Prompted by and in response to:

out of the blue
of early morning light:
a paulownia leaf

Naviar haiku challenge 583, details here: https://www.naviarrecords.com/haiku-music-challenge/

Not as I envisaged at the outset owing to a lucky experiment and a willingness to got with the flow. All the base sounds are generated in virtual modular using VCV Rack with split outputs allowing multitrack recording. I had planned on using the Deelay plugin from Sixth Sample and while I was tweaking the settings put it into chaos mode as an experiment, not what I wanted but more suitable for this track, saved some VCV patching.  With the other elements in place I set up physical controls and did a test run to get an idea of what to patch next. After what would have been the opening ran to over six minutes I decided that with a couple of tweaks I had enough for a take, more minimal and slower evolving than my original idea but probably suits the haiku better. I used a touch of Frostbite 2 from Audio Thing to add some texture to the opening.

Early Morning Light - (naviarhaiku - 583)

Here's my musical resonance to this week's haiku from @naviar-records.

https://www.naviarrecords.com/naviarhaiku587-paperweights/

paperweights
on the store’s comicbooks –
spring breeze

by: Takai Kito

Spring breeze (naviarhaiku587)

2025-04-13

in the zen garden

Struktur

Cyborgian

Karusell

Edenolide

Marco Lucchi : synthesizers and tape

*

playing with
https://freesound.org/people/felix.blume/sounds/779894/
and
https://soundcloud.com/itwasthewires/052325003a1

Heimat

2025-06-05

TCNE7-20250605A

Dark Ambient Music inspired by the writings of HP Lovecraft and the Cthulhu Mythos cult. Be scared and enjoy!

CTHULHU MYTHOS: YOGSOTHOTH'S GAZE

Hours later there came a change... We seemed to be floating in a pure vacancy. There were no lands, no sun, no stars in sight: only the radiant abyss.

Radian Abyss is the vanity label for Canadian artist Daniel G Sinclair for publishing any related project. Here you will find music from Daniel's entire musical career—learning to multi-track with an old PC and a Tape deck, to multitrack recordings done with a Fostex 4 track, and on to complex electronic creations.

IOQ

Radiant Abyss

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