awesome "sound layers" you composed. it is really interesting the links between this apparent "cacophony of sound". cheers

To accompany SHOWstudio's exhibition on punk, Nick Knight interviews the photographers responsible for capturing the images that coined the movement. The conversations focus on each of the individual photographs featured in the show, and reveal the stories which surround them, the nuances of the compositions and the technical details which achieved the shots.

In the next interview of the series Nick Knight speaks with Judy Linn about her photograph of Patti Smith and Robert Mapplethorpe. 

Taken on Leica m4 and a 35mm sumicron lens, tri-x film and rodinal developer

 

Punk Photography Interview - Judy Linn and Nick Knight

Para Vestir o Vazio

Song Cycle for soprano, violin, cello, flute and clarinet about poems by Sylvie Robert.
Performers:
Françoise Kubler and Accroche Note Ensemble
Live recording, Festival Musica, October 3th 2015
Salle de la Bourse, Strasbourg


Songs : I. Primavera for soprano, flute, clarinet, violin, cello and piano (2015) # Accroche Note

A Fé Do Pêssego (2008)

Mashup soltinho, combinando duas grandes interpretações desse clássico do Chico Buarque e do Edu Lobo, à pedido da Lígia Petrucci, que pequisa performance de cena da Mônica Salmaso e da Maria João no ppgac da UFRGS

Beatrizes

Orchestre des Lauréats du Conservatoire
Sous la direction de Pierre-André Vallade

Flashforward I - Nterrfeenzia

In physics, mass–energy equivalence is the concept that the mass of a body is a measure of its energy content.
This concept states that mass is a property of all energy and energy is a property of all mass, and the two properties are connected by a constant: the speed of light. To Einstein, mass–energy equivalence is a consequence of the relativistic symmetries of space and time.
In "Mass & Energy", thus, this concept is explored musically.
The interactions between sound material and the musical structures are a consequence of the 'energy' of the musical gesture. And, as a consequence, the spatial localization of the sounds reflects the intensity of this interactions.
This work was created at CIME - Centro de Investigação em Música Electrónica (Center for Research in Electronic Music), at the University of Aveiro, Portugal.

This work received the Honorable Mention at the Concurso Latinoamericano de Composición Electroacústica Gustavo Becerra Schmidt, promoted by the Comunidad Electroacústica de Chile CECh, in the year 2012.

Mass & Energy (2012)

"Nos trilhos da natureza", com as preciosas participações de Erik Pronk (viola caipira), Fausto Lessa Pizzolato (baixo) e Carlos Eduardo (acordeon, mix e master), a quem muito agradeço. Em breve, sairá um vídeo produzido por Patrícia Lima.

Nos trilhos da Natureza

Brazilian composer, graduated in Music Composition at the Federal University of Rio Grande do Sul. WIth special interests in electroacoustic music composition, instrumental music and soundscapes. From 2001 to 2006 he was a researcher at CME (Center for Electronic Music) at the Federal University of Rio Grande do Sul. Since 2008, lives in Portugal where he is developing a PhD project at CIME (Center for the Investigation in Electronic Music), at the University of Aveiro, about the use of environmental sounds and its referential possibilities in works of electroacoustic music with live instruments.

Mass & Energy (2012)

Rafa Oliveira

Recent comments

Bruno Ferreira

Firb

Related tracks