Acceptance of the Erotic

I Want You

You run, run, run
You run, run, run
Do run, run, run
You run, run, run

I got a big mouth and it do run, run, run
You run, run, run
I got a big mouth and it do run, run, run
You and your crew run, run, run
Shook one -- you run, run, run
You run, run, run
I got a big mouth and it do run, run, run

We can

Take it to the stage as the people's ballot
That's no challenge, you medium talent
Alcoholic cokehead has to sit down on the stage
Can't even use your balance!

You run, run, run, run
You run, run, run, run
You fucking shook one
Shook one

Well, I'm Imp the Dimp -- the Rap Gustav Klimt
The Sex of Spite is my delight
Sticking words to you just like pins through a voodoo
Doll, I'm ill -- packed to gill with all gall
Toy soldiers on call, will all fall
Enfant terrible, mission impossible
Hear, hear! 
I was never in fear
Of Old Mother Ron Hubbard and her daughter:
Fake-Ass Lady Miss Kier 
Prince with a New Groove Within the Heart
Since bringing light to a few moves done in the dark
Cooking up the stew and steady stirrin' the pot
And doing what I gotta do to put the words to the plot
Now here's the part of the story where shit gets good
See me boppin' like I'm Adam Ant draped in Viv Westwood
Running at a Liberal Pace
While I'm Rocking from a Liminal Place
As the Dweller on the Threshold with the gets-'hold
Of my life held tight within my hand until I get old
Many years -- no fewer, no lesser than
Draw first stone just like I'm David, no Letterman
Jacket -- let a man get busy in the racket
Busy in the body -- till then, buddy, you can't hack it
Hawk with a vision 'til I'm under an Invasion
Like Zim
You see me and you say, "I wanna be like him."
Artist at the desk, penciling you right in
To the melodrama that I've been writin'
If
You get next to this exorcist, you get haunted
Wallflowerism could be over if you want it
Mi nuh come up inna dance fi cross arms and hands
I'm talking to you fake cool kids and all your mans
Dreams *you* Cast? Huh!
Are less than half-assed
I put you out at half-mast
I put myself out some so you see that I'm awesome
While you and your Team Phlote in flotsam
Run into the river of the rhythm that I rhyme on
But you're too tame to take time on 
Bedroom-tier DJ's see stage
How wonders don't cease to amaze
These days!

I got a big mouth and it do run, run, run
You run, run, run
I got a big mouth and it do run, run, run
You run, run, run, run
Shook one -- you run, run, run
You run, run, run
I got a big mouth and it do run, run, run
You run, run, run

Fiyah bun
Fiyah bun pon a man like you
You know what you do
You off-Brand Nubian
You fucking palette swap Yakubian

Fiyah bun
Fiyah bun
Fiyah bun!
Fi-i-yah bun! Yeah!

I'm so sick of you and the slight of your hand
Fronting like you're tryna get down with I-Man
Could you ever really get fresh like I can?

Christian Ivey's Album

Mild(rough)

A simple yet funky flip of a song from the beloved cartoon, Tom & Jerry. Jazz/blues reworked into a boom bap beat in MC Zappa's signature style.

Untitled Tom & Jerry Boom Bap Beat For Sale (Prod. By MC Zappa)

I Can feat RAFAEL

i actually recorded this shit in a closet

produced by pis.i*

ig: shmyles
twitter: itsjustshme

storage closet freestyle

Dub and bonus beats mixes were the hidden treats on many '80s hip-hop 12-inch singles – tripped out tracks where re-imagined bass, drum and tape edit arrangements took center stage, and echo-drenched rap fragments floated in and out like ghostly guests. These mixes were also showcases for a generation of transcendent engineers/editors/producers – e.g. Aldo Marin, Carlos Berrios, Omar Santana, Marley Marl & others – at an early moment when hip-hop, R&B, electro and dance music comfortably comingled. Flying solo at the controls on this episode, I explore an hour of ’80s hip-hop 12-inch bonus beats and dub mixes, from the slept-on to the classic.

(Produced by Harley Brown; engineered by Ryan Woodhall, photo by Maxwell Schiano)

Across 135th Street - Cold Gettin Dub, 7.18.17

Chessgame

Super Rare recording of the legendary 'Trip' party in New York City at Club Mars from 1989. This is what an actual old school Hip Hop jam sounded like. DJ Duke of Denmark on the turntables with the legendary Grandmaster Caz and Almighty Kay Gee of the one and only Cold Crush Brothers as Master of Ceremonies (and kicking a few freestyles). This is before all clubs went 'Bottle Service' so literally 2000 people are on their feet, dancing, and screaming. You can even hear a fight break out that the MCs shut down quick fast. Even Russell Simmons get shouted out. It was a highlight of my life to be a part of this party. RIP Beasley 79.

Original recording by Yuki Watanabi (recorded bootleg style with a mic on a tape cassette). I recovered what audio I could using iZotope RX8 (Thanks A Trak)It was a lot fo work. Enjoy.

Trip at Club Mars LIVE 1989 - Grandmaster Caz, Almighty Kay Gee, and DJ Duke of Denmark

Demo from the unreleased TJ Swan project with Marley Marl

TJ Swan - Sensitive Love

TJ Swan - Love Is Blind

Greatest MC in the World.
rahischillin@gmail.com

RUN

RAFAEL✮STAR

Related tracks