Gozen Atila

soFa elsewhere on Alhara

https://www.nts.live/shows/in-focus/episodes/in-focus-sade-18th-august-2018

In Focus: Sade

https://www.instagram.com/weird.science.nyc
https://www.instagram.com/idlepress 
https://www.instagram.com/aaaamourette

WEIRD SCIENCE with Amourette and DJ Sundae @ The Lot Radio 09-28-2023

This mixtape features (mostly) Sundanese psychedelic pop music recorded during the 1970s when the Suharto military dictatorship ruled Indonesia. These recordings were chosen due to their signature sound in which haunting and darkly psychedelic notes mingle strangely with endearing girl pop vibes to create an unusual, intense and suspenseful atmosphere.

MUSIC OF THE PSYCHEDELIC MILITARY STATE

The next edition of the Phase Group mix series is delivered by Hing. 

Hing lives in Zurich where he’s a vital member of the music community. As part of the collective behind the downtown underground venue and cultural association Zentralwäscherei, he can regularly be found curating excellent line-ups and DJing at various parties. Big tip - check out his domestic mind-wandering show on Callshop Radio. 

His Phase Group mix is an excellently sequenced and compelling glide through leftfield downtempo groovers, motorik psych rides, DIY cassette recordings and cosmic new-age atmospheres. Turn on tune in and drop out. Thanks Hiep!

Phase Group Mix - Hing

Elliptica 10.05.2025

“We slowly rot” was originally a tag that Front de Cadeaux found on a chair in the botanic garden in Rome. It refers to the necessary and permanent epistemological breakdown that music creation and its evolution requires. The show is helmed by Dj Athome.

We Slowly Rot w/ DJ Athome @ Kiosk Radio 18.07.2025

Alessio Natalizia is Not Waving. Take the plunge with his monthly hour of fucked-up left techno, leftfield electronics, brain-twisting oddball pop and post-punk, dub offshoots and other diversions. 

[ecstaticrecordings.com](https://www.ecstaticrecordings.com/) 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/not-waving/episodes/not-waving-28th-august-2025

Not Waving 280825

"A show dedicated to the L.A. sunsets and all the hard working people who keep this city going & who defend it against pinches culeros...u know who."  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/jazmin-garcia/episodes/jazmin-garcia-22nd-september-2025

Como La Flor w/ Jazmin 220925

My Life

CELESTIAL NORTH Viking Battle Music Epic Nordic Music Game & Film Instrumental Soundtrack Music No ON III 13 by Ali OKUR

CELESTIAL NORTH Viking Battle Music Epic Nordic Music Game & Film Instrumental Soundtrack Music No ON III 13

[Epic, Cinematic, Heroic, Boss Theme] 00:00 - 00:21
[Horror, Suspense, Thriller] 00:21 - 00:50
[Cinematic, Adventurous, Exploration] 00:50 - 01:03
[Investigative, Time-Sensitive, Puzzle Genre] 01:03 - 01:20
[Dark, Gothic, Playful] 01:20 - 01:43
[Ambient, Environmental, World Building, Emotional] 01:43 - 02:10
[Chiptune, 16-Bit, Level Design, Upbeat] 02:10 - 02:23
[Fantasy, Magical, Adventure] 02:23 - End

Discord: Mesden

Aaron Busch - 2025 Video Game Composer Demo Reel

Ursula Bogner: Winkel Pong
Format: 7” Vinyl/DL
Label#: faitiche15
Release date: Sept 8th 2017
 
Faitiche is delighted to announce the release of a new Ursula Bogner record (faitiche15). Winkel Pong contains three previously unreleased pieces from the archive of the sound researcher who died in 1994. In 2008, Jan Jelinek put together a first album from Bogner’s tape archive (CD/LP Recordings 1969-1988, faitiche01). A second followed in 2011, compiled this time by Andrew Pekler (CD/LP Sonne = Blackbox, accompanying the book of the same name with texts, photographs and Bogner’s graphic oeuvre). For Winkel Pong the tape archive was passed on to Lucrecia Dalt. The Berlin-based Colombian sound artist and musician chose three tracks from the 1980s (exact dates unknown), editing the tape recordings for their release on Winkel Pong.
 
Gundrun Gut (Malaria!, Einstürzende Neubauten), an activist and reluctant chronicler of Berlin’s underground scene since the 1980s, has worked with Lucrecia Dalt. She is also familiar with Ursula Bogner’s work. Reason enough to ask her for an interview:
 
Jan Jelinek: Gudrun, how does it feel to be constantly obliged to talk about the 1980s Berlin underground as someone who was there at the time?
 
Gudrun Gut: I’ve learned to live with it as there are clearly too few people who witnessed it first-hand. Maybe it’s even important to do these interviews as a woman – so that someone actually says that women, too, have written music history. Men tend not to mention this. But it’s true, people do always ask the same questions.
 
JJ: Did you know about Ursula Bogner in the 1980s? Did you ever meet her?
 
GG: No, I never met Ursula Bogner in person and I only discovered her in 2008 thanks to Faitiche. But that’s no surprise: firstly, I don’t know every single woman artist, and secondly, far too many women artists never see the light of day. In the male-dominated art and music market, women are not considered important – or worse still, they are not understood. Look at artists like Sonia Delaunay, Eva Hesse, Bebe Baron, Delia Derbyshire and Daphne Oram. Some of them have now been discovered – but only recently. A lot has changed in the last few years: there is a growing awareness of art and music made by women.
 
JJ: But isn’t it annoying that the conventional distribution of roles still applies? One example: in many articles, Ursula Bogner has been presented as an “electronic housewife”.
 
GG: When Ursula Bogner is referred to as an electronic housewife, then sadly that reflects the situation of many women artists at the time. Women could only pursue artistic activities in private – transcendence was reserved for men. This has still not been overcome. But today, the home has become a site of professional production for all. I’m talking about bedroom producers: it is totally normal to make art and music at home. And that makes things interesting, because “working at home” is no longer associated solely with women.
 
JJ: For Winkel Pong, Lucrecia Dalt compiled and remixed three pieces from the Bogner archive. You know Lucrecia and you’ve already worked with her. How did you meet?
 
GG: I met Lucrecia through MySpace – I think it was 2007. Back then she was still living in Medellin, Colombia. Lucrecia’s father made loop machines for her that she still uses. The Sound of Lucrecia was part of my 4 Women no Cry compilation series on Monika Enterprise, each with four producers from different countries. She’s great fun to watch as a performer because she has a unique sense of rhythm and feel for music. Above all I’m impressed by her sustained approach as an artist, someone who can and does think around corners. I’m thinking specifically of her album Ou, for which she ploughed her way through post-war German cinema, using it as a source of inspiration for a soundtrack. This is proof that she thinks like an engineer – so it makes perfect sense that she would want to explore the work of Ursula Bogner.
 
Berlin, 2017

Ursula Bogner: Atmosphärische Energie (edited by Lucrecia Dalt)

see description of Star-shaped Biscuit, scene 1.

Star-shaped Biscuit: scene 2- Curiosity

Slavic folk, ambient psychedelia, 20th century minimalism and vocal experiments - Polish band Księżyc floats somewhere between, happily resisting simple genre categorization. The surreal and haunting beauty of their music is amplified by the fairy tale inspired lyrics Remek Hanaj has created.

For this episode, Remek has curated an hour of Eastern European 
avant-folk. It displays some of the creative diversity of the region and its relationship with blending traditional and contemporary ideas.

1. Almost Dead Celebrities - Factory Girl
2. Maarja Nuut - Haned Kadunud / Geese Lost
3. Svitlana Nianio & Illkutan - Kites
4. Maniucha Bikont & Assaf Talmudi - Cipi гуси / Grey Geese
5. Lautari - I’m Going Home
6. Odpoczno - Polka
7. Širom – A Washed Out Boy Taking Fossils from a Frog Sack 
8. Bastarda – Achar  
9. Księżyc – Kapkowa
10. Remek Hanaj feat. Tade Sudnik & Paweł Nowicki – Carpet
11. Pole – Radom 
12. Berjozkele ] – A yingele, a meydele / A little Boy, a Little Girl
13. Iva Bittova – Zeleny vineček / Green Maidenhead

Image: Jan Stanisławski - Orchard (1890)

https://skylab-radio.com/shows/off-the-edge-e7

Off The Edge E7 - Remek Hanaj (Księżyc)

ANADOL "ÇürüyenYıllar"

Chopin, Morton Feldman, Satie, Schifrin ….

soFa elsewhere on Alhara

Radio Alhara

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