Tchaikovsky - 1812 Overture

David Loebel conducts the New England Conservatory Symphony in a performance of Rossini: Overture to William Tell. Recorded live in Jordan Hall October 9, 2013.

Rossini: Overture to William Tell

The Ride of the Valkyries is the second of the four opera, "Ring Cycle" by Richard Wagner.  It was written in 1851 and is one of Wagner's best known musical compositions.

Photo:  "In Old Norse mythology, the maiden attendants of Odin, who, at his command, rode over battlefields and bore the souls of the bravest of the slain to Valhalla, Odin's great hall." -Foster, 1921

The Ride Of The Valkyries by Richard Wagner

The Best Of Mozart

Highlights from the Internationally acclaimed soprano opera singer's new album

Casta Diva - Norma (Bellini)

Mozart - Marriage of Figaro Overture

Magnificat Anima Mea

Magnificat in D major
by J.S. Bach (1685-1750) - German Baroque period

performed by the chamber Chorus Anonymous
with Orchestra

Bach, J.S. - 1: Magnificat in D major (Magnificat Anima Mea) - chorus

Carmen Act IV

Волшебная флейта
В груди моей пылает жажда мести — вторая ария Царицы ночи
"Der Hölle Rache kocht in meinem Herzen" ("Hell's vengeance boils in my heart"), commonly abbreviated Der Hölle Rache, is the second aria sung by the Queen of the Night, a soprano coloratura part, in Mozart's opera The Magic Flute (Die Zauberflöte). It is considered to be one of the most famous opera arias, highly memorable, fast paced and menacingly grandiose. It is often referred to as the Queen of the Night's Aria despite the fact that the Queen of the Night character sings another distinguished aria earlier in the opera, "O zittre nicht, mein lieber Sohn".

Mozart - Die Zauberflote, K 620 Act II. Der Holle Rache Kocht In Meinem Herze(Konigin Der Nacht)

S. Ramey &amp; K. Moll &quot;The Commendatore Scene&quot; Don Giovanni

Bizet- Carmen - Toreador Song - Laurent Naouri

Diana Damrau - Queen Of The Night (Mozart: The Magic Flute).

The Chopin Fantaisie-Impromptu is one of those iconic pieces of the classical piano repertoire. It is arguably played too much so why have I added my performance? I think the infinite ways a piece can change in the hands of different musicians is actually very interesting. My version is fast but lyrical and I search for an unexaggerated and natural romanticism and warmth.

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

Fantaisie-Impromptu Op. 66 - Chopin

Johann Sebastian Bach: Violin Concerto in A minor, BWV 1041

Thomas Gould, violin
Senesino Players

Johann Sebastian Bach: Violin Concerto in A minor: 1.

More on YouTube: http://www.youtube.com/watch?v=9lKofYUaDTk

Chopin – Nocturne Op. 9 No. 2

Quia respexit humilitatem
(Soprano I/Oboe aria)

Magnificat in D major 
by Johann Sebastian Bach (1685-1750) - German Baroque period

performed by the chamber "Chorus Anonymous"
and chamber orchestra
with Oboe and Soprano Duet

Bach, J.S. - Magnificat in D major (Quia respexit humilitatem) - Soprano I/Oboe aria

BEETHOVEN 9th Symphony, JSO, Frédéric Chaslin

Jerusalem Theater, January 2nd, 2013. Live broacast from the Radio Kol Hamusica. jerusalem Symphony Orchestra, Frederic Chaslin, conductor.

BEETHOVEN 5th Symphony, JSO Frédéric Chaslin

I produced this track using midi and EW Gold Pianos in order to perfection the performance as I imagine it.

cla

rafael basanta