by me, at Grzybowo, Summer 2025

The Summer's End

Summer's End

Made in October 2025
This is a new version of Nova Fly (2018).
I used a vocoder.

Video; https://youtu.be/bAG2w9HFNhQ

Nova Fly (II)

“Ignition” is one of the most energetic tracks from my debut EP Observation Rituals. It’s built around a steady rhythm and a melody that keeps evolving, giving the feeling of taking off and gaining speed. I wanted it to sound like movement and lift, with layers of synths that slowly come together into something bright and alive.

Ignition

"Follow Your Dreams with all your Heart…" 

from album (LIFE) original release: 2018

mix and mastering by @amin-pishehvar 🙏

Reflection of Dreams

Fruit

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Bandcamp

Epilogue to a fantasy adventure

I used 3 samples from the game; Tak the great juju challenge - Gates of Nocturne. I gave myself 2 hours, than i just guessed the rest. I did this a few years back and i did an aweful job at it, so I think this is my redemption track 🤷‍♀️

Aqua Beats [VIP]

The Scent of Time

Versión instrumental del tradicional cántico "La Guadalupana"

LA GUADALUPANA (Instrumental)

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

If you use generative AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765

(Don't follow me here, best on my main page ;)

Summer's End

R.U.R.

Recent comments

Andronix

philippe blanc - composer

Counterworlds Voltage

Adrian Iosof

Related tracks