https://radiopunctum.cz/shows/neo-violence

Tracklist:
Wunderblock - Achilles And The Tortoise [Wunderblock] 
Kletis - Appetence 
A-Sim - Social Network [Blue Night Jungle] 
Space Drum Meditation - Fangs Of Gold (Mateo Hurtado Remix) [SDM] 
Elliott - Loose Tooth [Ritual Poison] 
Luca Lozano - BreakBleep [Super Rhythm Trax] 
Hooverian Blur - Sirens [Sneaker Social Club] 
Yosh - Go With It [Hot Haus] 
Zoo Look - Rush [E-Beamz] 
Issu - Geodesic [Science Cult] 
DJ One Time - VeChain [E-Beamz]

NEO VIOLENCE 02/22 by dMIT.RY

Vinyl mix.
All tracks are selected and mixed by Foreign.

Tracklist:

01 / Autechre - Nine [WARP]			
02 / Brainwaltzera - Fwd Re Late (Ref. Karoshi) [FILM]
03 / Mira Calix - A Pinprick Away [WARP]
04 / Mause - Funky Smoj [ARTIFICIAL INTELLIGENCE]
05 / Moderat - Milk [MONKEYTOWN]
06 / Arcanoid - Espora	 [SEMANTICA]
07 / Verbose - Themeshark	 [NEO OUIJA]
08 / Burial + Four Tet - Moth [TEXT]
09 / Burial - Street Halo [HYPERDUB]
10 / Rhys Celeste - Untitled 23 2 [FUNDAMENTAL]
11 / Estrato Aurora & Siarem - Peace [HC]
12 / Aphex Twin - Delphium [APOLLO]
13 / Scanner - 915.675 [NEW ELECTRONICA]
14 / Boards of Canada - Amo Bishop Roden [WARP]
15 / Instra:mental - Pyramid [3024]
16 / Maelstrom - Acid Zdoch [ACID AVENGERS]
17 / Roel Funcken - Borgon Cray [ANALOGICAL FORCE]
18 / Daed - Reckoning [ANALOGICAL FORCE]
19 / Autechre - Weissensee Against Im Glück [WARP] / (45 rpm)

Pleasure & Disorder Vol. 1

Another electro edition of Astral Projections - all about sentient A.I.  Originally aired 6/17/22 on Intergalactic FM Dream Machine. 
Tracklist:

Money Morning - American Pharoah
Morgan Geist - Postcast
Ryuichi Sakamoto - Landast III (NHK 1982)
[Cowboy Bebop - Jamming w/ Edward]
Cats on Mars - The Seatbelts (DMX Krew remix)
Carl Finlow - Vorlon
Roel Funcken - Tychon Donodus
Permutation - Inner MOtion
Cignol - Future State
MOY - Helicoprion
Luxury w/ AV - Interlock (Glass Domain cover)
[Cowboy Bebop - Jamming w/ Edward pt 2]
[BBC Interview]
General Translator - Vapor Rendering
Dispo 5000 - Time After

Astral Projections 32 - Robot Empathy Crisis

Demi-Monde started off in 2016 as a party series… from cross-périphérique basements to *Ambient Sessions* in abandoned rehearsal spaces, and massive club nights at La Machine du Moulin Rouge, La Rotonde Stalingrad and Concrete (Paris).

"Aurèle & Friends Vol. 1" is a tribute to the friendships I have built over the years within the electronic music scene. The result is a polychromatic bouquet of club tracks, oscillating between electro, breaks, rave and trance.

All tracks produced between Paris, Copenhague, Berlin & Montreal. Curated through friendship.

https://aurele-demi-monde.bandcamp.com/album/aur-le-friends-vol-1

Rinse France Podcast

Fareed : Takeover Aurèle & Friends - 29 Juin 2022

Watch on YouTube: 
https://www.youtube.com/watch?v=ZEh44iwI83o&t=1174s

Tracklist:
Polygonia - Gaping Void [Melantónia] 
Banishsh_sgi - ??? (Unreleased)
Flora Yin-Wong - The Sacrifice [First Light]
Asmus Tietchens, Miki Yui – Neues Boot [TAL]
Ambasce - Diga [DISSIPATIO]
Ben Vida and Lea Bertucci - Gasps and Spasms [Cubachrome Editions] 
/Beyond/ - Itzehecayan [Eotrax]
nknwn - Untitled [NKNWN]
Mistareez - i’ve been in a church i've been in my room [Angels Never Expire]
Elodie - II [A Colourful Storm] 
Barkum Deer - Clik Lik [First Light Records]
Eric Lanham - Loblolly Stroll in Trio [Soda Gong]
SIMO CELL & ABDULLAH MINIAWY - Weed In The Freezer [BFDM]
ben bondy - A Certain Breeze [Experiences Ltd.]
Tobias. - The Mirror Blind [Concentric Records]
Visio - FADO DO EX Í LIO [Artetetra]
Notte Infinita - Flux (Unreleased)
XIX - Have Not (Concrete Records)
Faithful - Orphan of Desire (Not On Label)
Lithops - Formationen A1 [A-Musik]
Jigen - 四 番 勝 負 対 次 弦 三 求 敗 (Remastered) [Double Circumflex]
XENIA REAPER - SPECTRAL LOOSE [XENOPLEX]
xpedient - E0010 (GOD69 Remix) [Entangled Visions] 
xtclvr - untitled [Self Released]
Ilaria Graziano & Murcof - Il Mondo (Jimmy Fontana Cover) 
Junya Tokuda - Signifiant [Remodel]
Autechre - Nine [Warp]

🌱

Melantónia - Mattia Onori | HÖR - Sep 5  2022

Veelargo is a Spanish electronic music producer based in Poland (Krakow) since 2016, after living in England for two years. 

He became interested in music as a teenager and his passion for it led him first to DJing and gradually to producing. His influences are very varied and range from IDM, Ambient, Electro or Techno, to Krautrock, EBM or Post Punk. 

For Veelargo, composing electronic music is synonymous with absolute freedom and he considers it as a constant learning process, following a certain discipline based on constancy to learn and improve his technique.


Veelargo es un productor de música electrónica español que reside en Polonia (Cracovia) desde 2016, después de haber vivido en Inglaterra dos años. 

Empezó a interesarse por la música siendo adolescente y su pasión por ella le llevó primero a pinchar y gradualmente a producir. Sus influencias son muy variadas y van desde el IDM, Ambient, Electro o Techno, al Krautrock, EBM o Post Punk. 

Para Veelargo, componer música electrónica es sinónimo de libertad absoluta y lo considera como constante aprendizaje, rigiéndose por cierta disciplina basada en constancia para aprender y mejorar su técnica.

@veelargo

Tracklist:

Funckarma - Barsoom [Funcken Industry]
Extrawelt -  St. Morley [Cocoon Recordings]
Anthony Rother - Maschinewelt [PSI49NET]
Blawan - Lavender [R&S Records]
Tura - Soft Key [Warp Records]
Autechre - Crystel [Warp Records]
Plaid - C.A [Warp Records]
Vortex Count - Quoda Vhe [Artificial Intelligence]
Orbital - Spare Parts Express [FFRR]
Veelargo - Lavalab [self release]
Nüw Idol - Union of llk [Plink Plonk Records]
Dwaallicht - Humidex [Analogical Force]
Two Lone Swordsmen - Neuflex [Warp Records]
Orbital - The Box (Part 2) [Internal/FFRR]
Lobe - Affective [Swim]
Curve -  Falling Free (Aphex Twin remix)[Warp Records]
Anodyne - Before Chaos [Analogical Force]
Balil - Small Energies [Rising High Records]
Autechre - Piezo [Warp Records]

ZYRCADIAN EDITIONS MIX #036 - VEELARGO

@dans-market

Interface is for interaction. Skalm creates an interface enabling her to communicate, to connect and to share. During her next musical information exchange, she is interfacing between light and dusk. Tune in for some warm feelings inside.

Skalm has been hiding as a half of Dans Market, the unknown Prague duo, slowly getting ready to leave the shelter

Mark Lando – Et Web [Total Silence]
modular_juns – u [Hivern Discs]
res_és_nostre – maruja mallo [Hivern Discs]
Tagliablue – Forza Gravitazionale [Invisible Inc]
Exhausted Modern – Notions of Causality [brokntoys]
phil in a maze – soft core
Voice Actor – Battling Dust [Stroom]
IC-RED – ROJO / ROOD [South of North]
Hari Sima – Cuando sonaban las caracolas [Objetos Perdidos]
Nikolajev – Stifled [Muscut]
Piezo – Xxx^_^x [Wisdom Teeth]
Cardopusher – Matter of Conviction [Modern Obscure Music]
Leo James – There’s No Trauma Here In Space, But You’re Welcome To Cry If You Want [Big Science Records]
res_és_nostre – barcelona crema [Hivern Discs]
Voice Actor – Badman [Stroom]

Interface 5 w/ Skalm

First half: Max Jaarte @maxjaarte
Second half: Elina Tapio @elinatapio

Tracklist available at www.idaidaida.net

Transient Sequence w/ Elina Tapio 08.11.22

Tracklistings Radio Show #066 (2022.12.14) : Scape One (After-hours) @ Deep Space Radio

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Every Friday at 9AM (EST)
▶︎ https://deepspaceradio.com/
▶︎ @tracklistings3-0

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Kurt Baggaley, also known under the alias as Scape One is an Electronic music producer from England. Having started music production as far back as the 80's it wasn't until the 90's with the advent of the new generation of contemporary electro and techno producers that Kurt began to release for various labels and as guest productions with Transparent Sound.

Preferring not to be tied to an genre and drawing influence from the Berlin School, Cold Wave, early 80's Electro, Italo, Deep House, IDM and injecting everything into the melting pot.

With notable releases over the years on World Electric, Elektrix, Satamile, Emoticon, SCSI-AV, Southern Outpost, Drivecom, Cultivated Electronics, Brokntoys, CPU and Believe In. Since 2011 Kurt has used his real name to produce a more personalized and unique sound with the notable releases on SoHaSo, A Must Have and Chapter 24.

Kurt still produces Electro as Scape One and uses the name Tau Sagittarii for his Ambient synth music.

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Tracklist :
01. Infravolt – In Transition
02. Scape One/Kurt Baggaley – Simple Explanations
03. Marsheaux – Heaven
04. Tycho – Systems
05. Bibio - Petals (Ha Kwai Remix)
06. XY0815 – BOQ
07. Atom – Empty
08. Scape One/Tau Sagittarii – Dyson Swarm
09. Lucky Sun ft Debris – I Wanna Live
10. Double Knots – Double Vision (Toby Tobias Remix)
11. Koova – Is this Machine Recording?
12. Nosaj Thing – Us
13. Scape One/Tau Sagittarii – Cygnus
14. Tycho – Send & Receive (Chachi Jones Remix)
15. Scape One – Blimp Song
16. Turner – After Work (Carsten Jost Remix)
17. Scape One – Look Around
 
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Follow Scape One :
Soundcloud : http://soundcloud.com/scape-one 
Facebook : www.facebook.com/scapeone
www.facebook.com/kurtbaggaleymusic/
www.facebook.com/TauSagittarii/
Beatport : www.beatport.com/artist/scape-one/15315
Bandcamp : http://scapeone.bandcamp.com/
Youtube : https://www.youtube.com/@KurtBaggaley/videos
www.youtube.com/user/adaptiveprograms
Mixcloud : www.mixcloud.com/scapeone/
Instagram : www.instagram.com/kurtbaggaley/
Linktree : https://linktr.ee/scapeone

Follow Deep Space Radio :
Facebook : www.facebook.com/deepspaceradio365
Instagram : bit.ly/37P3YbE
Mixcloud : bit.ly/3Nhx2HV
Twitch : bit.ly/3MpA1OG
Twitter : bit.ly/3Ptkter
Website : www.deepspaceradio.com

Deep Space Radio

Tracklistings Radio Show #066 (2022.12.14) : Scape One (After-hours) @ Deep Space Radio

Today we have Christopher Lombardo as our guest. He is a composer, sound designer, and art director from Ft Lauderdale, Florida.

Which artists has influenced you the most?

- A lot to unpack in this question. 3 artists come to mind. When I was 11 years old, I was awakened to music and its power by Slipknot, which eventually lead to a love of extreme metal (death, black, doom, etc - metal was my first true love and that still shows). It was a chance encounter with a dude a full grade older than me. He walks up to me in Spanish class and says "here you need this" ... and hands me the Iowa record. They say life boils down to a few moments. This was one of them.
When I was 15, NIN inspired me to take production more seriously and that music didn't need to revolve around guitars and be angry all the time. Emotion was okay, and the spectrum of emotion did more for the music than just adolescent rage.
Around the age of 19, my group of college friends began experimenting with psychedelics, and coincidentally was around the time I stumbled into the Warp records. I think these two factors took me away from song and rock music completely. Prior to that I was still very much cemented in a "song" mentality. Squarepusher rocked me to my core and had me reevaluating all of my musical experiences and understandings I held at that point. I remember it feeling like a dam of inspiration had just burst - I didn't have to make traditional dance music, but I didn't have to be in a traditional band either.

What new projects/releases with your participation are expected in the near future?

- A small remix EP of my last release "Cephalgian" will be wrapped up once the final tracks are complete. I'm very much looking forward to Mitoma and Daed's interpretations, but will also feature some new tracks. I am working on a follow up EP but that has no concrete details to announce.

Which artists/labels is more relevant to you now?

- These days I find myself listening mostly to stuff outside of electronic music. I'm heavily into soul, folk, funk during my work day, actually. I find myself just enjoying the music vs analyzing (which is what happens when I listen to electronica (or metal)). While I was in the last round of production for Cephalgian, I was exclusively listening to acoustic guitar based music because it was so far away from what I was doing. The simplicity of just 3 chords and a voice is just fascinating to me - it's something I could never do.
There is so much music being created these days, and it is available to us so readily, it is harder and harder for me to sit down and connect with it.
Some recent discoveries or heavily repeated listens are:
AI Lover, Justin Townes Earle, Tonto's Expanding Head Band, Dave Van Ronk, Zamilska, Portal, TENGGER, Objekt, Skee Mask, Ital Tek, Street Sects, Spectral Voice, Bongripper, Junior Kimbrough, Dr John and Dragged Into Sunlight.

What inspires you now to create music?

- In my younger days I think I would've tried to say something profound here.
As an old man with more perspective? I've had an instrument in hand since I was 8 years old and  I don't think I'd be the same person without the music. It's an escape, I think about it all day, every day, and am in love with all it brings to my life. The tinkering, the artistic demands of crafting a track, the nerdiness, the unending search for something that's just out of reach, that deep understanding with other musicians, the hours and hours of debate with my friends, the gear collection.... the obsession.  I could go on and on - simple fact is, I fucking love music. I want to be part of it and live it and breathe it... that's more profound than inspiration to me.

What set-up do you use when creating music?

- My setup is forever in flux...especially my live performance gear. Since 2008 I've been producing almost exclusively on the computer but recent years have seen some eurorack addiction.

@christopherlombardo
https://christopher-lombardo.bandcamp.com

Strange But Dance Music LIVE #13: Christopher Lombardo

It is undeniable that we are living in uncertain times. For those of us failing to fit the patriarchal neoliberalist mould, we have lost hope in the future. We can see capitalism is not working but we cannot yet envisage an alternative. In a world where security is no longer feasible, the only constant we can rely on is change. Regardless of one’s point of reference, we can understand that every aspect of life, physical and mental is in flux and perhaps this transience is the only thing we can depend on.

This month we have invited @jinsynth to ruminate on these ideas and create an hour of relief from these anxieties. A temporary suspension of reality, where the listener can speculate on alternate modes of existence that reject hetero-patriarchal systems of oppression.

Jin is a DJ and synthesizer performer who mixes elements of ambient and techno. Her performances focus on creating artistic abstraction through the use of experimental sounds and analogue noises, to provide audiences with a deeper perception of music.

Photography by Janusz Lorent 

To listen to the original radioshow (with talking + tracklist) head to: https://cashmereradio.com/episode/transience-33-with-lou-drago-and-jin/

transience #33 with Jin

Founded in 2015, Radio Punctum is a community radio platform based in Prague, Czechia. We support our network of local and non-local music enthusiasts, DJs, talk show hosts, and live musicians with a radio platform that celebrates and reflects their diversity, both online and in person at Tendance Listening Bar. All shows are archived on our website.

NEO VIOLENCE 02/22 by dMIT.RY

Radio Punctum

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