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LABEL

ØEN Records is back with a special two track EP from up and coming Copenhagen based producer Fruit (@fruitdj). Originally from Iceland, but based in Denmark, Fruit has been making waves in the Copenhagen club scene with his eloquent DJ and live-sets. Following up his acclaimed 2019 Drømmeland EP he is finally back with two epic, fast-paced and euphoric tracks to light up the summer dance floors.

Drawing inspiration from myths and legends and particularly the Epic of Gilgamesh – a 4000 year old poem from ancient Mesopotamia – “Gilgamesh” is a hypnotic and trancey trip destined for the peak hours of the post-corona parties.

Created during the peak of the pandemic on an old half broken borrowed MacBook, the two distinct but kindred tracks are testament to Fruits unique production style, effortlessly navigating between euphoric fast-paced house, ambient soundscapes, hypnotic percussion and haunting atmospheres. Skillfully crafted and executed “Gilgamesh” is primed for both floor and mind.

TRACKLIST
A: Bull of Heavens (9:21)
B: Underworld (12:06)

BUY:
Bandcamp: bit.ly/3yLNI3l
One Eye Witness: bit.ly/3fWCMc4
Phonica Records: ​​bit.ly/3yLcpwS
Clone: bit.ly/3sbtv4N
Red Eye Records: bit.ly/2VNHe5I
Decks: bit.ly/37AVGAF
Cold Cuts Hard Wax: bit.ly/3fYPCqi
OYE Records: bit.ly/3k7FmNJ

STREAM:
https://bfan.link/gilgamesh

All Music written and produced by Anton Sandholt
Vocals on Underworld by Fjóla Gautadóttir
Mastered by Joel Krozer at Six Bit Deep
Artwork by Lille Blomst
Distributed by One Eye Witness
Label: ØEN Records
Cat. No.: ØEN020
Format: Vinyl and digital
Release date: 03 September 2020

Fruit – Bull of Heavens [ØEN REC.]

The inaugural release of p.istol is introduced by Biodive, who sets the tone with his four track “Limpet Minds’ EP, written in the depths of lockdown from the producer's location in Cape Town.

NAFF label head Priori contributes a hard-hitting remix of the title track, apt for the early hours and timed to perfection as the world slowly escapes the monotony of pandemic life.

The b-side plays host to two versions of the thought-provoking 'Infinite Lifetimes', a blissful journey through electronic euphoria.

Buy: p-istol.bandcamp.com/releases

Limpet Minds

Biodive - Limpet Minds

https://onrotationmusic.com/album/solar-suite-slingshot-ep-incl-roza-terenzi-remix

@on-rotation-music
https://soundcloud.com/solarsuite

Solar Suite - Virtual Flight [On Rotation]

Escaping was a necessity; living in a concrete jungle made her feel trapped, at times as though she were fighting for breath. Whether it was the peace of the countryside or the paradisiacal surroundings of the beach, these places gave her a sense of renewal, refreshing her mind and her senses. This would only last as long as the trips did, it was a sad truth that the rejuvenation would soon dissipate as she stepped back into the rat race. 

As is their annual tradition, in December Leipzig's R.A.N.D. Muzik Recordings marked the end of another year with a VA compilation featuring music from fresh faces and old friends. Swirling around the sounds central to the label - breaks, house, electro and techno - the four-track EP calls on the talents of R.A.N.D regular Tim Schlockermann and new blood Adam Strömstedt, Barney In The Tunnel and Olsvangèr.

PREMIERE: Olsvangèr - Pkak Del Mar [R.A.N.D. Muzik Recordings]

PHYSICAL: https://one-eye-witness.com/release/1651667515/Byron-Yeates-Sweat-Ur-Prayers
DIGITAL: https://radiantlove.bandcamp.com/album/byron-yeates-sweat-ur-prayers

A1. Sweat Ur Prayers
A2. Waves

B1. Dreaming Is Essential -  Byron Yeates, Eoin DJ & Ruin
B2. Sweat Ur Prayers (Lawrence Lee Remix)


@byronyeates @eoindj @ruinxxx @lawrencelee

Sweat Ur Prayers, the next wavy addition to Radiant Love’s catalogue, is the first solo-EP of Byron Yeates. In their messaging, their timbres and grooves, the 4 tracks speak faithfully to Yeates’ inclinations as a DJ and label-head: the playfulness and buoyancy, a constant nod to the roots of rave, and a faith in dance music’s transformative power.

Opening the release is the title track, a bubbling and breakbeat-laden 8 minutes. Mantric repetition is a running theme throughout the EP, and we hear “Raindrops falling all around, freeing me from other sounds; trickling down my weary eyes, bringing me back, I’m ready to fly” as an opening salvo. Yeates’ is known for his vast, enduring DJ sets, inducing sheens of sweat from all involved – with these tracks, it’s clear he’s unafraid to take his time to build tension as a producer as well. The percussive conversation between hi-hat and snare complexifies until a clap enters near the 2 minute mark and suddenly we’re in the main, driving groove.

“Waves” is a dial-back to downtempo, floatation and introspection. The dancer and writer Gabrielle Roth is sampled, speaking on her 5 Rhythms movement meditation technique – the term “sweat your prayers” comes from her texts on ecstatic physicality. The track shimmers and sways in bright pads and delayed-out drum breaks, setting the reflective tone for “Dreaming is Essential”, co-produced by Eoin DJ. Opening with Radiant Love co-founder Ruin, her candid vocals are perfectly aligned for the dancefloor’s vulnerability: “What am I avoiding? I wish I could hold myself, like the dance holds me.” The track unfolds through layers of percussion and shadowy texture, taking a pivot to optimism halfway through, as a warm synth-line accompanies Ruin’s repetition: “Dreaming is essential.”

Lawrence Lee’s remix of “Sweat Ur Prayers” adapts the bounce of the original’s bassline to a classic, stabby rave synth. Again there is a percussive focus, but force and warmth are foregrounded, rather than polyrhythm – a shot, rather than a spritz. We hear again the opening mantra, and although “I’m ready to fly” may seem in opposition to Ruin’s “Let the dance hold me”, Sweat Ur Prayers seems to say they are one in the same movement.

BYRON YEATES
Title: SWEAT UR PRAYERS
Cat: RADIANTLOVE005
Format: 12”
Distributed: ONE EYE WITNESS
Mixed and Mastered: MARCO PELLEGRINO
Artwork: BYRON YEATES
Text: NAT MARCUS

BYRON YEATES - SWEAT UR PRAYERS

https://common-ancestors.bandcamp.com/album/space-yeti-ep
*
Forged in the icy astral caverns of his mind, Hannd has crafted this three track EP to lure out the a creature that some may not believe exists, until now. Experience the cold-cosmic-breeze of the Space Yeti. The hairs on the back of your neck begin to stand up, and the birds take off in to the sky, as you notice distant large footprints in the interstellar snow approaching, what was once considered a mythical fairy tale, has now become reality. You are in the presence of the Space Yeti.
*
https://soundcloud.com/hanndmusic

Hannd - Eardrum Rattle (CA002)

New Place

Buy/Stream

Eversines - Nymber - Nous'klaer 028

MAGIC019 'Gabriola - Spirit Mirror' (in stores 14/10) @magicwire

https://magicwire.bandcamp.com/album/spirit-mirror

https://instituteofadvancedthinking.net/product/gabriola-spirit-mirror-12-pre-order/

the Pure Power of Progression

One to Zen

@dreamsoftwarecorp @jjonjjones

Track: Gateway (Sunrise Mix) 
Artist: Jon Jones
Album: Hyla EP
Label: Dream Software 
Cat #: DSOFT001
Country: UK
Year: 2022

[PREMIERE] Gateway (Sunrise Mix) - Jon Jones | Dream Software [2022]

Preorder
https://www.one-eye-witness.com/release/1675775011/Kasra-V-Hyperdelic-EP 
https://radiant-records.bandcamp.com/album/kasra-v-hyperdelic-ep

A1. Voice Note To Self
A2. Voice Note To Self (Byron Yeates & Roza Terenzi Remix)
B1. Vesper
B2. Night Prime
B3. Warm Up Great

@kasra-v @byronyeates @roza-terenzi

Kasra V’s Hyperdelic EP, his first release on Radiant Records, showcases the producer’s attentive ear for textural and rhythmic play. His last EP from 2018, Akasa, was a collection of dreamy, break-driven pieces, and a more ambient collaboration with Dopplereffekt; timbre and meticulously tuned sonics were also in focus then, but we now hear a reduction of form, and with it, a saturation of style.

“Voice note to self” kicks off the EP with a boom-bap drum loop. The rhythm continues as percussive elements are added and removed, adhering to the groove and its growing complexity. A warm bassline chugs along, pitched vocals mumble into the static, and an ascendant pad begins to give the track a gorgeous depth: a horizon. Following is a remix of the same track by Byron B. Yeates and Roza Terenzi, adapting certain samples from Kasra V’s production and looping them up to a brisk 142 BPM. As can be expected from these two, the kick’s punchy 4/4 structure is buttressed by crisp percussion and clever, unexpected rhythms.

On the B-side, “Vesper” takes us back to downtempo. Bumping on at around 80 BPM, Kasra V builds upon a drum-machine loop with processed percussion samples: a snare-roll one could hear in a jungle track, chopped claps panning across the break, and so on. And the slow, warm gurgle of an 808 comes in just at the point of fracture, holding it all together. “Night Prime” extends the EP’s principle of a drum loop serving as the skeleton – with greater drama, somehow. Like in “Voice note to self”, we hear vocal samples, but here  they swerve in and out of clarity; we break into unexpected moments of silence, and the loop restarts; 3 minutes in, a huge, minor piano chord breaks upon the track like dusk. “Warm up great” closes the EP with the blend of left-field groove and dissonance one might associate with Future Sound of London or early work of The Chemical Brothers. The textures and tunings of each sample are so dense, so delicious, Kasra V lets us savour them for the last 20 seconds of the EP, lost in the reverb of a singly struck piano key.

KASRA V
Title: HYPERDELIC EP
Cat: RADIANTLOVE006
Format: 12”
Distributed: ONE EYE WITNESS
Mastered: MARCO PELLEGRINO
Artwork: YENNY JRANT
Text: NAT MARCUS

KASRA V - HYPERDELIC EP

PREORDER: 
VINYL https://www.one-eye-witness.com/release/1701339408/Eoin-DJ-Total-Body
DIGITAL https://radiant-records.bandcamp.com/album/eoin-dj-total-body

@eoindj @angeldlite @byronyeates

A1. TOTAL BODY FT. SENSX
A2. TOTAL BODY  FT. SENSX (ANGEL D’LITE REMIX)
B1. ULTRA SOFT
B2. ULTRA SOFT (BYRON YEATES REMIX)

Following their contribution to the 2022 International Women’s Day compilation, and a co-production credit on “Dreaming is Essential” by Byron Yeates, Eoin DJ drops their first release on Radiant Records, Total Body. The 4-track EP is replete with mind-bending, lustrous tracks waiting to be spun out to sweatbox dancefloors.

“Total Body” invites movement from its first seconds. Layers and layers of snares, shakers and rhythmic synth stabs build tension before the pulse of a rolling bassline cements the elements into a cohesive hard house groove. Fragments and chops of sensx’s vocals wrap in and around the sonic field, leaving wisps of reverb and echo in their wake before repeating the track’s Total Body mantra in the breakdown. The result is a lushly-scored density of sound, with a relentless stomp that never feels overcrowded or too heavy. 

Angel D’lite’s remix takes a more skeletal approach to “Total Body”: a snare and clap march beneath chiming vocal stabs, rumbling low end and rolling breakbeats, flipping the original into a modern bass-heavy hybrid number. The rhythmic synth from the original, reversed and efex’d, ushers us in, and then out of the track, around extra bass stabs and pitch shifted “Total Body” chops. 

On the B side, “Ultra Soft” lifts off with a firm kick and a rolling 3-note bassline. Despite the title, the track hits harder than “Total Body” and sings with  Eoin DJ signatures: swirling funnels of processed vocals, rich, ear-itching textures, stripped back percussion and rave-ready samples are sprinkled with 303s, to create a track that sits comfortably with both classic trance and techno and contemporary “Progressive” dance music. 

The EP’s closer, a remix of “Ultra Soft” by Byron Yeates, compresses the astrally-inclined scale of the original track into shining slices of sound. A playful, chiming melody starts off the track alongside the kick, working through precise grooves, knife-sharp snares, a throbbing bass and chopped-up, smokey vocals. The result: 6 minutes of total embodiment from the Radiant Records boss.

EOIN DJ
Title: TOTAL BODY
Cat: RADIANTLOVE007
Format: 12”
Distributed: ONE EYE WITNESS
Mastered: MARCO PELLEGRINO
Artwork: YENNY JRANT
Text: NAT MARCUS

EOIN DJ - TOTAL BODY

ORDER: 
VINYL: https://www.one-eye-witness.com/release/1710414358/Byron-Yeates-Time-Machine
DIGITAL: https://radiant-records.bandcamp.com/album/byron-yeates-time-machine

@byronyeates @sprayforever

A1. LIQUID SKY
A2. HYPER HYPER
B1. TIME MACHINE
B2. BYRON YEATES & SPRAY - TRIP TO ECLIPSE 

Following on from 2022’s Sweat Your Prayers, Byron Yeates returns to Radiant Records with Time Machine, his second full release. The label head has established a signature production sound in an impressively short amount of time. Motifs teased in his previous output and that frequent his DJ sets are all at play here in a delightfully restrained fashion: Astral atmospherics, slick, pumping rhythms, playful basslines with skitting and flitting vocal chops are condensed into lush, club-ready arrangements that demonstrate Yeates’ deep dancefloor knowledge and razor-sharp production chops. 

EP opener Liquid Sky drifts beyond the clouds and into the club for a hot and heavy hard-house hybrid workout: undulating low end, sumptuous stabs and ethereal pads are meshed together into a mature, modern any-time-of-the night club tool for discerning deejays and dancers alike.  

The groove keeps giving-giving on Hyper-Hyper with stomping in-your-face drums, marching bass and vintage house themes stripped apart and put back together to form a track that sits comfortably in the sweet spot between contemporary techno and the more classic club moods Yeates’ has built a reputation for.

So too with Time Machine- the track’s swung bass and percs lay the foundation for a potent dance floor-ready number that touches on the classier strands of 90s tech and euro house, warped and reconstructed for 2023 dancefloors through Byron’s sleek and flirtatious sensibilities. 

The EP rounds off with a collaboration Trip To Eclipse with fellow Irish trance auteur Spray. The result is a sophisticated exercise in groove control: Spray’s signature rolling bass sits delicately alongside Yeates’ vox chops and celestial synth moods to form a cutting edge, dreamy, trance-not-trance roller that concludes a sophisticated and refined statement of intent from Byron Yeates.

BYRON YEATES
Title: TIME MACHINE
Cat: RADIANTRECORDS008
Format: 12”
Distributed: ONE EYE WITNESS
Mastered: MARCO PELLEGRINO
Mixed: TIARNAN MCMORROW
Artwork: YENNY JRANT
Text: EOIN RYAN

BYRON YEATES - TIME MACHINE

available digitally 24.09.24 

PRE ORDER: https://radiant-records.bandcamp.com/album/byron-yeates-time-machine-remixed

@bpm131bpm @kyle_starkey43 @corakoala @faffldn

mastered by: morgan wright

BYRON YEATES - TIME MACHINE REMIXED

The now-Newcastle based producer OCCUPA, originally from Nottingham, got to work making a thumper of a track, primed and ready to be exposed to the club. 

'KILLA SOUND' ensures no energy is lost on the dance floor, with it's pumping sub bass, intermittent warps and a solid 4x4 kick throughout to keep the crowd on-beat.

DL EXCLUSIVELY ON BANDCAMP: https://transistoruk.bandcamp.com/track/killa-sound

Transistor Instagram -www.instagram.com/transistor.uk/
Website - www.Transistoruk.co.uk

KILLA SOUND

OCCUPA - KILLA SOUND

[TZNMVA002] Tzunami Waves Various Artists VOL.2. 

The VA boasts an extraordinary collection of talented artists, including: BIPØL4R F4CE, Conrado Stein, D.A.S, Dry Wet & Bassiks, IZAN CRAMER, Jesica Falaschi, Luciano Fusco, MVRPH, Pace, PERT.

Stay tuned to explore this wave of diverse sounds that will soon make your ears resonate!

-BIPØL4R F4CE - Dirty Stuffs 
-Conrado Stein - Almada
-D.A.S - Retroshock 
-Dry Wet & Bassiks - Purple Out There 
-IZAN CRAMER - La Rumba Me EstÃ¡ Llamando
-Jesica Falaschi - Transitions 
-Luciano Fusco - Tribal 
-MVRPH - Clutch 
-Pace - The Way 
-PERT-  come to roll

Prod ~  BIPØL4R F4CE, Conrado Stein, D.A.S, Dry Wet & Bassiks, IZAN CRAMER, Jesica Falaschi, Luciano Fusco, MVRPH, Pace, PERT

Artwork ~ Chris.graphicd

Mastering ~ GFS Mastering

Tzunami Waves Various Artists VOL​.​2

Dirty Stuffs

Buy Here

BIPØL4R F4CE  - Dirty Stuffs

ORDER:
https://www.rubadub.co.uk/records/hacking-the-planet-ep
https://radiantlove.bandcamp.com/album/bliss-inc-hacking-the-planet

@bliss_inc
@sunnysibar

There is not much information to be found online about Bliss Inc., whose Hacking the Planet EP comes out on Radiant Love this summer. Beyond the fact they’re named Alexander and hail from Saint Petersburg, the project is cryptic – somehow this is fitting for a set of songs that could’ve fallen out of an obscure 1994 catalogue. This is the year of Robert Leiner’s Visions of the Past, Opus III’s Guru Mother, and Paul Oakenfold’s BBC-1 Essential Mix: an aesthetic region in which tech and new age spirituality braid together, a time before this synthesis reached Silicon Valley; while it still lingered in the rave, incredibly sincere, everything sounded kind of wet, and the efficiency of spirit was means to no end but a state of bliss.

What keeps Hacking the Planet from falling into pure nostalgia is its tuning – the palette of 1994 has been lifted and run through a delicate sensibility. The title track is a piece of buoyant, airy trance, with orbiting filters and a set of loopy, very vocal synths. It bumps along at 130 BPM, but feels slower because of the ease and clarity with which the track progresses. “Infinite” has got the aquatic motifs and soft, panning cymbals of a set-opener, or a comedown jam. The break that swings in after a minute-thirty feels less like a punctuation than another stream of sonics joining the flow. Picking up the pace a little, “Transitions” opens with a whir that could issue from a field of crickets or a stack of hardware. The entrance of the bassline was the first moment in this EP one could call nasty. But its drive and weight is also tempered, played against by a clever drum break, a run of piano keys, and the ethereal reverb-washed vocal sample we expect in a piece of classic mid-90’s trance – absent, however, is any kind of signalling to Goa, “exoticism” or indigenous aesthetics. (1994 was also the year of Jean Paul Gaultier’s Les Tatouages collection, which, for all its romantic nomadism and deft tailoring and syncretic spirit, has no need of a 2020 update).

Bliss Inc.’s songs stream, rather than track – one gets a sense that the elements flow in and out rather than ride a structure. Sansibar, who provides a remix of “Hacking the Planet” to round out the EP, is solidly a producer of tracks: often electro-derived ass-shaking material that hits, and hits in recognisable sections that progress serially. His version of the title cut brings in a hefty acid baseline, jungle-style stretched vocals, and kicks out of the 4/4 grid. But let there be no mistake, this is a producer also quite capable of coaxing delicacy out of hardware. The chimes of the lullaby-like breakdown halfway through the remix sound like nothing but a ghost in the machine.

BLISS INC.
Title: HACKING THE PLANET
Cat: RADIANTLOVE002
Format: 12”
Distributed: RUBADUB
Artwork: BYRON YEATES
Text: NAT MARCUS
Release date: 24.08.20

BLISS INC. - HACKING THE PLANET

label and mix series by @byronyeates

not accepting demos

BLISS INC. - HACKING THE PLANET

RADIANT RECORDS

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