Ke Wuena Hrn 👌🏽🔮🎶🧙‍♂️🙌🏽

Como fan y admirador de esta gran banda, hace tiempo queria hacer un remix de este clásico tema de culto.

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As a fan and admirer of this great band, I have long wanted to remix this classic.

Free Download

Tortoise- Ten Day Interval - De Las Esferas Rework

Buy: https://lnk.to/zzksoundvol4 

ZZK Records Presents ZZK Sound Vol. 4

Born out of an underground Buenos Aires party and first launched in 2008, ZZK Records has spent more than a decade at the forefront of Latin American music, carving out space for artists putting a futuristic (and often electronic) spin on classic rhythms and folklore traditions. Along the way, the label spread across the globe and helped launch a few stars—Nicola Cruz, Chancha Vía Circuito, La Yegros and Son Rompe Pera among them—but ZZK’s search for new artists, sounds and perspectives is never complete.

ZZK Sound Vol. 4 brings together a fresh crop of talent from across Latin America, along with a pair of choice selections from veteran acts Maga Bo (Brazil) and Tremor (Argentina). Compiled by ZZK co-founder DJ Nim—the label’s original A&R (and Chancha Vía Circuito’s older brother), he’d actually taken a five-year hiatus from the project prior to 2020—the compilation’s origins can be traced back to the early days of the pandemic. As the world went into lockdown, he put out a call for submissions, and within three months, he’d received more than 1000 tracks. Nim literally listened to them all, whittling the pile down to his 11 favorites, and after hearing his selections, Grant C. Dull—another ZZK co-founder, who runs the label’s day-to-day operations—couldn’t believe his ears. Nim had done it again. There were no notes, and no changes to the tracklist. ZZK Sound Vol. 4 was quickly put into production.

While previous ZZK Sound compilations were primarily focused on the club, Vol. 4 follows a deeper, more introspective path. It’s not an ambient record—no ZZK release would be complete without drums—but the hypnotic rhythms here are far more concerned with the collective unconscious than the dancefloor.
Opening with spellbinding tracks from Pawkarmayta and QOQEQA—both hailing from Perú—the compilation immediately exudes a sort of ritual magic, calling upon both African and indigenous musical traditions while tapping into modern electronic music and a uniquely Latin sense of mysticism. Sebuky, a native Ecuadorian currently stationed in Barcelona, adds a bit more low-end heft to the proceedings, and that percussive weight continues through the similarly transportive contributions of Mangle (Colombia), Cruzloma (Ecuador) and Selvagia (Perú/Argentina via México).

Elsewhere, Yoyoyo transforms the cueca music of his native Chile, Akilin enlists American rapper Bomani Armah to help him explore Afro-Venezuelan traditions and Maga Bo’s “Cadê Zé”—the first Brazilian track to ever appear on a ZZK release—is a bass-loaded (albeit undeniably spiritual) banger. Galo Vermelho (Argentina) delivers a polyrhythmic lesson in digital folklore, following in the footsteps of Buenos Aires outfit Tremor—one of the first acts ever signed to ZZK—who close out the compilation with a rousing bit of almost Lynchian revelry.

At this point, few music fans need to be sold on the appeal of Latin music, but ZZK, which has been operating in this sphere since long before the genre became the “next big thing,” is dedicated to the idea that the potency of these sounds extends well beyond the pop charts. Hopping between continents and recontextualizing rhythmic lineages that date back centuries, ZZK Sound Vol. 4 is both an arresting snapshot of Latin America’s electronic avant garde and a thrilling preview of its next wave.

ZZK Sound Vol. 4 will be released on May 20th, 2022 on vinyl and streaming platforms.

Artwork by Anabel Uyana AKA @mofractal https://www.instagram.com/mofractal/
Curated by DJ Nim
Mastered by Matias Parisi

ZZK Sound Vol. 4

Cadê Zé

Maga Bo - Cadê Zé (feat. Rosângela Macedo)

Thub - El hombre caimán (Folcore 138)
Folcore Records website: https://folcore.org
Folcore Records on Bandcamp: https://folcore-records.bandcamp.com

-en castellano más abajo-

About "El hombre caimán"

"El hombre caimán" (Folcore 138) "The alligator man" is an album that seeks to be influenced by the landscapes, traditions and legends of Colombia, interpreted from the sounds of electronic folk with cinematic and psychedelic touches very much in the vein of Thub. Among the songs on the album, "El hombre caimán", "Alborada", "Mientras duermen" and the singles, already released "Darién" and "Sensible" stand out.

About Thub

Thub was born as a proposal of music fusion between the Colombian folk sounds and the techniques of creation and production of western modern music, using synthesizers, samplers, and drum machines as tools to create a colored contour that travels between the rhythms of cumbia and the textures of modern electronic music.

In 2017 Thub released his first album "En el trópico" through Folcore Records and in 2018 he released the EP "Tierra de Nadie" in which you can feel a rhythmic change marked by experiencing other cadences and other tempos.

After a while and through the experimentation of a new performance, the third musical proposal is released in 2022 under the name of "El Hombre Caimán", a work of more than two years of creation, in which a high influence of Bass Music is heard and the asynchronous rhythms that give a unique character to each track and that seek to recreate environments and situations very typical of Colombia halfway between downtempo and midtempo.

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Acerca de "El Hombre Caimán"

"El hombre caimán" (Folcore 138) es un álbum que busca influenciarse de los paisajes, tradiciones y leyendas de Colombia, interpretados desde las sonoridades del folk electrónico con toques cinemáticos y psicodélicos muy propios de Thub. Entre los temas que componen el disco se destacan "El hombre caimán", "Alborada", "Mientras duermen" y los singles que ya se adelantaron al lanzamiento "Darién" y "Sensible".

Melodías, ritmos y atmósferas inigualables, cadenciosos y hasta nostálgicos, se presentan sobre sólidas báses electrónicas matizadas con arreglos dub y minimal.

Acerca de Thub

Thub nace como una propuesta de musica fusión entre los sonidos folclóricos colombianos y las técnicas de creación y producción de la música moderna occidental, haciendo uso de sintetizadores, samplers y cajas de ritmos como herramientas para crear un contorno coloreado que viaja entre los ritmos de la cumbia y las texturas de la música electrónica moderna.

En 2017 Thub lanza su primer álbum “En el trópico” a través del sello Folcore Records y al año siguiente hace el lanzamiento de un EP titulado “Tierra de Nadie” en el cual se aprecia un cambio rítmico marcado por experimentar otras cadencias y otros tempos.

Luego de un tiempo y a través de la experimentación de un nuevo performance, nace la tercera propuesta para 2022 llamada "El Hombre Caimán", un trabajo de más de dos años de creación, en el cual se escucha una alta influencia de la Bass Music y los ritmos asincopados que le dan un caracter único a cada track y que buscan recrear ambientes y situaciones muy propias de Colombia a medio camino entre el downtempo y el midtempo. 
credits
released May 6, 2022

Thub is Daniel Vergara.
Composed, mixed and arranged in Colombia by Daniel Vergara
Mastering: Maateria (Zaragoza, Spain) www.maateria.com
Artwork: Gonzalo Varela, The Magic Lantern Studio (Australia)
Executive production: Folcore Records (Barcelona, Spain)
Folcore Records Bandcamp: folcore-records.bandcamp.com
Folcore Records website: folcore.org

El Hombre Caimna

Playaduna

Cumbia Sobre El Mar

Cumbia Sobre El Mar MASTER EXITO SONIDO CONDOR Cuerdas De Venezuela

Night Safari: https://badpandarecords.bandcamp.com/album/populous-night-safari


Populous "Quad Boogie" (feat. Digi G'Alessio) *FREE DOWNLOAD*

Out now on via Shango Records, Bora Bora's Mist - Afro Latin Electronic Music Compilation. SHNGCD 02

This is what happened. On the night that the worst heat wave in Polynesia history finally broke-that night of July 19-entire Bora-Bora was lashed with the most vicious thunderstorm I have ever seen. We lived on Pound Low, and we saw the first of the storms beating its way across the water toward us just before dark. For an hour before, the air had been utterly still. The heat was like a solid thing, and it seemed as deep as a sullen quarry-water. That afternoon we had gone swimming, but the water was no relief unless you went out deep. We came back to the house and we sat without talking much, smoking and looking across the sullen flat mirror of the sea, a few powerboats droned back and forth. The thunderheads were getting closer, pushing away the blue. There was no doubt now that a storm was coming. The clouds twisted and rolled, now black, now purple, now veined, now black again. And the storm came over……..That was when it started getting dark….but no, that’s not exactly right. My thought at the time was not that it was getting dark but that the lights in the market has gone out. I looked up at the fluorescents in a quick reflex action, and I wasn’t alone. And at first, until I remembered the power failure, it seemed that was it, that was what had changed the quality of the light, then I remembered they had been out all the time we had been in the market and things hadn’t seemed dark before. Then I knew, even before the people at the window started to yell and point. 

The mist was coming. It came with lazy speed. It was white and bright but non-reflecting. It was coming fast, and it had blotted out most of the sun.

Bora Bora's Mist

Conga Dub

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Señor Chancho Meets El Buga - Conga Dub

Cumbia Amazonica

Apocalypso Now!

Salvador Araguaya - Apocalypso Now!

LEMURIA - DNGDNGDNG [Dengue Dengue Dengue]

Frente Bolivarista is proud to present to all our beloved followers the forthcoming release "Di Laif - Xibalbá" meticulously crafted by the talented Guatemalan born / Paris based music producer Diego Pappa.

Di Laif has been merging heavy lines of electronic music with the the mighty musical energy of Mayan culture underscoring traces of his background . The EP "Xibalbá" brings to the listener rough and solid rhythmic bases influenced by acid and techno, the flutes and drums takes you to ancient territories from Central American resourceful and contorted rainforests.

Join us for this mystical and psychedelic journey!

releases July 28, 2020

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Cover Art. Juliana Lira (www.julianaalira.com)
Mastering: GS Mastering & Post
Distribution: Musicdeli

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Listen to Di Laif at www.soundcloud.com/dilaif/
Follow Di Laif in Instagram at www.instagram.com/di.laif/

Xibalbá

Pre-order on Bandcamp!

Di Laif - Flama

In July 2015 a new electronic music label was born in Brazil. Amidst the rise of many new talents in need of space to show their work, Tropical Twista Records started with the idea to give voice to these brilliant artists, from Brazil and the rest of the world.

Music by https://soundcloud.com/piglion

Pigmalião - Drums Of Poison

Electropicoso

Jaradub

De Las Esferas is the electronic facet of Multi-Instrumentalist and producer Rafael Echegoyen, who captures his interest in world music on its tracks with energetic sets that transcend genres, cultures and borders.

<< Percussionist alongside Rodrigo Gallardo >>

Active in the world of electronics since 2017, he has shared the stage with international artists such as Chancha Vía Circuito, Dengue Dengue Dengue, Lagartijeando, Frikstailers, Baiuca, Mose and Kaleema among others. He has collaborated live for sets with Rodrigo Gallardo, Dandara, Biomigrant, Federico Estevez and Nación Ekeko.

Releases on:
@camelridersrec
@cosmovisionrecords
@downtemporituals
@plurpurarecords
@downtempolove
@elsantuariomusik

#Folcklore
#Cumbia
#Downtempo
#MusicaParaVolar 

"There is geometry in the humming of the strings
... there is music in the spacing of the spheres."

Lo material<----∞---->Lo inmaterial
...El sonido uniéndolo todo

ॐHarmonia tou kosmouॐ

Tortoise- Ten Day Interval - De Las Esferas Rework

De Las Esferas

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