Name: For the One I Love by RabMusicLab in hk_calm-steady_tracks_462
Duration: 3 min 7 s
Description: I composed this track for the one I love. Nothing else to add here.

UNDER CONSTRUCTION]

Meet ____________ (insect and spider specie, when I'm back in linux)

Calm and Steady tracks series no. 462

created on 2024/07/24

Picture CREDIT (none yet, there's no picture so far ; )

hk_calm-steady_tracks_462

ballad

- W A T E R F A L L......

2DADOME(funny jam with hans on the mixer)

this raw and untreated studio session reflects my emotions of the past several years.
it is dedicated to all the living creatures who are experiencing life under oppression.
it is dedicated to the people loosing their children, lovers, parents, friends and dignity.
it is dedicated to the people bouncing in between hopelessness and rage on a daily basis.
Palestinians, Ukrainians, Mapuches, Rohingyans, Congolese, Iranians, Afghans and so many more - You name them.

NO EMPIRE LASTS FOREVER.
JUSTICE IS REAL. EQUALITY IS REAL. LOVE IS REAL.

name of the track is borrowed from Noam Chomsky.

recorded live in cross][club studio by družběta
no master/no slave

circuit tracks, minilogue, blackbox, monostation, dust collector, re-202, wingie 2, spring tank

D/L available on družběta bandcamp:
https://druzbeta.bandcamp.com/track/constructing-visions-of-perpetual-peace

družběta - constructing visions of perpetual peace

Blanket

I composed this track for the one I love. Nothing else to add here.

For the One I Love

Missing Everything Crepuscular

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " Coast Wood "
credit : digitakt 1,ipad9

date : 23-10-2025
Credit to Gordon Mumma:
https://www.youtube.com/watch?v=4e-OzKSmZX0

quote:

...I think the concept of "worth listening to" depends on the listener.
In my opinion, you can listen to any sound, no matter what it is.
I haven't heard any sounds yet that I didn't like, except when
they become too musical. I think I have problems when music tries
to steer me in a certain direction. To live well, you have to hear what there is to hear,and not what you expect to hear. Listeners should be ready for a new experience,and therefore it's best if they are attentive and empty. By empty, I mean open.In other words, there should be no ego reservations—whether positive or negative...
                                                   John Cage

Beach Metal

Disquiet Junto 0721 invited us to provide musical accompaniment to a storm. 

This one made me think of my grandmother. She and I would sit in her glassed-in porch and drink tea while the storms of the Atlantic coastal summer raged outside, wind throwing sheets of rain against the windows, the sky purple with flashes of white, the thunder making the ground shake. 

She helped me understand the difference between awe and fear.

In recording this, I tried to be respectful of the storm as it happened. I did very little editing. I tried to give the storm plenty of room to move around in, saying what I needed to say in the spaces between the peals of thunder. 

Vintage Korg M3R synth over a field recording of a storm I made here in Chicago last July.

More on the 721st weekly Disquiet Junto project, Well Weathered — The Assignment: Play along with a storm — at https://disquiet.com/0721/.

Tea and Tempest (disquiet0721)

Roland TR-8, DSI MoPho, Ensoniq ESQ-M, Modal Argon8

Rose

KEY VII

The Gathering_03

A reworking for this track in my archive originally created in autumn 2024, after a few versions in the last year i  find it fits well with the context of Haiku Music Challenge Naviarhaiku 617



an autumn nightfall
the skeleton of a huge fish
drawn back by the sea.

by: Saitō Sanki



Saitō Sanki (1900 – 1962) was a dentist who discovered his passion for haiku poetry in his mid-thirties, when his colleagues at the hospital in Soto Kanda convinced him to write a haiku for a collection. Later, he became one of the most important exponents of wartime haiku: he was imprisoned in 1940 during the government’s World War II persecution of controversial artists, and was officially forbidden to write until the end of the war.

haiku by Saitō Sanki

Picture by John Jason

more info here: https://www.naviarrecords.com/

an autumn nightfall (Naviarhaiku#617)

BALINESISCHER ASPHALT

1985 - Toccata

Having a play with the ppooll software, using one of my own samples (also recorded in ppooll in a previous session) and messing around with it. An awesome piece of (free!) software I'd highly recommend for anyone into sound experimentation. More details at https://ppooll.klingt.org/

Inspired by Oval, Jan Jelinek and other 90s trailblazers of the "glitch" genre.
Played in ppooll, then slight refinements after the performance, including fuzz guitars added on softly in the background.


More on the 724th weekly Disquiet Junto project, Work It — The Assignment: The year’s almost over. Do that thing you’ve been meaning to do — at https://disquiet.com/0724/.

sstart.act.lop {disquiet0724}

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...
My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
Sorry Joe. =(
...
sometime in 2025:
I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

RabMusicLab produces instrumental music of various genres from classical to electronic without shying away from excursions into pop or experimental music. The tracks are published for the pleasure, entertainment and inspiration of every listener.

RabMusicLab loves to participate in the Disquiet Junto Projects of https://soundcloud.com/disquiet to fuel his creativity . All tracks that have "disquiet" in the title were created as response to these projects. Further informations can be found in the respective track-information,

All images used are photographs by RabMusicLab, unless otherwise indicated in the track-informations.

For the One I Love

RabMusicLab

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