Quickly made four-on-the-floor piece to try out some ideas for creating hard-sync sounds in SunVox. Competed at Edison 2021, where it won the streaming music compo.

Tjena Bettan!

A 23 kilobyte Amiga tune, made in Musicline Editor, for the chip music compo at Gerp 2022 in Skövde, Sweden.

I Break for No Beat

A jazz-fusion tune inspired by the likes of Jan Hammer, Snarky Puppy and Dirty Loops. Of course nowhere near their their level! Made entirely in SunVox 2.0, and released at Edison 2022 in Stockholm.

Oh Know

Goa trance track in 21 kilobytes, made in Musicline Editor on Amiga 1200, and released at Gerp 2023 where it scored a second place in the chip music compo. All sounds are synthesized except the percussion which is sample based.

Psychophant

Fifth place entry in the oldschool music category at Edison 2023, July 8 in Stockholm. My first C64 tune since 2019!

Turnstile Revolver

My entry for the chip music compo at Gerp 2024. A dual speed C64 tune for the 8580 SID chip.

Skin of My Teeth

My entry for the Amiga 4 channel music compo at Gerp 2024! 650 kilobytes in total, made in the fantastic Musicline Editor. Speech samples from Veritassium's YouTube video "The Big Misconception About Electricity".

Pumping Electrons

C64 tune released in the oldskool music compo at Black Valley 2024.

Cheese Wings

My entry for the C64 music competition at Pågadata 24 in Örtofta, Sweden. Made for the 8580 SID chip.

Know Timelike Depressant

Entry for the chip music compo at Gerp 2025, made in Musicline Editor on the Amiga.

Squid Kid for Rasmodius

Fairlight reached out and asked if I wanted to make a tune for a 40th birthday demo to celebrate my friend Fegolhuzz. This was the result, and it was used in their demo called "The Fair Light", which won the demo compo at Fioniadata 2025 in Denmark. The main inspiration was of course the great music of Fegolhuzz himself!

The Fair Light

Went to Black Valley, hastily threw this tune together on the night before! Enjoy!

Participated in the oldschool music compo at the party, just prior to me uploading this.

Crimes Against Modality

I got asked by Magic/Nah-Kolor if I could provide a tune for Speed #68, and this is it. Actually my first tune made in ProTracker, believe it or not!

Birdflipper

Entry for the C64 music compo at Pågadata 2025. Skål!

Sewage Propulsion

My entry for the SID music compo at Compusphere 2016, ended up in second place. 8580 SID as usual.

Disquality

A quick attempt at making stoner doom on the Commodore 64 - don't ask me why, but it was a fun experiment! 8580 SID tune released at Datastorm Summer 2017 where it came third in the compo.

The Final Toke

First(!) place in the streaming music compo at Edison 2018. Composed using SunVox on a Lenovo Tab4 Android tablet and then tweaked and mixed in Audacity. Gracious mixing advice and final mastering by Tomas Danko.

Fringe Factors

It's been forever (ok, 14 years) since I last released a tune without there being some external motivator. Feels good!

This was composed and mixed in SunVox, mostly on my Android phone on my way to and from work, during the course of a couple of months. I rarely make things easy for myself... But I thrive on overcoming restrictions! This was mainly an attempt to create something a bit jazzier than I usually do, and to continue teaching myself proper production techniques using very basic tools.

All the instruments are fully synthesized using the builtin modules, except for the drums which are partially sample based. Final mastering (ran the file through a limiter...) done in Audacity on my PC. The rest is pure SunVox.

Asterisk & Obelisk

Made for the Crack Intro Music Compo 2013. Rules: less than one minute before repeating, less than 4 KiB, must sound good on both 6581 and 8580. This is from 6581

Broken Bytez

Made and mastered completely in SunVox this time! Released at the online Edison 2020 party since I apparently require deadlines. Wanted to do something that sounded "fakebit".

French Baguette Merci

Another one released outside of any sort of competition, this one is my first attempt at making anything in the awkward-but-I-like-it KlysTrack. To make things a bit more challenging I did all the mixing in KlysTrack as well, and limited myself to not using any sampled sounds (if you couldn't tell from the cymbals...). Final mastering (slight EQ + limiting) was done in Audacity. Anyway, it's been quite fun overall, and I feel like I'm slowly finding my way back to something I used to enjoy doing, which is great.

Edit: KlysTrack's the name of the software. For some reason that's like the least intuitive name ever for me.

Burning Bovine

Stockholm based demoscener, synthesizer nerd and prog rock fan who's mentally stuck in the late 80's/early 90's.

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