Radiophrenia 2015 broadcast excerpts

Ejercicio sonoro realizado para Radiophrenia 2022

Descosiendola - Radiophrenia 2022

descociendola

Mobile Radio residency - Glasgow Calling Scale live with Elina Bry
At the CCA Glasgow, Creative Lab
Performed on 15 February 2022 for Radiophrenia 2022

In collaboration with Radiophrenia and the Goethe Institut Glasgow ‘Mobile Radiophrenia’ is a cultural exchange and radio residency that will result in five new live broadcast works. The artist duo Mobile Radio (Sarah Washington & Knut Aufermann) from Ürzig in Germany have been invited over to work with five Glasgow based artists or artist duos on an intensive daily collaboration that culminates in a live radio performance.

Mobile Radiophrenia Residency - Collaboration with Mobile Radio

Audio Archaeology Series Volume 3: Brest

Sheet Erosion is the third episode in a series of works based around ideas of audio archaeology and found sounds. The setting this time is the city of Brest in France.

The piece is comprised of field recordings made in early 2020 during the storms Ciara and Desmond plus a batch of found open-reel tape recordings dating from the 70s and 80s. The tapes include domestic home recordings but mostly document the recordist, Michel’s tastes in music and radio programmes of the time. Daily life bleeds into these lo-fi recordings of radio and TV shows. Captured with a mic in front of a speaker rather than directly cabled, ambiguous activities can be heard in the background; babies crying, feedback, chairs scraping and muffled conversations.

In the composition family histories and musical tastes are transposed over a more contemporary soundscape of Brest. Over-saturated tape distorts time as well as sounds. Speeds change. Chronologies become confused. Different instances in time are blended and fused. What seeps through these chronological crevices are events and incidents unmoored from linear time taking place in a chimerical non-space.

Empire Of Dampness

Renditions Of The Beat - A Resuscitation Recital

Back in 2012, I wanted to acquire a reel-to-reel machine suitable for editing tape with. Various online forums mentioned people acquiring machines from hospitals when on-site hospital radio was the norm. Taking a shot in the dark, I sent an e-mail to every hospital in Glasgow. To my surprise, Southern General Hospital replied saying that they had two Otari-MTR 10 machines along with 30 or so tapes. Presented here is a mosaic of sounds from those tapes ranging from everything between radio plays, ads for discotheques, interviews with patients, news reports and excerpts of popular tunes from the day

Biography

Thomas Leyland-Collins is a sound/installation artist based in Glasgow, Scotland. Since 2012 he has hosted several mini-FM Transmitter workshops based on the teachings of experimental radio artist Tetsuo Kogawa. Over the past few years he has been involved with creating the soundtrack for local artists short films. Some of his field recordings are featured on the album A Silent Swaying Breath (Audio Gourmet Netlabel). Alongside creating his own instruments and assorted microphones, his work ranges from using found sounds to creating installations which react with and engage the audience within a space utilising radio and various micro-controllers. 

Thomas Leyland Collins - Cornucopia (excerpt)

In the 1950s and 60s a scientific report compiled by the record industry stated that teenagers, due to their very short attention span, were unable to listen to a piece of music that lasted more than 2 minutes 50 seconds. This is perhaps one of the reasons that rock’n’roll and pop songs from that period only last around 2 minutes 35. In 1967 Sylvie Vartan sung the song “2 minutes 35 de bonheur” (‘ 2 Minutes 35 of pleasure‘). With this in mind we decided to make life - and listening to music - easier for the ageing adolescents of yesteryear. We sampled hits from the 1960s and 1970S, some are easy to recognise, others not. We then played these loops on radios and ghettoblasters in different places around Paris. Whilst the loops were being played DinahBird, in the manner of a radio continuity announcer, filled in the pauses and described what she saw going on around her. We call them : Pop Field Recordings.

Biography

Jean-Philippe Renoult is a writer, radio producer and sound artist. DinahBird is a radio artist living and working in Paris and London.

Links

http://www.radio1001.org/

Dinah Bird & Jean-Philippe Renoult - 2min 35 (excerpt)

Vikki Morton - Yugawara Station

Mein Name Gisela DK9JE

I’ve been doing quite a lot of research into ham radio and recently stumbled across a couple of SSTV images featuring a woman called Gisela, call sign DK9JE. After a little more investigation, I found this post on a forum:

Hallo Gerd, Du wirst es wohl nicht glauben, aber manchmal schaue ich zu, was Theo so am PC macht. Das ist eine gute Sache, denn dann geht er nicht so oft in den Keller zum Bier trinken hi. vy 73 Gisela DK9JE

Eintrag vom: 01-Feb-2005

Eingetragen von: Gisela Linder DK9JE

It says ‘hello Gerd – you won’t believe it but I’m sometimes watching what Theo gets up to on the PC. Its good, because then he doesn’t go down to the cellar so often to drink beer.’

Mein Name Gisela DK9JE is an experimental radio play featuring the character Gisela, a YL living in Berlin. The play will be made up of a mix of narrated text (spoken by myself) and SSTV sound signals and images. Gisela DK9JE is a middle--‐aged woman whose husband, OM Theo, is more interested in his hobby (and beer) than in interacting with his wife. As her relationship with OM Theo fades, she whiles her time away communicating with ham radio antenna she finds erected throughout the city.

If she can talk to the antenna, the physical forms housing her husband’s voice, then maybe there’s still hope for reconciliation. The piece is a combination of fiction and reality. Gisela’s story is (partially) concocted, but the dialogue she has with the antenna is essentially the sound of B/W sketches and detailed observations of real ham radio aerials around Berlin, converted into bitmap images and transcoded into SSTV sound signals.

Biography

Catriona Shaw is a Scottish artist and musician who grew up on the Orkney Islands and is now based in Berlin. She has been in a number of bands including Queen of Japan, Club le Bomb / Miss le Bomb, Hektor & Rositha and has exhibited and performed internationally. She is also involved in a number of education projects, including the 2--‐year art education project ‘Kombiticket’ at the NGBK, Berlin and gooeyTEAM.

Links

http://www.misslebomb.net



Catriona Shaw - Gisela Dkj9e (excerpt)

Radiophrenia ident 26.WAV

Second Sketch for Larry Shipping - live at CCA< Glasgow, as part of Radiophrenia, 5 September 2016. Starring Tam Dean Burn (voice) with  Ed Baxter (text, direction, electronics), Peter Lanceley (electric guitar, voice, melodies), Kim Moore (viola) and Milo Thesiger-Meacham (electronics). 

Second Sketch For Larry Shipping

A Hörspiel triptych of psychic melodrama, set in a London both past and present:

1. Greenwich Aggregates - 2. The Three Compasses - 3. A Blackened Emirates.

Disparate narratives coalesce in a trail of crime and misdirection stretching across the city, leading us ever closer to an unknowable truth. Everything connects, nothing is reconciled. “Only now & then, something would make me remember…”

Musical interludes courtesy of Bernard Herrmann’s Concerto Macabre.

Debuted on Radiophrenia 87.9 FM (Glasgow) - 29/08/16


Hörspiel

A London Noir

A riotous mash-up of endings, goodbyes and farewells… that refuses to be silenced.

Produced for Soundproof (ABC Radio National, Australia) and Radiophrenia (Glasgow) 2017

The End

Voice-over: Victoria Chen Wei

Narrative sound work, focusing on how the body, the mind, and technology become entangled within inter/intra-personal relationships. The piece is inspired by interviews with my brother regarding his use of GECI viruses to map neural networks, the parallels of working within a hermetic studio and laboratory, and the possibility of slipping into the voices in one’s head. The narration leads the audience through nine hallucinatory episodes within which the narrator slips in and out of consciousness, losing the ability to distinguish inside from outside, body from space, and itself from the ‘you’ it is addressing. By playing with the desire to become-with another, the machine and space, the work addresses notions of personal agency.

Aired as part of Radiophrenia 2017, Radio Space Borealis (Bergen 2018) and Wave Farm (London 2019)

eeeeeeeee Excerpt

Welcome to the first episode of our new podcast series. 

Across this series, Gareth K Vile (Theatre Editor of The List Magazine. He also blogs wild critical theory) will chat to some of the amazing people who make, produce and contribute to our programme; from artists, curators and programmers, to community organisers and social clubs. We'll take a deep dive into exhibitions, gigs, performances and events - exploring the ideas and ethos that underpin our approach to Open Source Programming and how you can get involved. 

In this episode, we hear from CCA Director Francis Mckee; exhibiting artist Shadi Habib Allah; Take Me Somewhere producer LJ Findlay-Walsh; the 'Torvill and Dean of the avant-garde', Radiophrenia producers Mark Vernon & Barry Burns; and Glasgow-based Mexican artist, Catalina Barroso-Luque.

Francis Mckee - (50s) 
*Music* - Otoboke Beaver | *Suki Suki Darling* (14m 03s)
LJ Findlay-Walsh - (16m 48s)
Shadi Habib Allah - (24m 08s)
Mark Vernon & Barry Burns - (37m - 13s)
*Sound* - Radiophrenia excerpt -  (42m 20s)
Catalina Barroso-Luque - (49m 55s)

Thanks to everyone who participated in this show and to Unclassed Media & Sunny Govan Community Radio.

CCA Podcast #1|Francis Mckee/Shadi Habib Allah/Take Me Somewhere/Radiophrenia/Catalina Barroso-Luque

Radiophrenia is a temporary art radio station – an exploration into current trends in sound and transmission arts. Broadcasting live from Glasgow’s Centre for Contemporary Arts, the station aims to promote radio as an art form, encouraging challenging and radical new approaches to the medium. The broadcast schedule will include live shows, pre-recorded features and a series of ‘live-to-air’performances. The majority of the programme will be made up from selections submitted to an international open call for sound and radio works.

Broadcasting across Glasgow on 87.9fm, and online at www.radiophrenia.scot 

Supported by Creative Scotland.

Dinah Bird & Jean-Philippe Renoult - 2min 35 (excerpt)

Radiophrenia

Related tracks