An extract from the sound design from the recent production of 'This Last Piece of Sky' at The Space Arts Centre, London. Two cities, two young people. A beautiful, lyrical play that explores our ability to transcend boundaries and look beyond our accepted reality.

This Last Piece of Sky | Composition

This is an example from the sound design of 'Macbeth', I did in 2019. This production was a collaboration with composer Jordan E. Bryan, and this specific example was included in Act 1 Scene 3.

Macbeth | Sound Design

Using the MIDI for this famous piece of classic music, I was able to change its tonality and overall audio aesthetic to make it appropriate for a small music box. This shows the versatility of my work, and how much is possible using digital audio processing.

Swan Lake Music Box | Sound Design

A short piece of electronic music, composed to underscore a movement-heavy transition onstage. This piece kept the show's pace while allowing for a release of tension.

Movement Sequence | Composition

A piece of Research and Development for a devised performance, featuring Eleanor Banasik on flute and composition by Jordan E. Bryan. The motifs in this extract mirror that of birdsong, as young creatures begin to find their way in the world.

An Emotional Reaction | Sound Design

An extract from my sound design for 'Man Muck', a piece of new writing from Tama Phethean for The Etcetera Theatre, Camden. This play explored male mental health, and faltering when trying to meet the expectations of others.

Man Muck | Sound Design

An extract from my sound design for 'The Yellow Wallpaper', directed by Briony O'Callaghan at the Catford Broadway Studio Theatre. This piece was based on a short story by Charlotte Gilman. This work of American, feminist literature explores the attitudes towards women's mental and physical health in the 19th Century.

The Yellow Wallpaper | Sound Design

Working across a variety of types of lice persistence, Raffaela Pancucci is a sound designer, composer, and graduate of the Royal Central School of Speech and Drama. Raffaela's work is always grounded in contextual research, allowing her to make subtle yet effective sonic choices.

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