If there is a dead thing still rotting (2021)

FOR FLUTE AND RECITED TEXT ALONE

If there is a dead thing still rotting takes its title from a line of poet Muriel Leung’s BONE CONFETTI, a collection of work intertwined with the relationships between death and mourning. Leung writes, “There are two types of survivors at the end of the world—lovers and ghosts who die, are revived, and die again. Each death and resurrection carves its way into the landscape of a wrecked city where skies are flocked by molten birds and trees grow in shades of ash.”

This reaction to Leung’s work incorporates a poem entitled “The Lost Years” from the subsection “In Abstensia-Land: A Funeral.” The performer recites the text of the work throughout the piece, stretching to bridge and emphasize the interdependency of text, sound, and meaning.

If there is a dead thing still rotting was written for flutist Denis Savelyev as part of a collaboration between the Peabody Institute’s Flute and Composition Departments, and was premiered on November 29, 2021.

For more information about Muriel Leung's BONE CONFETTI, visit www.murielleung.com/bone-confetti.

Denis Savelyev, flute and recited text
November 29, 2021
Baltimore, MD

If There Is A Dead Thing Still Rotting (2021)

A(d)vert is a collection of vignettes exploring the fantasy realms created by media and advertising.  Each section focuses on a different ad, playing with the contrast of the tone of the presentation against what is actually being said.  This piece was written for the violist Colin Sorgi for the Baltimore Symphony Orchestra Lunch Bachs series.

A(d)vert

Fink - Sort Of Revolution (single) 
          Digital only release date: July 13 2009 
          
          Fink returns to tantalise your eardrums this Summer with lead single and title track from his brand new album, “Sort of Revolution”. As if the original wasn’t already an effortlessly classy, subtle and moving piece of work, Fink has enlisted label-mate Jason Swinscoe for a rare-as-hen’s-teeth Cinematic Orchestra remix. The single, available as a digital only bundle, also includes a genius spaced-out Dub remix from Sideshow, and yet another perfect piece of songwriting, delivery, and production from Fink in exclusive bonus track “Don’t Look Down”. 
          
          Fin Greenall, aka Fink, is among the more understated of the world's 'singer-songwriters', relying on uncompromising quality of work and an astounding stage presence, rather than major label marketing budgets. Swinscoe, likewise, is more keen on making music than chattering about it in the press. His career has, nevertheless, attracted superlatives from the outset, and includes collaborations with the likes of Fontella Bass and Roots Manuva, the re-soundtracking of Dziga Vertov’s classic “Man With A Movie Camera,” and a sell-out show at the Royal Albert Hall last year. Together they have crafted a miniature epic of love and longing… a velvet revolution indeed. 
          
          ZENCDS236P (single promo for press and radio) 

          1. Sort of Revolution (The Cinematic Orchestra Radio Edit) 
          2. Sort of Revolution (Radio Edit) 
          3. Don't Look Down 
          4. Sort of Revolution (Sideshow Dub) 
          5. Sort of Revolution (The Cinematic Orchestra Remix)
          
          ZENDNLS236 (available for download 13th July)
          
          1) Sort Of Revolution 
          2) Sort Of Revolution (The Cinematic Orchestra Remix) 
          3) Sort Of Revolution (Sideshow Dub) 
          4) Don't Look Down

Buy at Ninjashop: http://bit.ly/NIERqo
Download on iTunes: http://itun.es/i6jK6cr
Buy on Amazon: http://glnk.it/1go

Sort of Revolution

Sort Of Revolution

Fink - Sort Of Revolution (The Cinematic Orchestra Remix)

Market is a set of 3 fruit-inspired character pieces for unaccompanied soprano saxophone. The movements are: 
I. Crisp Yellow
II. Sweet Red
III. Bitter Blue

Performance by Caleb Burkhardt at Bowling Green State University, November 2017.

Market (2017)

The Classic Crime - Headlights (Cover)

Ashot Sarkissjan solo violin
Szymon Bywalec conductor 
OMN Ensemble
omn.art.pl

commisioned by the OMN, with the financial support of IMiT
photo by Bartek Barczyk
bartbarczyk.com

super [P|PE(s)]

Written for the Opera Etudes class at the Peabody Institute of Music, this etude sets text from Avatar: the Last Airbender. In this particular scene, one of the lead antagonists, the psychologically tormented Azula, sees a vision of her mother the night before her premature coronation. 

Composer: Allison Simpkins
Voice: Erica d'Ancona
Clarinet: Sophia Bracken
Violin: Nicolle Avila
Harp: Anju Felix
Bassoon/Contrabassoon: Lara Villanueva

This piece was written and performed during the 2020 COVID-19 pandemic. All parts were recorded asynchronously.

Monster - Azula's Mad Scene

"the new normal" is the third of three movements that use the same text describing the various emotions brought on by the hardships of the COVID-19 pandemic. In this movement, the singer takes a moment to pull themself together before joining yet another online class for the day. This is perhaps the most personal of the three, as it is a reflection of actual conversations I had with myself while struggling to keep up with online school, work, and composing.

This entire work was recorded asynchronously.

Composer: Allison Simpkins
Mezzo-soprano: Caroline Lacy
Viola: Ethan Buell
Harp: Sarah Pearson

A(d)vert

rachaelmsmith

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