RA Exchange podcast

Darren Dixon, AKA D Double E, wants the world to know that he's not just a MC. In a short but deep chat with London DJ and presenter Tash LC on the sidelines of Outlook Festival's debut UK edition, the grime veteran discusses his recent productions for for the likes of Novelist and others. Despite producing for years, Dixon has largely hidden that side of his artistry from the public. But that's now changing following the release of his latest EP, Bluku! Bluku! 2.

"It's a separate life but I'm now pushing it into the world," Dixon tells Tash LC ahead of his live performance at the festival.  His production and vocals on the new EP touch on classic grime but there's also elements of '80s synth music and R&B. The record is a reflection of his personal tastes, he explains. Putting out new music is a chance for fans to see his personality, he continues, noting how that's not always possible during live grime shows. "When I'm doing grime sets, they're playing mad beats and I have no choice but to spit on the beat," he says.

Listen to the full conversation for more details on Dixon's creative process as well as his collaborations with Swindle and Chip.

EX.619 D Double E & Tash LC

Rinse FM Podcasts

Daughters of Frank - 21 July 2022

Serenade with Daughters of Frank - 03 August 2022

Like countless others, Steve Goodman played a lot of video games during lockdown. At the time, the artist known as Kode9 and founder of the iconic Hyperdub label found himself imagining a game about Scotland and the country's plan to set up a colony in Panama back in the 1690s. Those thoughts later crystallised into Astro-Darien, an AV installation, "sonic fiction" and album that explores Scotland's space program and its past colonial ambitions through the lens of a video game.

Speaking to RA on this week's episode of the Exchange, Goodman delves into the various facets of this project, including Escapology, his score to Astro-Darien. The album, released in July, is "like a film trailer that's giving you a little taste of various bits of story and strands of a kind of palette of sounds and a world," he explains. "So if you want, there's places to go deeper on it but if you are not interested in that, just treat it as a slightly weird dance music record."

Science fiction aside, the Hyperdub founder also discusses the cyclical nature of music and why jungle is currently experiencing what many have called a revival. "Music doesn't move forward, it doesn't progress in a linear fashion," he describes, attributing that to "generational relationships."

For more deep thoughts and Goodman's guide on hiking in the Scottish Highlands, listen to the conversation in full.

EX.624 Kode9

Two hour Carnival special featuring Dub, Reggae, Lovers rock from me in hour 1 & Kampire stepping the tempo up in hour two with a pumping carnival mix featuring Soca & more..

Tracklist: https://www.nts.live/shows/moxie/episodes/moxie-24th-august-2022

Moxie on NTS Radio W/ Kampire: Carnival Special (24.08.22)

C To The Power of X: Bake with Sarjan - Tuesday 30 August

All metal vinyl set (Death/Black/Thrash)

Mike.sherb

2MR TRANSMISSION w Mike from Earth Boys (Metal Vinyl only) @ The Lot Radio 09 - 03 - 2022

This past August, a panel of artists, creatives and various members of club communities gathered in Berlin to discuss the threats weighing on global nightlife. Part of Jägermeister's #SAVETHENIGHT initiative to rejuvenate the after-dark economy as well as Tresor's 31st anniversary celebrations, the discussion touched on a variety of social, economic and community issues such as gentrification, inclusion and safety that Resident Advisor later unpacked in a digital feature.

The latest instalment of Reflections, a new series on the Exchange that explores content on RA's site, goes deeper on some of these topics. Discussing the sustainability of club culture, Bernard Koomson from Berlin-based creative studio DeadHype notes how more collaboration has helped build critical infrastructure while knowledge sharing can help a younger generation learn from their predecessors. Manchester promoter Alice Woods, who co-runs the Meat Free club nights as well as her own event for people with disabilities called All Under One Roof, emphasises the importance of parties as a welcoming arena for all individuals. "People with disabilities are still quite left behind," she describes. "That's a wider societal issue but I think as a nightlife industry as, as a clubbing sector, I think we can be ones to lead the way on that."

For more details, listen to the conversation in full.

https://save-the-night.com

EX.631 Reflections: Protecting the Future of Nightlife

It’s Sunday. Settle into an hour of jazz from prolific Detroit producer and instrumentalist Waajeed.

Check out the tracklist on crackaud.io: crackm.ag/3DQMjhf
 Still Independent. Help us keep it that way: crackmagazine.net/subscriptions

Sunday Mix: Waajeed

Rinse FM Podcast

Al Wootton - 12 November 2022

"I hate being recorded," Mala says nine minutes into this interview. "I don't like my sets being recorded, I don't like being video recorded." The Deep Medi boss and DMZ cofounder is describing his fiercely independent nature to journalist Kieran Yates, explaining how bright lights and prompts leads to self-consciousness. That's why DMZ parties are held in dark rooms, as to encourage freedom, he continues.

Authenticity is a defining theme of Mala's career. Speaking to Yates live at SOUP in Manchester as part of RA's 21st birthday celebrations, the Croyden-raised artist discusses how signing a record deal with EMI at the age of 20 led to misrepresentation. This early exposure to the industry's commercial backbone paved the way for DMZ's democratic, inclusive ethos, he tells Yates. "If I create something that's true to myself, and I can live an authentic existence, somehow by us all being ourselves, I think that makes the world better."

For more on the dubstep pioneer's approach to sound design and growing a community, listen to the chat in full.

EX.636 Mala

Faced with shrinking margins and higher rents, event organisers are finding new ways to keep the party going.

As the cost of living crisis continues to eat into club land, promoters around the world are increasingly being forced to adapt to shrinking margins. This new episode of Source Material, our documentary-style podcast series, shines a spotlight on Glasgow, Taipei and Chicago, where local organisers are testing out unconventional forms of inclusive promotion in response to widespread economic uncertainty. 

In Glasgow, Han Read runs a monthly night called Events Research Programme that operates off a Patreon subscription model. Bonjour, meanwhile, is a queer venue in the Scottish city that runs as a co-op, sharing a minimum 50 percent of its profits among staff in an effort to acquire more financial freedom. In Taipei, venue 23 Music Room is using its non-traditional business model to bolster the next generation of promoters while RA contributor Steve Noah describes the state of DIY parties in Chicago.

Listen to the full conversation for details on each of these scenes.

Producer: Rose Manson
Executive Producer: Martha Pazienti Caidan

EX.637 Source Material: Sustainable Promotion

Byrell The Great is a name synonymous with New York's ballroom scene. The Harlem native is known for his story-telling prowess and cheeky edits that span hip-hop, pop and meme culture, all of which are on full display in his seamless production, spirited DJ style and his high-energy mix series, Vogue Workouts. Live from Resident Advisor's 21st birthday celebration at Nowadays, the ballroom don discusses his involvement in the Kiki scene and the genre's growing popularity in mainstream culture.

Speaking to staff writer Kiana Mickles, Byrell describes how he attended his first ball thanks to Teyana Taylor. He then goes to elaborate on the nuances of ballroom music, what sets New York's Kiki landscape apart from the wider scene and DJ etiquette during a ball before venturing into his production techniques. Finally, Mickles and Byrell flesh out what it means for the culture when artists such as Beyoncé and Madonna incorporate ballroom references.

For more details on each of these topics, listen to the conversation in full.

EX.638 Byrell The Great

Dance music deepened its presence in pop culture this year, expanding into TikTok's nichest corners as well as Billboard Hot 100 charts. For the December edition of the Critics' Roundtable, staffers Chloë Cochran, Whitney Ajayi, Martha Pazienti Caidan and contributor Vanessa Maria reflect on the major milestones of 2022.

Electronic music was part of global conversations on gender disparity and sexual violence, the group noted. Women's safety in clubs was a particularly concerning issue this year, they continued, highlighting incidents of needle spiking at clubs. On a more positive note, they applauded Butterz cofounder Elijah, RA's guest editor from earlier this year, whose efforts to educate on issues in the music industry led to a staff position at SOAS University of London.

To hear more about these topics, as well as the popularity of higher BPMs and definitive tunes like "B.O.T.A. (Baddest Of Them All)," listen to the chat in full.

EX.639 Critics' Roundtable [December 2022]

Since at least the 1970s, artists have composed music for plants. From Mort Garson’s Plantasia to dublab's Plant Music compilation, albums recorded with nature in mind often intend to stimulate growth or simply entertain leafy creatures. This episode of Source Material, a documentary-style series, explores the symbiotic links between electronic music and house plants.

Diving into the world of frequencies and root systems, @martharadio speaks to various experts to learn how nature responds to ambient tunes and synthesisers. Among them are biotherapeutic musician Imka, Joe Patitucci of PlantWave, an app that translates plants' biorhythms into music, sound artist Karine Bonneval and composer Erland Cooper.

To discover how bass frequencies mimic bees and why festivals are adopting sonic soil pollution, listen to the episode.

EX.641 Source Material: Plants and Electronic Music

Slimzee is a legend in every sense of the word. He launched Rinse FM alongside Geeneus and Uncle Dugs in 1994, running the station for three years out of his bedroom. His shows, focused on garage and grime, paved the way for the genres' current architects. As a member of Pay As U Go Cartel alongside Wiley and Flowdan, he also helped lay the foundations for early grime.

Speaking to @martharadio, the East London veteran discusses the specifics of the Rinse FM compressor, explaining how he learnt to fine-tune frequency levels through trial and error. Back then, it was normal to focus on a specific sound in mixes and DJ sets but now, genres are more fluid, he noted, describing how he currently plays hybrids of dubstep and grime. The duo then go onto discuss the dos and don'ts of DJing with an MC, Slimzee's favourite festivals as well as his mental health journey.

Listen to the conversation in full for more details.

EX.640 Slimzee

The weekly RA Exchange is a series of conversations with artists, labels and promoters shaping the electronic music landscape.

EX.619 D Double E & Tash LC

RA Exchange

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