Inspired by experimenting with kaosspad 3 and then mixing and designing further in ableton. Hope you enjoy this technoid hypnosis!
whole album: https://rageblanche.bandcamp.com/album/altered-states

Altered States

Here's my two hour mix from opening for Silent Servant at the iconic Smartbar in Chicago February 25th, 2022.

KonaFM Smartbar 02/25/22

The roots of trash hop. Uviju ti se oko noge, k'o loza oko chokota. Produkcija ludilo, k'o i obicno.

Psiho (ft. Roofless)

Artist: @ici-mtn
Label: @secuencias_temporales
Release date: 15.04.2024

ICI MTN is a live performer and producer, member of the Franco-Dutch collective Plor ~ @howaboutplor . Through his creations, he develops a hypnotic and melancholic universe with a deep, minimal and hybrid techno aesthetic.

Close to sound creation and electroacoustic music, he maintains a porous link with these influences, which naturally lead him to integrate a sensitive, poetic dimension into his music.

He considers this first release as a very intimate world, in which he has tried to place all the tracks likely to introduce the listener to his meditative vision of dance music.

The intention is to embrace a wide range of aesthetics, such as hypnotic techno, deep percussive rhythms or mental grooves, while focusing on complex atmospheres and textures. It's a notion that brings a lot of sensations as a listener, so he wanted to transcribe them as best as possible in this debut project.

BUY: https://secuenciastemporales.bandcamp.com/album/ici-mtn-hidden-thoughts-st072

Artist Insta: https://instagram.com/ici_mtn
Label Insta: https://instagram.com/secuencias_temporales

𝒑𝒓𝒆𝒎𝒊𝒆𝒓𝒆: ICI MTN - Clouds And Feathers [ST072]

Lost one-take recording for Trax Magazine from 24 January 2021, published in March 2021. 
Back by popular demand.

Vladimir Ivkovic - Trax Mix Series 423

The concept and improvisation of the lyrics of the song were created in my head around October, November 2008th at the apartment in a street called 11 November in Belgrade..
Then I created the whole song and wrote down on the paper as a future song I want to record and make full complete tracks with piano, guitar, drums, violins, accordion and lots of other instruments..
I remember myself singing it in front of the mirror and imagionationg how once this song will be published in some huge opera house with a full orchestra as me as a dirigent and singer.
I told the Idea a friend of mine called Djurdjica and later we did the duo improvisation on a keyboard and recorded it..
She played the notes and I was on the effects..
That Improvisation was made in Abelton at her home one happy day 2008th..
It’s Uploaded on the Bandcamp btw.
The Idea was very big about this song and I saved that paper of whole lyrics because I didn't had the recording device back then..
2 fucking years later I got the Zoom recorder from a friend Marko and recorded some improvisational singing of the song,  I think from my head because in the meantime I lost the paper with the full lyrics so till this day I don’t know is the song in full order of strophe..
I recorded like 8  improvisational recording of 5 strophes on a recorder and just leave it on my computer because I was busy doing some other music and sounds in the meantime..
So like 8 years later I was searching random recording on my computer and found a folder of the 8 recordings of the song called Big Blue Sky and just get the idea that I need to finish what I started back then..
So I took my own recorder Zoom H-4 N and recorded the 5 strophes of that song in a new version of a voice in a couple of tries to imitate the soft sound I had back then but did not quite get the softly vocal I have back then..
I recorded it on 27th. ‎may ‎2018th..
And a few days later started doing the listening and slowly arranging the concept and structure of the notes,instrument I am gonna use and just began to slowly make the song with so many additional recordings of my own guitar and few extra night sound recs as a background which you can not hear because of the whole sound in the song..
I was going very slow and precise on this, every strophe with piano day by day and every strophe with guitar day by day..
Then I did the background of voice as additional softly emotional voice 2 times..
And later did the additional recording of my traditional accordion, mouth harp and xylophone..
It took me 29 days to complete the song as no 100 % the way I wanted it, but it has very similar idea from the original concept created back in 2008th..
More information:
One day back in ‎16. ‎october ‎2017th ‏‎I was painting some paper and the process of that creation of art is called “spill the colors” when I just spill the colors on the random paper from some wrapping material from a cookies package and by accident I spill the yellow and orange Farbe on my ground which mixed up and created something very precious to me as personal ‘’God's will’’ ground art..
Months later the rain came in through my window and spilled a little of the corners of that ‘’piece of art’’ but didn't ruin the concept just moved it a little bit.
So back to the story – I was thinking how to do a video for my song from 2008th and just clicked the idea that I should just wipe of the floor the masterpiece of “God's will” accidental art.
So I just recorded how I am wiping it from the floor and put that as a video material for my like first biggest concept of a song ever.
That is it – This is the Big Blue Sky audio video concept completed in late June 2018th.

Big Blue Sky

Valentino Mora - Homage To Function

All Mutant Disco Radio Show premieres available on :

Youtube : https://www.youtube.com/channel/UCLypdVb_SuSmL_C21MgXo2Q
Spotify : https://open.spotify.com/playlist/31NT4Oq48gcKdmttAFbx23
Facebook group : https://www.facebook.com/groups/170732496230
Facebook page : https://www.facebook.com/MutantDiscoRadioShow
Twitter : https://twitter.com/LeriAhel
Soundcloud : https://soundcloud.com/mutant-disco

Taken from "Schaa - Neptune EP (Placid)".  Out May 17th 2024. Buy here : https://placidum.bandcamp.com/album/neptune

Paris based artist Shcaa returns to his Placidum imprint this May with the four-track ‘Neptune’ EP, showcasing his abstract twist on contemporary electronic music.
Over the past decade Shcaa’s works have found a home on the likes of Sharingtones, Automatic Writing, Blank Slate and Apollo among others, his signature sound encapsulates intricate layering, dynamic details and subtle nuance all the same. Here with
this new EP and the continuation of his fledgling label, Placidum, Shcaa expands on his roots and long standing relationship with club music, while also unveiling a hidden substance beyond the dance factor through musical experimentation.
Opening the EP is ‘Her Conscious Drift To Neptune’s Frozen Reliefs’, a haunting slice of micro tinged house fuelled by a jazzy rhythm, modulating synth melodies, wandering bass tones and expansive atmospheric swells. ‘Leviatano’ follows next and wanders into dubtinged territory via an amalgamation of stab sequences, hazy textures, shuffled percussion and hypnotic vocal chants.‘Where Have We Met’ follows next to open the latter half of the release, seeing Shcaa sonically diverge into a melancholic ambient world through unfurling synth lines, plucked psychedelic strings and processed voices. Title-cut ‘Neptune’ then rounds out the EP, a billowing excursion through bubbling synth flutters, swaying echoes, spiralling dub echoes and metallic flutters. This release resonates with several of the artists’ endeavours /obsessions. An aquatic quality both in the poetic imageries and evolving structures. A tension encompassed between the memory and the now.

Artist social media :

https://www.instagram.com/shcaas

Label social media:

https://soundcloud.com/placidum
https://www.facebook.com/placidum
https://twitter.com/placidstrait

Neptum EP

Her Conscious Drift To Neptune’s Frozen Reliefs

PREMIERE : Shcaa - Her Conscious Drift To Neptune’s Frozen Reliefs (Placidum)

JSR010524

by @magicmuelli & @madlubi

As the musician Mathew Halsall was unable to find a suitable label for his releases, he founded his own music label 'Gondwana Records' in Manchester in 2008. The label is now regarded as the nucleus of the young jazz scene in Manchester and is home to musicians from the UK, Belgium, Poland, USA, Australia and Scandinavia, among others. This results in an exciting contemporary spectrum of spiritual meditative jazz, neo-classical and ambient-electronic crossover. We introduce you to some of the label's artists and projects: Chip Wickam, GoGo Penguin, Mammal Hands, Paradise Cinema, Sunda Arc, Hania Rani, ...

https://www.gondwanarecords.com/

This version is without the spoken parts, just the music.

First aired on Cashmere Radio on November 11, 2023
https://cashmereradio.com/episode/the-endless-tape-machine-20-label-showcase-gondwana-records/

The Endless Tape Machine #20 - Label Showcase: Gondwana Records

The first edition of Mechatronicast is built by Berlin based producer and DJ, Privacy. We first encountered him and his stunning record selection a couple of years ago at OHM, and have since then had the pleasure of inviting him to play several Mechatronica nights.

With recent 12"s out on Valcrond Video, Lobster Theremin and Klasse Wrecks, Privacy continues to produce exceptional diverse electronic music and mesh records like no one else in the game. In the vein of his DJ sets, this contribution to Mechatronicast is a powerful sticky blend of electro, EBM, techno, ghetto and more.

Privacy will appear on MTRON001, the first Mechatronica vinyl record release, later this year - and headline at our 4-Year Birthday Bash in Griessmühle on April 9-10: https://www.residentadvisor.net/event.aspx?812311 + https://www.facebook.com/events/1063738880355543/

@privacyprivacy

Mechatronicast #1: Privacy

Petar Vakić was born in Novi Sad, raised in Ruma where he showed interest in early teens for alternative music and was for a time playing guitar with alternative hardcore band Duo De La Muerte. Studied (and graduated in) applied photography (graphical engineering and design) and showed a great interest and enthusiasm for electronic music in his 20's, going to minimal techno and house parties, raves, organizing events and started to produce his own music about 2013. influenced by a lot of electronic acts and artists as well as the other music engraved in him.
After releasing albums for Abstract World Records (Ambient Series 003) and Quiet Strength Records (From Mold to Medicine) he became sort of an outlaw with his self released stuff with some of the albums which were praised by Popscotch and Issue magazine. His sound constantly evolves and is engraved in experimenting and further designing everything he can put his hands on insisting on hardware instruments, guitar pedals and processors. 
He had DJ sets at the beginning but later focused on live performing and made it on Live Soundtrack events held in Belgrade, Serbia as well as one time in Ruma.  
From 2019. he collaborates with Aca N. in project CoPhones where they jam the night after night with hardware, experimenting with sound and exploring all kinds of modulation available to them making their own kind of raw, industrial fueled electro punk.

write: rageblanche@protonmail.com
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--Art as a process without the (ultimate) goal (or final destination)--

Altered States

Rage Blanche

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