Guardian Egyptian Font

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Unfortunately the font is not available for licensing yet (though it states on his site that it will be available in 2009)... I was wondering though, would anyone would be aware of a similar font family available already?... preferably that had a comparable family size - at least an Egyptian and Sans version anyway.


The Stag Family is a beautiful font... Looking into buying it when I can spare the cash!... Out of interest... Would anyone have any other recommendations regarding Egyptian fonts? Possibly ones that work well in body copy? I haven't used them much in my design work... although they seem to be increasingly popular in current publications... GQ's use of Soho to name but one... so any advice/tips would be greatly welcomed (i.e font combinations)
Thanks v. much for the feedback so far.


Typefaces are an important part of our work. The fonts we use can drastically influence the direction of our designs. But rarely do we have to design our own. Designer Christian Schwartz, however, has made a rather successful career of it.


Most notably, the redesign features a new font and logo designed by New York- and London-based studio Commercial Type, which also created the original Guardian Egyptian font. The new font is called Guardian Headline and is a clear testament to the new formats, on both the print and web platforms.


The simplest way to use the Guardian web fonts is to add a link to the fonts.pasteup.css file. This provides the @font-family rules for all the fonts, allowing you to then simply use the font names in your CSS.


The new display typography was key to the 2018 redesign of the Guardian brand. The need to reduce headline size, maintain character and legibility across all weights were key drivers. These challenges dovetailed nicely with the need to improve read readability on digital platforms. The new font family improves contrast, while bringing warmth and freshness to proceedings.


Google Fonts collaborates with type designers, foundries and the design community worldwide to create a directory of open source fonts. The fonts are free to use, making beautiful type accessible to anyone for any project.


This nice-looking font is very perfect for your vintage designs and you can create a lot of precious designs with the help of this font as Logo designs, Covers, Posters, T-shirt designing, Fashion designs, Business Cards, Greeting Cards, Brand Projects, Apparel, Stationery, Product packaging, Banners, Brochure layouts, and many related designs.


This versatile typeface is suitable for all your fun design and text designs. You can use this font for your logo design, Covers, Poster, Brans, Product packaging as well as Headlines and eye-catching titles.





Our Egyptian line of stamps represents symbols and images that are widely known as being symbols of strength and representation of the basis of life. Continuing our line of Ancient Egyptian Gods metal design stamps is Anubis. Anubis is the Greek name for the guardian of the tombs and is associated with death and life after death in the religion of ancient Egypt. Anubis is also described as the lord of the necropolis and patron of embalmers, depicted as a large black canid lying on his stomach, possibly a jackal or a wild dog.


For some reason, it remains difficult to hunt down font families that have a serif and sans-serif combo. As far as I have found, none of the font sites allow you to search by this designation, yet it seems quite useful to utilize the hard work of typographers who, with great attention, have designed sets that work in this capacity. I'm not a huge student of typography, but I do understand that there's some grumbling about the use of these pairings, that using them produces less-than-ideal results or reflects a bit of laziness. I get it, and agree that some of the best combos are hand picked, but this post

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The role of a striker is rather different from that of a traditional centre-forward, although the terms centre-forward and striker are used interchangeably at times, as both play further up the field than other players, while tall, heavy and technical players, like Zlatan Ibrahimović, and Edin Džeko, have qualities which are suited to both positions.[8] Like the centre-forward, the traditional role of a striker is to score goals; strikers are therefore known for their ability to peel off defenders and to run into space via the blind side of the defender and to receive the ball in a good goalscoring position, as typified by Ronaldo and Thierry Henry.[9] They are typically fast players with good ball control and dribbling abilities. Shorter statured, more agile strikers like Michael Owen, Kylian Mbappé, Dries Mertens, Sergio Agüero, and Paulo Dybala have an advantage over taller defenders due to their short bursts of speed.


Good strikers should be able to shoot confidently with either foot, possess great power and accuracy, and have the ability to link-up with teammates and pass the ball under pressure in breakaway situations. While many strikers wear the number 9 shirt, such as Alan Shearer, an out and out striker, the position, to a lesser degree, is also associated with the number 10, which is frequently worn by more creative deep-lying forwards such as Pelé, and occasionally with numbers 7 and 11, which are often associated with wingers.[7]


Deep-lying forwards or second strikers have a long history in the game, but the terminology to describe their playing activity has varied over the years. Originally such players were termed inside forwards, creative or deep-lying centre-forwards ("sub forwards"). More recently, the role has occasionally been colloquially referred to as the centre-forward role, however, two more variations of this old type of player have developed: the second, or shadow, or support, or auxiliary striker and, in what is in fact a distinct position unto its own, the number 10;[11][12][13] the former role is exemplified by players such as Dennis Bergkamp (who would play just behind the striker Thierry Henry at Arsenal),[14] Alessandro Del Piero at Juventus,[15] Youri Djorkaeff at Inter Milan,[16][17][18] or Teddy Sheringham at Tottenham Hotspur.[19] Other creative offensive players who play further back, such as Diego Maradona, Ronaldinho, Kaká, Michael Laudrup, and Zinedine Zidane are often instead described as the "number 10", and usually operate as an attacking midfielder or advanced playmaker.[13]


The second striker position is a loosely defined and most often misunderstood description of a player positioned in a free role, somewhere between the out-and-out striker, whether the player is a "target man" or more of a "poacher", and the number 10 or attacking midfielder, while possibly showing some of the characteristics of both. In fact, a term coined by French advanced playmaker Michel Platini, the "nine-and-a-half", which he used to describe the playing role of his successor in the number 10 role at Juventus, Italian playmaker Roberto Baggio, has been an attempt to become a standard in defining the position.[20] Conceivably, a number 10 can alternate as a second-striker provided that the player is also a prolific goalscorer; otherwise, a mobile forward with good technical ability (dribbling skills and ball control), acceleration, vision, passing, and link-up play, who can receive the ball and retain possession, in addition to being capable of scoring goals and creating opportunities for a less versatile centre-forward, is more suited to playing in the second striker role. This player should also be able to position themselves well in order to receive passes and subsequently either create or finish off a goalscoring opportunity. They should also be capable of finishing well with either foot a

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1. The theory is not in a position to explain the causes responsible for the choice of location of an industry. It can only help in finding out the existing state of industrial distribution in a country. It is said that the theory is only the investigation of status quo and nothing beyond that.


5. While formulating his theory, he has not given due place and consideration to various forces of concentration which have direct bearing on the location of industrial units namely the role of external economies or tax incentives etc.


Industrial location is a field of study that interests both economists and geographer, because the location of industriesis of particular importance in studying the internal structure of regions and in many cases, guides the pattern ofspatial development. The theory of industrial location attempts to explain answers for three important questions.They are;  Why the industries are located where they are  Why the locations are shifted,  And what can be the best location for a particular industry keeping in view there source endowments of different regions, transport network , existing demand, potential demand etc.,There are different versions developed by different economists on the theory of industrial location. Each one of themtries to find out the reasons for industrial location in an economy. Among them, the first attempt in developing atheory of location was made by a German scholar, Von Thunen, in regard to agricultural location. Thunen, consideredthe problem of location for various forms of agricultural production in relation to markets.


Weber explained his theory interims of influence of each factor on industrial location. Thus, now let us consider theinfluence of following costs separately on industrial location: they are:  Transportation costs  Labor costs  Agglomeration  Degglomeration costs


Critical Appraisal:(a) According to BAL Krishna, Sargent Florence contribution cannot be placed in the category of a theory oflocation. Indices provided by him can only reveal the existing state of distribution of industries in a particularcountry. They are incapable of assigning reasons for a particular form of concentration and much less through anyuseful light on the question of a correct allocation of industries among different regions. Therefore, Sargent Florencecontribution cannot serve as a guide in framing any policy for the future location of industries in a country. (b) TheCo-efficient of localization is based essentially on the pattern of distribution in each country so that it would varyfrom country to country according to local conditions and may also vary within each country with furtherindustrialization. It would be difficult to conclude merely on the basis of coefficient whether an industry has atendency for concentration. At best it can have only a verification value. (c) the location factor is based on thenumber industrial workers employed in each area but a numeric reckoning of this nature is not always a sure guidethe degree of concentration of an industry. A better basis of comparison would be the output in each area. Forinstance a combination of higher proportion of capital in the form of more unto date machinery and consequently asmaller proportion of labor might yield a higher output than another region with a larger proportion of labor.


A model of industrial location proposed by A. Weber (1909, trans. 1929), which assumes that industrialists choose aleast-cost location for the development of new industry. The theory is based on a number of assumptions, amongthem that markets are fixed at certain specific points, that transport costs are proportional to the weight of the goodsand the distance covered by a raw material or a finished product, that perfect competition exists, and that decisionsare made by economic man.


Several nat

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We have recently started using Dameware and Mini Remote. When I use Mini Remote to connect to a users pc I'm finding that it changes their desktop display settings. These changes are tied to mini remote because they were reported within a minute of me connecting to their pc for the first time. And, it was reported by users in the order in which I connected to their pc's. One right after the other. I'm aware of two specific changes: the color scheme changes (minor in the big picture but it's the little things that keep them happy), the task bar for example was a deep blue now it's a muted gray color. The biggest complaint is that the windows preview when you mouse over an application icon in the task bar changes from window previews to a list. Previously, if you had multiple word documents open and had it set to not combined icons it would show one Word icon in the task bar. If you would mouse over the Word icon it would pop up little windows for each document you had open and as you mouse over each window preview it would temporarily display that document maximized on the screen. Now, it only pops up a list, that's in, no interactive preview or anything.


I'm using Dameware mini remote control v11.2. Using kvm options. I have an admin account and a password already in DM, but I've forgotten the password. When I click on connect it works because the id and password is saved in dameware, but how do I see the password?


If I want to connect to Windows 81/10 Hyper-V virtual machines, I got the "error 5: access denied"-problem and dameware wants to install the remoteservice, but the remote support service is already installed and started in the virtual machines.


DameWare Mini Remote Control (MRC) is one of the best values in remote control software available today. MRC is licensed by the number of help desk technicians your organization has and not by agent or end-point. It has been used for more than 10 years by thousands of IT admins to seamlessly connect to remote servers, desktops, and notebooks.





DameWare Mini Remote Control is a powerful remote-control program which uses Microsoft Windows API calls to interact with the local and remote machines. By using this program, we can quickly and easily deploy the client agent service to remote machines with no machine reboots. we can also remote control any machine located on LAN or WAN quickly. DameWare Mini Remote Control is lightweight, easy-to-use and very user friendly. You can download this software from download button given at the bottom of this post.


This software provides a wide range of features like shared sessions, interactive smart card login, remote smart card authentication, multiple monitor environments, restrict access based on IP Filtering or Local/Global Group membership, MSI package for installation of Client Agent, connection through DameWare Mini Remote Control is a remote control application for help desks of any size. This program allows you to share screens, chat, transfer files and initiate MRC, RDP or VNC sessions, remotely connect to systems that are powered-off or in a crashed state, chat with end-users to pinpoint and resolve issues, transfer files, and capture screenshots, and more.



Access Computers with Intel® AMT using KVM

Connect to computers via remote Keyboard, Video, and Mouse (KVM) with built-in support for Intel Active Management Technology (AMT). With this feature, you can remotely control a computer regardless of the state of its operating system.


DameWare Remote Support is a powerful software designed to help network administrators who need remote access to other computers. This package includes various tools that help you to increase the performance of your daily activities.
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Nightlife is not all parties, it is the live music shows, gigs at cafes or a kickass concert. You get to witness the best of the music events in York; from live music to the tours of artists, there is a lot that the city has in store for you. For a different choice of music, there are distinct events in York. For classical music lovers, they have classical music shows and concerts, while for the groovers they have concerts in York to dance your heart out.
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The Ramayana is an all-popular epic in South and Southeast Asia. It is the story of King Rama who must save his kidnapped wife, Sita. Along the way, it teaches Hindu life lessons. The Ramayana is told and retold orally, through literature (and comic books!), plays, movies and is reference in many other forms of popular culture today.


The Ramayana by the sage Valmiki is one of the great epics of the Sanskrit language, and is dated to approximately 200 B.C.E. There are many other versions of the epic in the many regional languages found in South Asia. Although the same core narrative is used (or referred to) in most of these versions, there are significant differences among them. This is particularly true regarding how the story ends; see below. The basic storyline is provided here, but teachers and students should expect to see great variation and greater detail with reference to each episode.


Many versions of the Ramayana end thus with return of Sita and Rama to their kingdom after fourteen years of exile, and the commencement of Ram Rajya, the glorious time of the rule of Ram. Other versions, such as that by Valmiki, end with the questioning of Sita's loyalty during the time of her kidnapping, when she spent so much time in another man's home. In such versions, Sita returned to her husband only to be put to a fire test to prove her loyalty. She passed this test, only to be questioned again later. She was then banished with her two unborn twin sons. Later asked to return to the kingdom, she did so only to stand before the assembly, calling on the earth (from which she was born) to take her back again if she had remained pure. The story ends with her absorption into her mother, the earth, and her ultimate vindication.


In its extant form, Valmiki's 
Ramayana
 is an epic poem containing over 24,000 couplet verses, divided into seven kāṇḍa
s (Bālakāṇḍa, Ayodhyakāṇḍa, Araṇyakāṇḍa, Kiṣkindakāṇḍa, Sundarākāṇḍa, Yuddhakāṇḍa, Uttarakāṇḍa), and about 500 sargas (chapters).[8][18] It is regarded as one of the longest epic poems to be written in history.[19]


The 
Ramayana
 text has several regional renderings, recensions, and sub-recensions. Textual scholar Robert P. Goldman differentiates two major regional revisions: the northern (n) and the southern (s). Scholar Romesh Chunder Dutt writes that "the 
Ramayana
, like the 
Mahabharata
, is a growth of centuries, but the main story is more distinctly the creation of one mind."


When Rāma was 16 years old, the r̥ṣi (sage) Viśhvāmitra comes to the court of Daśaratha in search of help against demons who were disturbing sacrificial rites. He chooses Rāma, who is followed by Lakṣmaṇa, his constant companion throughout the story. Rāma and Lakṣmaṇa receive instructions and supernatural weapons from Viśvāmitra and proceed to destroy Tāṭakā and many other demons. Viśvāmitra also recounts much lore of the landscape, his own ancestors, and the ancestors of the princes.[28]


The party then decide to go to attend king Janaka's sacrifice in the kingdom of Mithilā, who has a bow that no one has been able to string. Janaka recounts the history of the famed bow, and informs them that whoever strings the bow will win the hand of his daughter Sītā, whom he had found in the earth when plowing a field. Rāma then proceeds to not only string the bow, but breaks it in the process. Rāma marries Sītā; the wedding is celebrated with great festivity in Mithilā and the marriage party returns to Ayodhyā.[28]


The grief-stricken king, bound by his word, accedes to Kaikeyī's demands. Rāma accepts his father's reluctant decree with absolute submission and calm self-control which characterizes him throughout the story. He asks Sītā to remain in Ayodhyā, but she convinces him to remain with him in exile. Lakṣmaṇa also resolves to follow his brother into the

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Yes I would like to receive the latest marketing information by email from Gordon Ramsay Restaurants, about all of our restaurants in the group 

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Yes I would like to receive the latest marketing information by email from Gordon Ramsay Restaurants, about all of our restaurants 

For more information please see our privacy policy. We will of course keep your data safe and secure and if you change your mind you can unsubscribe at any time on any marketing email we send or email us at guestrelations@gordonramsay.com
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Simple image viewer for Windows with high quality display of images even on 256-, 32K and64K-colour adapters. Displays TGA, JPEG, GIF, WMF and BMP files. You can add this toyour SendTo menu to have a simple way of viewing images. Why yet another imageviewer? This one provides a much higher quality display on 256, 32K and 64K colourvideo adapter boards that may be found in older PCs.


Hakesley suggests that it's a good idea to look for video concepts that can work as series, to keep viewers coming back. Sarah Platt, Managing Director at webcasting serving Kinura offers another option. "Many companies are also using webinars, which can be fairly simple to put together," she says. "You can livestream audio or video with many platforms including Google Hangouts, YouTubeLive, or Livestream.com."
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Además, cuando compra una computadora nueva y desea usar el sistema anterior, puede restaurarlo al nueva equipo. De esta manera, puede mantener todo en el sistema anterior, como programas y aplicaciones instaladas en la nueva computadora.


2. Esto abrirá el símbolo del sistema, escribe 
cd restore
 y presiona Enter. Luego escribe 
rstrui.exe
 y presiona enter. A continuación, iniciará restaurar sistema y podrá seguir el asistente para completar el proceso de restauración.


Haga clic en 
Restaurar 
y 
Seleccionar Tarea 
> Elija la tarea de copia de seguridad del sistema de la lista > Seleccione para restaurar todo el sistema o una partición > (Opcional) Elija una ruta de destino para restaurar la imagen del sistema a > Haga clic en 
Restaurar
. Es bastante fácil y se puede hacer con sólo unos pocos clics.


Si quiere proteger un número ilimitado de ordenadores en su empresa, puede elegir AOMEI Backupper Technician. Con la herramienta incorporada AOMEI Image Deploy, también se le permite desplegar/restaurar el archivo de imagen del sistema en el ordenador del lado del servidor a múltiples ordenadores del lado del cliente a través de la red.


Restauración del Sistema Time Machine: restaurara tus datos de un respaldo de Time Machine. En la app Recuperación, selecciona Restaurar desde Time Machine, y luego haz clic en Continuar. Para volver a la app Recuperación, selecciona Restauración del Sistema Time Machine > Salir de Restauración del Sistema Time Machine. Consulta


Opción + Comando + R: arranca desde Recuperación de macOS Recovery en Internet. Utiliza esta combinación de teclas para volver a instalar macOS y actualizar a la versión más reciente de macOS compatible con tu Mac.


Este tutorial te ofrece 2 maneras con guías paso a paso de abrir el símbolo del sistema durante el arranque de Windows 10. Aprende cómo acceder al símbolo del sistema de Windows 10 durante el arranque y a reparar los problemas de Windows 10 con el símbolo del sistema.



Paso 4.
 Haz clic en la opción 
Símbolo del sistema
. Elige una cuenta para continuar e introduce la contraseña para esa cuenta. Si no le has puesto una contraseña al equipo con Windows 10, simplemente haz clic en 
continuar
 para saltar este paso. Deberías llegar a la ventana del símbolo del sistema ahora.


Cuando arranque la el ordenador y veas el diálogo de la 
Configuración de Windows 
 aparecer, puedes pulsar las teclas 
Mayúsculas + F10
 a la vez para abrir el símbolo del sistema de Windows 10.





Introduce 
sfc /scannow
 en la línea de comandos una vez hayas arrancado al símbolo del sistema de Windows 10 y, después, pulsa 
intro
. La utilidad Windows 10 SFC Scannow comenzará a escanear e intentará reparar cualquier archivo del sistema dañado que detecte.



Paso 2.
 A continuación introduce el siguiente comando en la siguiente ventana del símbolo del sistema: 
rstrui.exe
 y dale al 
intro 
para abrir la interfaz de restaurar sistema.


El Explorador de Windows, que ahora se llama explorador de archivos, es la aplicación que se utiliza para navegar por el sistema de archivos y abrir programas y archivos. Pero también controla cosas como el Menú Inicio, la barra de tareas y otras aplicaciones.


¿Tu ordenador con Windows 11 instalado lleva tiempo dando errores, reiniciándose, yendo lento...? Es muy posible que algunos de sus archivos se hayan 
corrompido 
y haya que restaurarlos para solucionar el problema.


Los 3 comandos son: 
CHKDSK, SFC, y DISM
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