Pour cet épisode d'Esope 21 le collectif Urlo fest c’est le duo XAXI qui prend les commandes. Composé de Ernesto González Róndon (aka Bear bones, Lay low) et de Clarice Calvo-Pinsolle (aka Lamina, une des fondatrices du collectif Urlo fest) ils nous font écouter deux heures de sons composés à partir de musiques samplées et rejouées en direct avec différents effets mélangées à plusieurs sessions d’improvisations du duo enregistrées à Bruxelles.

Esope 21 - Urlofest w/ XAXI (Bear Bones, Lay Low & Lamina (24.03.21)

New showww alertttt! 🍾 blech’s La Flûte Vertébrale Episode #1 with poems by Lisa Jeschke
This is the first episode of the new bi-monthly show „La Flûte vertébrale“ on Mutant radio.
With each show the work of a different contemporary poet will be introduced. The opening appearance is by Lisa Jeschke. She is writing poetry, making performances and is co-publisher of the Chapbook-Series MATERIALIEN. Her poem collection „Die Anthologie der Gedichte betrunkener Frauen“, which means „The Anthology of poems by drunk women“ was released in 2019 in hochroth Verlag All the poems for this show were taken from this collection. She is right now working and producing more texts.

BlechLa Flûte Vertébrale w. Blech Episode #1 [26.05.2021]

Rules of the game: A player receives the last 2 minutes of sound from the previous participant, without any further information on the duration and content of the session. This fragment then becomes the beginning of its own session. Each participant will have only one day to make his or her own sound session.

SPMDJ invite > Oko dj 
Oko dj  > DJSCAR
DJSCAR > Schmil Blick 
Schmil Blick > Erevan DJ & Angela

Diktyologia #6 w/ SPMDJ, OKO DJ, DJSCAR, Schmil Blick, Erevan DJ & Angela

A Million Pieces #2 w/ Belia Winnewisser (14.11.2021)

Our next honorable invitee Wosto is a distinct artist of many talents, styles and accomplishments. Wreaking havoc as one half of the duo Fallbeil, releasing raw and hypnotic solo works in the depths of the underground as well as his own imprint Teerpappe, performing and DJing all over Europe and steadily maintaining a love for all things musical, Wosto presents the following vinyl-only two hour adventure as an insight into his extensive collection of records. The inside features a dynamic array of esoteric, kaleidoscopic, krautrock-minded electronic experiments and dancefloor-ready eccentricities.

@wosto

INSURGENCY

Insurgency podcast 025 - Wosto

https://soundcloud.com/chlorys is a peculiar dj and visual artist from Bucharest / Romania. She hosts the Alien Flora mix series [Noods Radio] exploring terra incognita and Weltschmerz. Here she unravels a haunting tale of love and turmoil like a sombre and ethereal journey through rites of passage. As description, this passage from one of her favorite poems as of late, "Planetarium" by Adrienne Rich

«	I am bombarded yet         I stand

I have been standing all my life in the   
direct path of a battery of signals
the most accurately transmitted most   
untranslatable language in the universe
I am a galactic cloud so deep      so invo-
luted that a light wave could take 15   
years to travel through me       And has   
taken      I am an instrument in the shape   
of a woman trying to translate pulsations   
into images    for the relief of the body   
and the reconstruction of the mind. »

NOSE JOB 18 — CHLORYS

Panel with Lisa Blanning, Matt Colquhoun, Steven Warwick; moderated by Terence Sharpe

Thursday 30 January 2020
 CTM 2020 – Liminal 
Kunstquartier Bethanien, Berlin

The late Mark Fisher’s work, like all philosopher’s work, oscillated through different stages throughout his life. Starting in cultural-studies, to philosophy under the CCRU, to cold rationalism to anti-capitalist critique, Fisher's work was a project of constantly trying to come to terms with a world that begged belief, as is the case with the evolution of any intellectual worth their salt. There was throughout all of this a constant undercurrent indebted to psychoanalysis.

For Fisher the idea of world-building came with responsibility, something his work takes into great consideration with very sincere care. As he described in his later writings, the socio-political disease of our time is that of pervasive stasis in a rapidly accelerated culture. If we take the liminal as that which can occupy either side of a boundary, that which acknowledges complexity, then we see an opportunity perhaps to the deadlock of binaries presented by the worst trapping of the contemporary right and left.

This panel takes as its kernel the concept of Egress, a word used by Fisher to describe the exiting of the current cultural malaise through analysing the politics of teleology and collectivism. Liminality itself must be critiqued with the urgent need for determinacy in mind. Perhaps a solution to the pitfalls of liminality is that of determinacy, that cultural production must operate within a strong pedagogical model if it is to make its way out of its liminality. Fisher postulated that what was required for real transgression was a reprisal of the spirit of a world that could be free, to go beyond the beyond the pleasure principle.

Presented with transmediale.

CTM 2020: On k-punk—Egress and the Fisher Function

Today @futura_artists is kicking in with some of their talented artists. The takeover will be opened by Valentina Magaletti, a drummer, composer and percussionist. Valentina was born in Bari, Italy, and is based in London.

In her current project, Vanishing Twin
(Fire Records) she has a more conventional jazz approach that finds its escape in the

drone/field recordings of the percussive approach in her other main experimental/avant-garde duo Tomaga.

Valentina Magaletti [Futura Agency Takeover]

played & recorded @ temp. RBW Studio, Rote Fabrik, Zürich - CH
#rfsc.ch
https://soundcloud.com/beliawinnewisser
@zweikommasieben

RBW Summer Residency 2020, Zürich - CH

 played & recorded @ temp. RBW Studio, Rote Fabrik, Zürich - CH #rfsc.ch   RBW Summer Residency 2020, Zürich - CH 

Belia Winnewisser | Präsens Editionen - zweikommasieben | RBW Summer Residency 2020 - 09.07.2020

Had a very special guest for my last rosi96.de radio show in 2020 _ thx kili _ @kilianpaterson

rosi96.de Nr. 14 w/ Kilian Paterson

THE HIBERNATION SENTINEL

Philipp Zöhrer is interested in moments and atmospheres of collective ecstasy, in which a dancing audience gets into. Empty rooms, like those created everywhere by the corona epidemic, attract him equally. He takes us to the church ruin of Wachau at the outskirts of the city of Leipzig, where he is currently living. Exclusively for the Kunsthalle Darmstadt, the scenery is accompanied by a compilation of post-punk and wave music, whose melancholic and hypnotic sound takes you back to mythical times.

Curated and documented by Louis Baca and Johanna Weiß.

Philipp Zöhrer @erdball, The Hibernation Sentinel, 2021, videostill, HD video, 30:00 min., © Kunsthalle Darmstadt, Philipp Zöhrer, 2021

DE

THE HIBERNATION SENTINEL

Philipp Zöhrer interessiert sich als Künstler für Momente und Atmosphären der kollektiven Ekstase, in die zum Beispiel ein tanzendes Publikum gerät. Menschenleere Räume, wie sie durch die Corona-Epidemie überall entstehen, ziehen ihn gleichermaßen an. Er nimmt uns mit in die Kirchenruine Wachau, die in seiner Wahlstadt Leipzig steht. Exklusiv für die Kunsthalle Darmstadt wird die Kulisse der Kirchenruine mit einer Compilation aus Post-Punk und Wave Musik untermalt, deren melancholischeu und hypnotischer Sound in mythisierte Zeiten zurückversetzt.

Kuratiert und dokumentiert von Louis Baca und Johanna Weiß.

Philipp Zöhrer @erdball, The Hibernation Sentinel, 2021, Videostill, HD Video, 30:00 Min., © Kunsthalle Darmstadt, Philipp Zöhrer, 2021

Compilation featuring / Compilation mit:

The Beat Club – Security (Chants I)
Ian Boddy – Living In A Ritual
Casino Shanghai – Le Tombeau D'Edgar Poe
Shazam – Memories
Mark Shreeve – Night Church
Reservé – Destination Pour L'inconnu
In Trance 95 – Desire To Desire
Kym Amps – You Love Me
Vorgruppe – Mensch im Eis

First Friday Podcast 06 – Philipp Zöhrer

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they say it's nothing.
they say it's a bias.
We can hear it though.
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Belia Winnewisser | Präsens Editionen - zweikommasieben | RBW Summer Residency 2020 - 09.07.2020

Radio Bollwerk

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