A Mix of some stuff i like..

Circle Traps - Fjord
Facta (feat Hodge) - Tungsten
Minor Science - Hapless
Jonas Woehl - Stockholm
General Ludd - Burning Mack
Jamie XX - Sleep Sound (Edit)
Dark Sky - IYP
Sam Matters - Weight Off My Mind
Margot - My Sisters (Edit)
Calibre - Getter Go
Yasuharu Motomiya - Niigata
Radioactive Man - Gugs (Christopher D Ashley Morphine Remix)
Nubian Mindz - Hacker Wacker
DynArec - Safe Scouting Guide (RadioNasty Remix)
Invisible Conga People - Can't Feel My Knees
Baba Stiltz - Transit
Wesley Matsell - Bismuth

Extrawelt is "Not A Deejay" Mix1

Extrawelt - Live at Anti Pop Music Festival 2007-08-10

Extrawelt - Live @ Time Warp 2017

My opening of Sisyphos'Hammahalle on Saturday night!
No words to describe how it feels playing on that dancefloor!
thanks to all the dancers <3
enjoy!

Download

manel cluny - Halloween @ Hammahalle, Sisyphos, Berlin - 28/10/2017

Ce podcast de la semaine est signé par un duo de producteurs allemands, à l’origine de quelques uns des plus excitants lives électroniques de ces dernières années : Extrawelt ! Un petit Pearson Sound par ci, un London Modular Alliance par là, et voilà qu’Extrawelt nous balance à la fois dans une warehouse pour écouter de la grosse techno, ou directement dans notre canap’ en cas d’insomnie et d’envie d'ambient. 
Plus d'infos et téléchargement gratuit du podcast =>https://www.tsugi.fr/tsugi-podcast-481-extrawelt/

Tsugi Podcast 481 : Extrawelt

Extrawelt live @ Loft Electroclub, Lausanne - Switzerland

Extrawelt live @ Loft Electroclub

Took me only 5 years but finally managed to make Mix 2! :)

Dold - Intro (Arsenik Records)
Carl Finlow - Descent (Craigie Knowes)
Second Storey - No Such Location (Marcel Dettmann Negative Remix) (Houndstooth)
HLLW - Bølge (Mörk)
Anthony Rother - 2001 Nights (Ghost Archive)
Truncate - Wave 2 (Truncate)
Noah Gibson - Untitled (Convextion Remix) (Krasch Records)
Fanon Flowers - Hunt Patterns 5 (Mechanism Industries)
Animalistic Beliefs - Dream Journal Excerpt 57 (Solar One Music)
Desert Sound Colony & Baby Rollen - Dumpster Truck (Futureboogie Recordings)
Delta Funktionen - Moonstone Road (Cultivated Electronics)
Ryan James Ford -  Astrid Oelzant (ACR Records)
Brainwaltzera - Laif Of Smit (Film)
Extrawelt - Premonition Of A Flashback (Alternate Version) (Furthur Electronix)
Emiliano Comollo - POL (Land Of Dance)
Karenn - Kind Of Green (Voam)
Human Space Machine - Rebirth (AEX)
Moy - Megatherium (Batrachian)

Extrawelt's "Not A Deejay" Mix 2

Increasing the frequency :)
Here's Mix 3 ...bit all over the place this one but i hope you enjoy it anyway.

Tracklist:
Eliza B.C. - B1
Axefield - 140 Trak
Brassica - Coco Diaz
Floating Points - Last Bloom
Clouds - Fantazia 2003
Somatic Responses - Quchtk (The Exaltics Remix)
Asquith - Temple Runner
Deniro - Bhote Kukur
Tinfoil - Both Roads To Triogue (Stranger Remix)
Unbalance - Stolen Childhood
Tinfoil - Foil 5
Gaffarel - Kepler - 303 OCB Edit
Guava - Segelflugzeug
Etienne - Engage all Targets
Kosh - Null212
AFX - umil 25-01

Extrawelt's "Not A Deejay" Mix3

Extrawelt Mixtape for Art-Aud invites Furthur Electronix on Haus Radio

Bot1500 - Get Away From Home
Chupacabras - Perception of Time
N-Gynn - Take One
Otik - Clairvoyant
Finnaman - IFOK
Jodey Kendrick - Signal From Inside
Oasis Pyramid - Tracking
Ike Release - Full Restore
Inkswel - High All Time! (Edit)
Extrawelt - Eigensender (Edit) Forthcoming on Furthur Electronix
Dauwd - Idris
Narcissist - T3
Aleksi Perala - UK74R1721347
Solar - Five Seconds
Jeff Blank - Manifesto
Dam Mantle - Dublin (Edit)
Brainwaltzera - Copperfeel

Extrawelt Mixtape for Furthur Electronix

Boshke Beats is on, and we’re talking with Arne from the Extrawelt / Midimiliz duo, followed by a set made especially for the occasion.

Living and breathing electronic music for what has now been twenty years, Arne Schaffhausen and Wayan Raabe have carved out a piece of its history and showed us that in the vast spectrum of dance music, where the normal world ends, Extrawelt begins. Starting out as DJ’s, they found their pathway to production in the studio of fellow Hamburg natives, X-Dream. The inspiration they took away from these initial sessions soon pollinated into projects such as ‘Midimiliz', and ‘Spirallianz’; both of which gained remarkable success in the scene. However, it was in 2005 that they started a new project by the name of Extrawelt — marking a new musical trajectory. The very first production under this new moniker, `Soopertrack´ found itself in the hands of James Holden, who then released it on his revered Border Community label. This breakthrough single would pave the way for an exceptional career that includes a plethora of records, remixes and countless live shows at the most interesting clubs and festivals around the
globe.
With their debut album ’Schöne Neue Extrawelt’ garnering attention on both the dance floor and in the media, it was a telling sign of things to come when voted “Best Album 2008” by Groove Magazine and both “Best Album” and “Best Live Act” for the same year in Raveline. As 2011 rolled around, so too did their second album ‘In Aufruhr’ which was also released on Sven Väth’s label Cocoon Recordings and was as equally acclaimed as the first. Adding to the list of notable publications is Faze Magazine, whose readers’
poll awarded them “Best Live Act in 2014” — not surprising considering their live act has been defining them for over a decade and leaving permanent impressions on audiences everywhere. For the duo, each and every show is a chance to manipulate their sound in a flow of measured spontaneity — all while using gear that most people would keep tucked away in their studio. The result is a live-act focussed on purism and great care in presenting the deepest core of their sound — in essence; exactly what sums up their musical galaxy.
2017 marked a year of renewal in the Extrawelt realm. Besides their new studio and freshly curated live set up, their third album ‘Fear of an Extra Planet’ edged itself into the world and found new space to occupy with its focussed and to-the-point ten track oeuvre. And in late 2018 these studio addicts and sound benders will deliver their fourth album, fittingly titled ‘Unknown’ — a journey which deviates into unfamiliar territory. A
brave electronic composition, it hits a sweet-spot with their very own take on electro, while still dazzling us with depth and unique harmonics we have come to know of the pair. By default, this has summoned the arrival of what the pair enjoys doing most; playing live on tours throughout the world with music which continues to remind people of the purity of techno music’s past while shedding light on the sound of the future.

Listen to the interview here:
https://soundcloud.com/radiozora/extra-inter

EXTRAWELT on Facebook | Soundcloud
https://www.facebook.com/extrawelt.live/
https://soundcloud.com/extrawelt4real

EXTRAWELT | Boshke Beats Series #22 | 05/06/2020

This podcast is devided into two separate mixes: 

00:00-61:00: Thomas
61:00-end: Tassilo

PAN-POT on:
- Facebook: www.facebook.com/PanPotOfficial
- SoundCloud: @pan-pot

HOW I MET THE BASS on:
- Facebook: www.facebook.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass
- Instagram: www.instagram.com/howimetthebass

3 QUESTIONS to PAN-POT:

Q: Let's talk about your past and your mix. How did you get to know each other and later found each other musically? 

Tassilo: We both studied at the SAE in Berlin and got to know each other there. Due to the fact that we were both the only two people who liked Techno and House, the first connection was already done and successful anyway. At that time Thomas listened to a lot of Plastikman, Richie Hawtin and Robert Hood - the beginnings of Minimal Techno - and I came more from the Electro Clash / Gigolo corner. That was also our musical exchange, for which I am very grateful. We found our common passion pretty quickly after spending a lot of time in the studio, also with Marco Resmann. We developed our preference for reduced but also complicated beats in combination with sound effect structures. The time was awesome because we worked on individual track moments so long until the respective point in the track was perfect. That then changed to more linear production, which we still do today. The track selection for my mix includes important musical companions for me from around the age of 15. There were a lot of quieter things. 

Thomas: Back then I was listening to Hardcore (Thunderdome, Terrordrome) and Jungle. That was my electronic beginnings. My style was something between cheese and chop wood. The Techno mood came sometime later, when I was mobile and could go to Berlin to celebrate my first raves there. I've been falling into the whole thing pretty hard since then. 

Q: 2020 kicked us all out of our dreams. How did you deal with the shutdown of the entire industry and how did you use the time instead? 

Tassilo: I became a father in July 2020 and I am grateful that I was allowed to spend so much time with my wife and daughter. Otherwise it pretty much tore the ground under our feet. We had some financial saves, which we now have lost and we are quite disappointed with how little help there is for our industry. The question is also what we should learn from 2020. I'm not yet sure what the consensus will be here. Of course we used the newly gained time and worked on many new projects. 

Thomas: I was on a big trip in early 2020 and got stuck in New Zealand with my whole family (wife and two children). The lockdown came almost simultaneously all over the world. I found the time there very nice and I noticed which things are really important to me when work isn't there. Apart from the financial aspect, I don't think the Corona time is that bad. You get closer as a family and everything slows down. I kind of like that. This fast life as if in the fast lane no longer appeals to me. I'm curious how I will feel when it all starts again. 

Q: What are your plans for 2021? 

Tassilo: We are building a VR / XR show with which we can get back into social interaction with our crowd. And of course, we were in the studio a lot and produced a lot of music. But on this point we noticed how much we miss the feedback from the crowd and that unfortunately has a quite demotivating effect. We hope that from the beginning of 2021 something will return to normal and that we will be able to go out to the club pasture again. Furthermore, we are currently bringing Thomas' passion for gaming together with music and studio talk. But more on that later. 

Thomas: #letsplaywithdjs

Pan-Pot - HOW I MET THE BASS #192

https://radiozora.fm - We are all connected through the same frequency...

info@radiozora.fm

EXTRAWELT | Boshke Beats Series #22 | 05/06/2020

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